Boston Baroque Closes 50th Season with March Concert and April Opera
by A.A. Cristi
- Jan 11, 2023
Boston Baroque concludes its 50th season with two programs in March and April. First, Boston Baroque presents two works by Mozart—his “Jupiter” Symphony No. 41 and the Sinfonia concertante featuring soloists Christina Day Martinson, violin, and Jason Fisher, viola. Finally, the season comes to a close with a new production of Gluck's opera Iphigénie en Tauride starring Wendy Bryn Harmer, William Burden, and Jesse Blumberg.
Samuel Beckett's ENDGAME to Open at Washington Stage Guild This Month
by Chloe Rabinowitz
- Jan 5, 2023
The Washington Stage Guild will continue its 2022-2023 season, a “Season of Transitions,” with Endgame by Samuel Beckett, directed by Alan Wade. Performances begin January 26 - 28 with four Pay-What-You-Can previews and run until February 19, 2023.
ONE WHO WANTS TO CROSS has its UK Premiere at the Finborough Theatre This Month
by Stephi Wild
- Jan 4, 2023
Alice Hamilton directs the UK premiere of One Who Wants To Cross by award-winning French playwright Marc-Emmanuel Soriano at the Finborough Theatre for a four week limited season on Tuesday, 31 January 2023 (Press Nights: Thursday, 2 February 2023 and Friday, 3 February 2023 at 7.30 pm).
ONE NIGHT STANDS Announced At The Royal Court Theatre
by A.A. Cristi
- Nov 18, 2022
The Royal Court Theatre will present One Night Stands, a series of one-off performances from familiar faces this December. Throwing open the doors to the Jerwood Theatre Upstairs, the Royal Court has invited a selection of theatre-makers, writers, singers, activists and artists to present intimate evenings in their company, each one completely different from the last. The mutually fulfilling, no strings attached one-nighters will run between 1 - 17 December.
Boston Baroque Publishes Editions, Cadenzas, & Ornaments By Martin Pearlman
by A.A. Cristi
- Nov 17, 2022
Boston Baroque will add to its Resource Library five performing and critical editions, as well as cadenzas and ornamentation for various works, all created by Founding Music Director Martin Pearlman. These additions to the Resource Library represent a significant contribution to the early music field.
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