A VIEW FROM THE BRIDGE, starring Dominic West, Will Transfer to the West End in May
by Stephi Wild
- Jan 30, 2024
Arthur Miller’s A View from the Bridge will transfer to the West End, starring BAFTA Award winner Dominic West (The Wire, The Crown, The Affair), Olivier and Tony Award nominee Kate Fleetwood (Harry Potter and the Deathly Hallows, Macbeth, London Road) and BAFTA Cymru Award winner Callum Scott Howells, (It’s A Sin, Cabaret).
Ana Ofelia Murguía, Imagen Imprescindible En Los Teatros Y El Cine
by Blair Ingenthron
- Jan 27, 2024
Ana Ofelia Murguía, a beloved actress in theaters and cinema, receives a heartfelt tribute from the Secretaría de Cultura and Inbal. The event was attended by the public, family, colleagues, and friends who honored her with a minute of applause.
Paul Bogaev Will Celebrate Bruce Springsteen and Tom Waits in NO SURRENDER
by Stephi Wild
- Jan 24, 2024
Grammy & Emmy award-winning musician Paul Bogaev, Musical Director of the highly-acclaimed revival of Sondheim’s Pacific Overtures at the Menier Chocolate Factory & Trevor Nunn’s Fiddler on the Roof, will celebrate legendary songwriters Bruce Springsteen and Tom Waits in NO SURRENDER.
Cast Set for Sheffield Theatre's THE CRUCIBLE
by Aliya Al-Hassan
- Jan 17, 2024
Sheffield Theatres has announced the cast for The Crucible. Arthur Miller’s timeless masterpiece, based on the events of the infamous Salem witch trials, is directed by Anthony Lau (Miss Saigon, Anna Karenina) and runs in the Crucible from Saturday 2 – Saturday 30 March.
Mauricio Martínez Returns to 54 Below Next Month
by Stephi Wild
- Jan 17, 2024
54 BELOW has announced the return of the telenovela heartthrob and Broadway Musical Star Mauricio Martínez who will bring his show, 5’11”, Based in NYC show to 54 Below on Sunday, Feb 4 at 7 pm with pianist and musical director Brian J. Nash and a live band.
Review: THE GOOD JOHN PROCTOR, Jermyn Street Theatre
by Cindy Marcolina
- Jan 12, 2024
Betty Parris and Abigail Williams’ lives are ruled by suspicion and spiritual insulation, where even playing is considered a sin. Everything changes when the latter starts working on John Proctor’s farm. Part of Jermyn Street Theatre’s Footprints Festival, The Good John Proctor bookends The Crucible, taking all its themes and putting them under the lenses of childhood. Regrettably, it’s underwhelming, muddled, and way too long for what it is.
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