BWW Reviews: Michael Pink's NUTCRACKER Perfects Visions of Sugarplums

Related: Milwaukee Ballet, Dance, The Nutcracker, Tchaikovsky, Tannebaum Family, Nicole Teague, Milwaukee Children's Chorus, Ryan Martin, Luz San Miguel, Courtney Kramer, Eric Johnson, Timothy O'Donnell, Peggy Sue Dunigan, Postscript Performing Arts, Michael Pink, Milwaukee Performing Arts, Marcus Center for the Performing Arts, Uhliein Hall

While "visions of sugarplums" may appear fantastical, Artistic Director Michael Pink presents these marvelous performance delights for the city again this December. Under Pink's direction and choreography, The Milwaukee Ballet presents Pyotr Ilyich Tchaikovsky's The Nutcracker for another holiday season. While Pink's narrative decisions have created treasured memories for the past decade during his tenure, various other versions along with live music from the Milwaukee Ballet Orchestra have transformed the ballet into reality in Milwaukee for almost 40 years.

Pink's sugarplums, snowflakes, jacks, flowers and fairies cavort and delight in the fantasy world inhabited by Claire, Marie, Fritz and Herr Drosselmeyer, accompanied by his young nephew Karl, at the Tannebaum family celebration. After the guests leave the Victorian era party, Drosselmeyer sprinkles his magical dust, and the siblings travel to the Land of Toys and Sweets one Christmas Eve when the Grandfather clock strikes midnight, and the Christmas tree grows, another scene treasured by those who attend every year.

At the stroke of twelve, the Mouse King battles Marie's beloved Nutcracker given to her by Drosselmeyer, her treasured gift born to life. When the Mouse King and the Nutcracker have been defeated, Drosselmeyer's magical dust revives the Nutcracker, the disguised Karl, to enjoy the victory sweets together with the Tannebaum siblings. Karl's attraction directed toward Marie, an enchanting Nicole Teague, to Clara's dismay, the lovely Luz San Miguel.

Then the "snowflakes" dance in a scene equally mesmerizing, especially executed by Snow Queen Courtney Kramer, dancing while Clara, Marie, Fritz and Karl frolic among the equally talented corps, where snow falls gently in the background. When the train appears to take the family away to end the first act, one sits mesmerized by the voices of the Milwaukee Children's choir in the background, almost breathless with the beauty and talent performing before them.

While Pink has developed the heart of the Milwaukee Ballet, he has also formed a corps of youth dancers that fill this performance on stage. As these young dancers consistently develop their skills, Pink can draw from a great pool of talent, just as he has established an equally gifted Dance Company, which elevates the entire production year after year.

Visiting this fairy tale world numerous times over decades has made those moments incredibly memorable, on stage and in the mind's eye, where each production reaches further perfection. When seeing the production through fresh eyes, the younger generation discovers the miracle of live performance to renew these traditions. Two first time young fans sat entranced in their seats at the Saturday opening night performance: Mattie, short for Matilda, three years old, and her sister Aniela, five.




More On: Dance Company, Erik Johnson, Ryan Martin,

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Peggy Sue Dunigan Peggy Sue Dunigan earned a BA in Fine Art, a MA in English and then finished with a Masters of Fine Art in Creative Fiction from Pine Manor College, Massachusetts. Currently she independently writes for multiple publications on the culinary, performance and visual arts or works on her own writing projects while also teaching college English and Research Writing in Milwaukee, Wisconsin. Her other creative energy emerges by baking cakes and provincial sweets from vintage recipes so when in the kitchen, at her desk, either drawing or writing, or enjoying evenings at any and all theaters, she strives to provide satisfying memories for the body and soul.



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