BWW Reviews: A Pony's Debut and Two Little Prodigies Steal the Show at NEW YORK CITY BALLET

BWW Reviews: A Pony's Debut and Two Little Prodigies Steal the Show at NEW YORK CITY BALLET

I promise I'm going to give you a complete and serious review of the New York City Ballet's performance at the Koch Theatre on Saturday, February 1st 2014. However, I can't resist starting with the two most endearing and unforgettable moments of the evening. First, a pair of prodigiously talented little girls danced with astonishing precision and panache as the Pearly Princesses in Balanchine's "Union Jack". Kudos to Natalie Glassie and Phoebe Golfinos who are surely headed for stellar careers if the promise they showed that night does indeed come to full flower.

Second, a pony named Spanky made his debut pulling the cart in which Natalie and Phoebe rode on stage and then he proceeded to relieve himself. Stage fright, perhaps? After all, he was replacing the beloved donkey, Giorgio, who had that role for so long. (Ashley Bouder tweeted "We will forever miss Giorgio (RIP), but tonight we welcome Spanky to Union Jack".)

In any case, Natalie and Phoebe as well as Jenifer Ringer and Amar Ramascar portraying the delightfully goofy music hall couple gamely continued cavorting, albeit perhaps a bit farther downstage than had been planned. The minute the thunderous and well-deserved applause subsided, the front curtain came down and a voice over the loudspeaker said, "Ladies and Gentlemen, please excuse us while we clean up our act." The audience roared approval and within minutes, the curtain rose again. The show must go on!

All right, as promised, onward to my full review of the double bill with Jerome Robbins' dreamy "Dances at a Gathering" with Balanchine's dazzling "Union Jack". I was reminded by these choices that Robbins, whose works were so often dramatic and full of humor or pathos, could also create a ballet that is mostly pure movement. The dancers, in minimal costumes and accompanied by a solo piano, only occasionally hinted at romantic liaisons or rivalries. (Brava to Nancy Walters for her superb and tireless rendition of the Chopin pieces. Also, special praise for the lovely Brittany Pollack, promoted to soloist 2013, who gave an especially fine performance. )

Yet in the same way that I like seeing Robbins in a low-key mood, I thoroughly enjoyed experiencing Mr. B with his showman's hat on. "Union Jack" is most definitely not a "leotard ballet". On the contrary, it is nothing short of a spectacle. Balanchine created it to honor our British heritage during our Bicentennial in 1976. The large stage at the Koch fills up with 74 dancers in varying elaborate costumes and headdresses as they represent Scottish and Canadian clans, the Royal Canadian Air Force, and the Women's Royal Naval Service.

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Sondra Forsyth Sondra Forsyth is Editor-in-Chief of Broadway World Dance. A National Magazine Award winner and a member of Dance Critics Association, she founded Ballet Ambassadors in New York City and was the Artistic Director for 16 years with support from the New York City Department of Cultural Affairs. Currently, she teaches ballet and pointe at Ovations Dance Academy on Long Island and is the Ballet Mistress of Ovations Dance Repertory Company. Sondra has served as a guest teacher for the American Ballet Theatre open classes and on the faculty of The School at Steps on Broadway, the Harkness Dance Center of the 92nd Street Y, the Interlochen Center for the Arts, and Studio de Ballet Opera in Beirut, Lebanon. She was Co-Founder and Co-Artistic Director with Jan Hanniford Goetz of the Huntington School of Ballet and the Huntington Ballet Theatre on Long Island. Sondra is also Co-Editor-in-Chief of and formerly held the posts of Executive Editor at Ladies? Home Journal, Features Editor at Cosmopolitan, and Articles Editor at Bride?s. Sondra?s byline has appeared in Dance Magazine and Dance Teacher as well as many major publications. She is the author or co-author of twelve books and holds an M.A. from Harvard.