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UK / West End Theater Reviews

The latest reviews and critic recommendations from UK / West End.

Review: I’M EVERY WOMAN, THE CHAKA KHAN MUSICAL, Troubadour Wembley Park

Review: I’M EVERY WOMAN, THE CHAKA KHAN MUSICAL, Troubadour Wembley Park

by Christiana Rose — August 5, 2026

It is press night for I’m Every Woman: The Chaka Khan Musical at Troubadour Wembley Park Theatre, where one of music’s most influential voices is celebrated in a vibrant biographical production exploring 'the fame, the fire and the fight' behind an extraordinary career.

Review: KÄTZCHEN, Riverside Studios

Review: KÄTZCHEN, Riverside Studios

by Cheryl Markosky — August 5, 2026

It's fiendishly difficult to pull off a one-person show, guiding the narrative arc of a story and playing a multitude of roles.

Review: FLUXORAMA, Riverside Studios

Review: FLUXORAMA, Riverside Studios

by Cheryl Markosky — August 4, 2026

Fluxorama, one of 21 short plays in Riverside Studio's Bitesize Festival, is a series of three monologues written by award-winning Brazilian playwright Jô Bilac.

Review: NOW YOU SEE ME LIVE, London Coliseum

Review: NOW YOU SEE ME LIVE, London Coliseum

by Franco Milazzo — August 3, 2026

Packed to the brim with illusions and disillusionment, it quickly becomes clear that Now You See Me Live is only a magic show in one sense of the word.

Review: THE CAR MAN, Sadler's Wells

Review: THE CAR MAN, Sadler's Wells

by Franco Milazzo — August 3, 2026

Luca swaggers into Harmony (population 375, and dropping) looking less like a drifter than an escapee from a protein powder advert, and Matthew Bourne's dance-noir wastes no time weaponising that effect.

Review: BBC PROMS: MAHLER'S FIRST BY HEART, Royal Albert Hall

Review: BBC PROMS: MAHLER'S FIRST BY HEART, Royal Albert Hall

by Aliya Al-Hassan — August 2, 2026

One of the assured highlights of the Proms in recent years has been the appearance of the Aurora Orchestra, conducted by Nicholas Collon, which explores a seminal piece of music through spoken word, dramatic realisation and musical illustration, then going on to perform the piece.

Review: MALORY TOWERS, Alexandra Palace Theatre

Review: MALORY TOWERS, Alexandra Palace Theatre

by Christiana Rose — August 3, 2026

Emma Rice’s glorious adaptation of Enid Blyton’s Malory Towers returns to Alexandra Palace Theatre with all of the warmth, wit and wonder which made it such a beloved success.

Review: TAO OF GLASS, @sohoplace

Review: TAO OF GLASS, @sohoplace

by Franco Milazzo — July 31, 2026

Six years after its debut in Manchester, My Neighbour Totoro director Phelim McDermott takes centre stage in this emotionally piercing collaboration with iconic composer Philip Glass to London.

Review: SPACE DOGS, The Other Palace

Review: SPACE DOGS, The Other Palace

by Clementine Scott — July 30, 2026

Broadway veterans Nick Blaemire and Van Hughes begin their show tossing canine plushies into the audience, Oprah-style.

Review: CLEANSED, Almeida

Review: CLEANSED, Almeida

by Alexander Cohen — July 30, 2026

Few plays unite cast and audience in mutual struggle like Sarah Kane's Cleansed.

Review: LOVE’S LABOUR’S LOST, Shakespeare’s Globe

Review: LOVE’S LABOUR’S LOST, Shakespeare’s Globe

by Debbie Gilpin — July 30, 2026

The flimsy theme holding together this year’s summer season at Shakespeare’s Globe is ‘1599 or 1939’, which has allowed them to stage a work by Brecht as well as several Shakespeare plays which are frequent flyers at this theatre complex.

Review: A WORLD ELSEWHERE, Shakespeare’s Globe

Review: A WORLD ELSEWHERE, Shakespeare’s Globe

by Christiana Rose — July 31, 2026

Following the Olivier Award nominated success of Rough Magic, Shakespeare’s Globe and Splendid Productions once again demonstrate an extraordinary understanding of family theatre with A World Elsewhere.

Review: BRAINIAC LIVE, Garrick Theatre

Review: BRAINIAC LIVE, Garrick Theatre

by Christiana Rose — July 29, 2026

Following its Olivier Award win for Best Family Show, Brainiac Live returns to the West End with an hour of exhilarating scientific mayhem which proves that education can be every bit as entertaining as it is informative.

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