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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: A MIDSUMMER NIGHT'S DREAM, Sheffield Crucible

BWW Review: A MIDSUMMER NIGHT'S DREAM, Sheffield Crucible

by Ruth Deller — October 3, 2018
A raucous take on the play-within-a-play is a real highlight of this new take on Shakespeare's tale of love and magic....
BWW Review: VERDI'S LA TRAVIATA, King's Head Theatre

BWW Review: VERDI'S LA TRAVIATA, King's Head Theatre

by Gary Naylor — October 3, 2018
Another scaled down opera, retaining full force singing and emotional clout, from the King's Head, Violetta now a pole dancer in a sleazy Bristol nightclub....
BWW Review: DRIP FEED, Soho Theatre

BWW Review: DRIP FEED, Soho Theatre

by Charlie Wilks — October 2, 2018
It's Cork, 1998. Brenda sits contemplating a messy night out, which quickly escalates into a reflection on her entire adult experience. Nursing a disgusting hangover, she investigates the actions of her past, and attempts to regain control of her downward spiralling life. Fresh from a celebrated run...
BWW Review: THE MOUNTAINTOP, Nuffield Southampton Theatres

BWW Review: THE MOUNTAINTOP, Nuffield Southampton Theatres

by Jo Fisher — October 3, 2018
Katori Hall's The Mountaintop invites us to step into the private life of Martin Luther King for one night; one that hangs suspended in time, between his achievements and his final breath....
BWW Review: PACK OF LIES, Menier Chocolate Factory

BWW Review: PACK OF LIES, Menier Chocolate Factory

by Laura Jones — October 2, 2018
Hugh Whitemore's slow-burning dramedy Pack of Lies, is based on the real life events that surrounded a family living in Ruislip who discover that their best friends and neighbours may not be who they think they are....
BWW Album Review: EVERYBODY'S TALKING ABOUT JAMIE (Original West End Cast Recording)

BWW Album Review: EVERYBODY'S TALKING ABOUT JAMIE (Original West End Cast Recording) is Delightfully Engaging

by David Clarke — October 1, 2018
Musicals about young people embracing their truest selves are often delightfully engaging, and Broadway Records release of EVERYBODY'S TALKING ABOUT JAMIE (Original West End Cast Recording) is no exception to that rule. The altogether charming album presents listeners with catchy pop musical theatre...
BWW Review: HOGARTH'S PROGRESS, Rose Theatre Kingston

BWW Review: HOGARTH'S PROGRESS, Rose Theatre Kingston

by Debbie Gilpin — September 30, 2018
Over 30 years since The Art of Success was first performed, beginning in Stratford-upon-Avon and running in both New York and London (where it picked up an Olivier Award nomination), and Nick Dear's play has been revived alongside the world premiere of his new work The Taste of the Town. William Hog...
BWW Review: JURASSIC PARK IN CONCERT, Royal Albert Hall

BWW Review: JURASSIC PARK IN CONCERT, Royal Albert Hall

by Cindy Marcolina — September 30, 2018
The Royal Albert Hall celebrates the 25th anniversary of the release of Jurassic Park presenting the cult classic with a full symphonic orchestra, creating a magical and hair-raising experience. The Czech National Symphony Orchestra conducted by Ben Palmer delivers the overwhelming fascination that'...
BWW Review: FOUR SEASONS/REMEMBRANCE, Peacock Theatre

BWW Review: FOUR SEASONS/REMEMBRANCE, Peacock Theatre

by Dzifa Benson — September 29, 2018
New English Ballet Theatre, founded by artistic director Karen Pilkington-Miksa, has been on a mission to nurture and showcase young dancers and emerging choreographers since it launched seven years ago. In the intervening time, it has become synonymous with a visionary and thoroughly modern approac...
BWW Review: THE LESSON, The Hope Theatre

BWW Review: THE LESSON, The Hope Theatre

by Louis Train — September 28, 2018
The pupil comes prepared for her lesson: pens, notepad, ruler. The professor apologises for being late. The lesson begins. And then, the lesson really begins. In Matthew Parker's clever new production of Ionesco's play, everything is in order but nothing makes sense....
BWW Review: PINTER ONE and PINTER TWO, Harold Pinter Theatre

BWW Review: PINTER ONE and PINTER TWO, Harold Pinter Theatre

by Marianka Swain — September 28, 2018
Jamie Lloyd is marking the 10th anniversary of Harold Pinter's death in remarkable style with his Pinter at the Pinter season, staging all the great man's 20 short plays, plus some sketches and poetry – grouped into seven productions – at the theatre which now bears his name....
BWW Review: ALICE OSWALD'S MEMORIAL, Barbican Theatre

BWW Review: ALICE OSWALD'S MEMORIAL, Barbican Theatre

by Gary Naylor — September 28, 2018
Alice Oswald's epic re-imagining of The Iliad developed into an extraordinary theatrical event that provides intellectual nourishment, but makes great demands on its audience....
BWW Review: WICKED, Apollo Victoria Theatre

BWW Review: WICKED, Apollo Victoria Theatre

by Fiona Scott — September 28, 2018
How does a scarecrow learn to talk? How does one become a tin man? What made the lion so cowardly? In an age where prequels are being released left, right and centre in cinemas, it's no wonder that Wicked, which tells the story of what happened before Dorothy landed in Oz, is celebrating its 12th an...
BWW Review: EVERY DAY I MAKE GREATNESS HAPPEN, Hampstead Theatre

BWW Review: EVERY DAY I MAKE GREATNESS HAPPEN, Hampstead Theatre

by Emma Watkins — September 27, 2018
Hampstead Theatre's Downstairs space has been transformed into a small classroom. Four teens have failed their GCSE English. They're being made to resit to keep their places at the school, and we're privy to their progress during the autumn term......
BWW Review: 17C, Old Vic

BWW Review: 17C, Old Vic

by Debbie Gilpin — September 27, 2018
Most people will associate Samuel Pepys with the Great Fire of London, but there were more to his extensive diaries than that. In fact, he would note down pretty much anything that happened during his day - even if it only resulted in an entry about his bowel movements! Annie-B Parson and Big Dance ...
BWW Review: LIFEBOAT, Jack Studio Theatre

BWW Review: LIFEBOAT, Jack Studio Theatre

by Gary Naylor — September 27, 2018
Lifeboat tells the story of two survivors of the wartime sinking of the SS City of Benares, torpedoed en route to Canada, evacuating children from the UK....
BWW Review: POET IN DA CORNER, Royal Court

BWW Review: POET IN DA CORNER, Royal Court

by Charlie Wilks — September 26, 2018
Many years ago a young girl was given an album that would go on to change her life. It would form the foundations of the woman she'd grow up to be. It'd take her from being a dyslexic struggling to write, to an absolute powerhouse spitting words on the main stage of the Royal Court. poet in da corne...
BWW Album Review: KING KONG Original London Cast Recording

BWW Album Review: KING KONG Original London Cast Recording

by Jenny Ell — September 26, 2018
Not to be confused with the misunderstood silverback gorilla soon to be playing on Broadway, the Original London Cast Recording of South African musical King Kong is being released by Stage Door Records on CD this week....
BWW Review: ANTONY AND CLEOPATRA, National Theatre

BWW Review: ANTONY AND CLEOPATRA, National Theatre

by Debbie Gilpin — September 27, 2018
A pair of Shakespeare's star-crossed lovers make their return to the National Theatre for Simon Godwin's much-anticipated production of Antony and Cleopatra, that sees Ralph Fiennes and Sophie Okonedo follow in the footsteps of the likes of Anthony Hopkins and Judi Dench. For those who can't make it...
BWW Review: JACQUES BREL: A LIFE A THOUSAND TIMES, Mirth, Marvel and Maud

BWW Review: JACQUES BREL: A LIFE A THOUSAND TIMES, Mirth, Marvel and Maud

by Gary Naylor — September 26, 2018
If you have never heard of Jacques Brel, this show serves as a useful introduction to his life and work, but it lacks the confident execution his songs demand....
BWW Review: MARATHON, Barbican

BWW Review: MARATHON, Barbican

by Dzifa Benson — September 26, 2018
If you go to see Alan Fieldan with JAMS' (which presumably stands for the names of the four actors, Jemima, Alan, Malachy and Sophie), Marathon at the Barbican, you'd do you well to remember an illuminating part of the blurb about the show:...
BWW Review: THE OTHER PLACE, Park Theatre

BWW Review: THE OTHER PLACE, Park Theatre

by Laura Jones — September 25, 2018
Following a successful off-Broadway and Broadway run in 2011 and 2013 respectively, and Tony Award nominations, Sharr White's The Other Place has transferred to London's Park Theatre for its UK Premiere....
BroadwayWorld UK Awards 2018: Gary Naylor's Recommendations

BroadwayWorld UK Awards 2018: Gary Naylor's Recommendations

by Gary Naylor — September 27, 2018
The highlights of Gary Naylor's last 12 months and his nominations for the BroadwayWorld UK Awards 2018...
BWW Review: DIRTY DANCING, Theatre Royal Brighton

BWW Review: DIRTY DANCING, Theatre Royal Brighton

by Fiona Scott — September 25, 2018
Dirty Dancing was a box office hit in 1987, a coming-of-age summer romance between dance partners-cum-lovers Frances/'Baby' (Kira Malou) and Johnny (Michael O'Reilly). The film was first adapted for stage in 2004 and has enjoyed worldwide touring success over the years as well as two stints in Londo...
BWW Review: EYAM, Shakespeare's Globe

BWW Review: EYAM, Shakespeare's Globe

by Charlie Wilks — September 22, 2018
Eyam, a place located in Derbyshire that has a law to its own. Isolated from the rest of the country, it has become a microcosm of anarchy, upheaval and deprivation. The villagers play by their own rules, shown quite clearly in the opening scenes with the hanging of their Reverend. Rallying together...
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