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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: THE WRITER'S TOOLKIT by Paul Kalburgi, Nick Hern Books

BWW Review: THE WRITER'S TOOLKIT by Paul Kalburgi, Nick Hern Books

by Cindy Marcolina — October 12, 2020
Practical guides for writers come a dime a dozen these days, but writer and producer Paul Kalburgi approaches the subject from a different path. As he taps into meditation and the ever-occurring battle with procrastination, he paints an honest and down-to-earth picture of the craft of scriptwriting ...
BWW Review: CABARET ALL STARS, Proud Embankment

BWW Review: CABARET ALL STARS, Proud Embankment

by Eleni Cashell — October 11, 2020
Cabaret All Stars has a new addition to their cast, West End star Kerry Ellis. Ellis will be headlining this glamorous evening of circus and cabaret on Fridays in October and November, performing alongside critically acclaimed Cirque du Soleil acts....
BWW Review: THE ROYAL BALLET: BACK ON STAGE, Royal Opera House

BWW Review: THE ROYAL BALLET: BACK ON STAGE, Royal Opera House

by Vikki Jane Vile — October 11, 2020
The Royal Ballet returned to the stage for the first time in seven months on Friday night. Yes, I could contextualise about how this was bitter sweet and dampened by social distancing but, the dance was too stupendous to give any time to that so let's not and just marvel about how wonderful it was t...
BWW Review: THE REUNION, Oval Space

BWW Review: THE REUNION, Oval Space

by Eleni Cashell — October 11, 2020
An evening of pop numbers by inspirational and iconic female singers, seven of the original West End Six queens perform on stage together for the first time....
BWW Review: WHAT THE CONSTITUTION MEANS TO ME, Amazon Prime Video

BWW Review: WHAT THE CONSTITUTION MEANS TO ME, Amazon Prime Video

by Fiona Scott — October 13, 2020
Ita??s unsurprising why Amazon has decided now is the time to release a recorded performance of Heidi Schrecka??s electric political play, What the Constitution Means to Me, on its Prime Video streaming platform. Playing herself, Schreck takes us back to her childhood of speaking at oratory competi...
BWW Review: THAT DRAG SHOW!, Proud Cabaret City

BWW Review: THAT DRAG SHOW!, Proud Cabaret City

by Laura Fuller — October 10, 2020
Fun, frisky and fabulous, That Drag Show! took to the stage at Proud Cabaret last night and delivered a stellar act from start to finish. Billed as 'London's newest drag revue', the ensemble show is composed of three established London based drag performers:  Velma Celli, Portia De Fosse and Aus...
BWW Review: ROMEO AND JULIET, Bolshoi Ballet in Cinemas

BWW Review: ROMEO AND JULIET, Bolshoi Ballet in Cinemas

by Aliya Al-Hassan — October 9, 2020
To bring some much-needed distraction into our lives, Russiaa??s iconic Bolshoi Ballet is bringing some of its recent performances to cinemas nationwide. Kicking off with renowned choreographer Alexei Ratmanskya??s intricate version of Shakespearea??s Romeo and Juliet, the series will be followed by...
BWW Review: THE THIRD DAY, AUTUMN, Sky Arts

BWW Review: THE THIRD DAY, AUTUMN, Sky Arts

by Gary Naylor — October 7, 2020
We spend 12 hours at an island's pagan festival where all is not as it seems....
BWW Review: THE LAST FIVE YEARS, Southwark Playhouse

BWW Review: THE LAST FIVE YEARS, Southwark Playhouse

by Caroline Cronin — October 6, 2020
Jason Robert Brown's The Last Five Years has a brilliantly problematic narrative - two souls taking us on a journey of their relationship, but one in chronological order (Jamie), and one in reverse (Cathy). Jonathan O'Boyle's version takes it to the upper echelons of directorial genius by creating a...
Book Review: DRAMA MENU AT A DISTANCE, Glyn Trefor-Jones

Book Review: DRAMA MENU AT A DISTANCE, Glyn Trefor-Jones

by Amy Hanson — October 6, 2020
Every drama teacher, youth theatre director or community arts worker knows the value of a good drama game.  Luckily, a new book from Glyn Trefor-Jones,  'Drama Menu At A Distance', published by Nick Hern Books, sets out to help those trying to keep lessons and rehearsals both active and safe in th...
BWW Review: WE WERE HAVING A PERFECTLY NICE TIME, Omnibus Theatre

BWW Review: WE WERE HAVING A PERFECTLY NICE TIME, Omnibus Theatre

by Bella Bevan — October 4, 2020
Clapham's award-winning independent theatre reopens its doors with this short dark comedy about loo roll, lost love at the bus station and knowing when to end a conversation. We Were Having a Perfectly Nice Time is a new, two-hander play written by Pedro Leandro, produced by Conflicted Theatre in as...
BWW Review: TONIGHT AT THE LONDON COLISEUM: AFTER YOU, London Coliseum

BWW Review: TONIGHT AT THE LONDON COLISEUM: AFTER YOU, London Coliseum

by Kerrie Nicholson — October 4, 2020
After You is a musical a?oeabout the lives we choose, the paths we dona??t take and the things we sometimes need to keep for ourselvesa??. We follow a young man and woman who meet by chance on a cruise ship bound for New York. He is a talented singer looking for fun and excitement as his career is h...
BWW Review: THE THEATRE CHANNEL

BWW Review: THE THEATRE CHANNEL

by Eleni Cashell — October 4, 2020
The first episode in a brand new web series, The Theatre Channel promises high-level performers singing musical numbers youa??ve never seen them do before....
BWW Review: TONIGHT AT THE LONDON COLISEUM: CASSIDY JANSON, London Coliseum

BWW Review: TONIGHT AT THE LONDON COLISEUM: CASSIDY JANSON, London Coliseum

by Kerrie Nicholson — October 3, 2020
I had the privilege of seeing Cassidy Janson perform at London's iconic Coliseum in Man Of La Mancha last year, so to see her return to the stage now, without an audience in light of the pandemic, is tinged with sadness. However, the hour of blissful concert escapism she provides radiates joy as Ja...
BWW Review: THE TEMPEST, The Duke Of Kent Ealing

BWW Review: THE TEMPEST, The Duke Of Kent Ealing

by Laura Fuller — October 1, 2020
In these troubled times, ita??s more important than ever to find innovative ways to keep live performance going. Pub chain Fullera??s Inns are continuing to do just that, with their latest touring production of The Tempest (performed by Open Bar Theatre). With a cast comprised of six actors playing ...
BWW Review: THE THIRD DAY, SUMMER, Sky Atlantic

BWW Review: THE THIRD DAY, SUMMER, Sky Atlantic

by Gary Naylor — September 29, 2020
Jude Law, Emily Watson and Paddy Considine do what they can with over-familiar hokum delivered with a grim earnestness....
BWW Review: MATTHEW BOURNE'S THE RED SHOES, Cinema Screening

BWW Review: MATTHEW BOURNE'S THE RED SHOES, Cinema Screening

by Aliya Al-Hassan — October 1, 2020
What are you prepared to sacrifice for your art? Filmed at Sadlera??s Wells in January, Matthew Bournea??s The Red Shoes asks what a passionate obsession might cost a person. First seen in 2016, this wonderful show was a double Olivier Award winner and perfectly demonstrates Bournea??s deep understa...
BWW Review: BEFORE AFTER, Southwark Playhouse

BWW Review: BEFORE AFTER, Southwark Playhouse

by Caroline Cronin — September 26, 2020
It's six years since Before After premiered at what was then the St James Studio, with Hadley Fraser and Caroline Sheen in the lead roles. It's a shame that it's taken so long for us to see it again, as it's a rather charming piece - made all the more so by the return of Fraser and his real-life ...
BWW Review: ROMANTICS ANONYMOUS, Bristol Old Vic

BWW Review: ROMANTICS ANONYMOUS, Bristol Old Vic

by Maya Bowles — September 26, 2020
Emma Ricea??s acclaimed Romantics Anonymous was supposed to be embarking on a US tour in March, which was cancelled due to the pandemic. Instead, Wise Children have created a a??digital toura??, in which the musical is performed live at the Bristol Old Vic from 22-26 September and streamed both inte...
Book Review: MY WHITE BEST FRIEND (AND LETTERS LEFT UNSAID), Rachel De-Lahay and Mill

Book Review: MY WHITE BEST FRIEND (AND LETTERS LEFT UNSAID), Rachel De-Lahay and Milli Bhatia

by Aliya Al-Hassan — September 25, 2020
My White Best Friend (And Other Letters Left Unsaid) was originally commissioned by The Bunker Theatre in March 2019 as a festival where letter-writing engages with a range of provocative topics such as racial tension, emotional engagement, unspoken prejudice and underlying social issues....
BWW Review: SUNNYMEAD COURT, Tristan Bates Theatre

BWW Review: SUNNYMEAD COURT, Tristan Bates Theatre

by Louise Penn — September 25, 2020
Presented by Defibrillator, in conjunction with The Actors' Centre, Gemma Lawrence's new play Sunnymead Court is a two-hander tale for our times. When Marie, thin, nervy, introverted, states she dreams of becoming a brain in a jar without the burden of a physical body, we know she will have problems...
BWW Review: EMERGING DANCER 2020, English National Ballet HQ

BWW Review: EMERGING DANCER 2020, English National Ballet HQ

by Vikki Jane Vile — September 24, 2020
English National Balleta??s Emerging Dancer marks the companya??s first live performance since lockdown and the opener to their newly curated Digital Season as a response to the current COVID-19 restrictions. The annual award sees six dancers from the most junior rank of the company perform a classi...
BWW Review: THE BOSS OF IT ALL, Soho Theatre

BWW Review: THE BOSS OF IT ALL, Soho Theatre

by Laura Fuller — September 20, 2020
Based on the 2006 Danish film of the same name by Lars Von Trier, The Boss of It All was adapted into a play in 2013 by writer and director Jack McNamara for New Perspectives - an East Midlands based theatre company. Originally performed at Edinburgh Fringe and Soho Theatre, the production has been ...
BWW Review: FAITH HEALER, Old Vic: In Camera

BWW Review: FAITH HEALER, Old Vic: In Camera

by Eleni Cashell — September 19, 2020
Faith Healer is the third production in the Old Vic: In Camera live-streamed series, and the first with multiple performers involved. ...
BWW Review: TONIGHT AT THE LONDON COLISEUM: SHARON D. CLARKE, London Coliseum

BWW Review: TONIGHT AT THE LONDON COLISEUM: SHARON D. CLARKE, London Coliseum

by Anthony Walker-Cook — September 18, 2020
FFew performers in the industry are on top of their game like Sharon D Clarke right now. After storming performances in Caroline, or Change and Blues in the Night in London, Clarke was in rehearsals for the former show on Broadway when COVID-19 hit. From the London Coliseum, she now begins a series ...
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