BWW Review: THE INTERVIEW, The Bread & Roses Theatre
“My filter goes when I’m nervous!” That’s how we meet Jane Sinclair.
The latest reviews and critic recommendations from UK / West End.
“My filter goes when I’m nervous!” That’s how we meet Jane Sinclair.
“It isn’t where you came from; it’s where you’re going that counts” said jazz singer Ella Fitzgerald.
Get yourself a pint and a pizza and enjoy a comedy like they did at The Globe, 400 years ago.
Mrs Thatcher has forced a No Confidence vote in the Commons and the Labour Party are fighting to survive it - and we're calling the shots!
Leave it to Andrew Lloyd Webber and Tim Rice’s most colourful musical to date to pull London out of the lockdown blues! After closing down with the rest of the West End last year, Joseph and the Amazing Technicolor Dreamcoat comes back to the Palladium starring Theatreland’s sweetheart Jac Yarro
An unflinching examination of power and gender roles told through the perspective of a student-teacher relationship that is unafraid to pose difficult questions of its audience.
It’s a beautiful thing for the theatre community to be able to be together and connect again.
The last time Reg was breaking hearts on a London stage was at the Apollo Theatre back in 2015.
In October 1938, Orson Wells broadcast a radio adaptation of H.
babirye bukilwa’s …cake is an equally heartbreaking and heartwarming exploration of love of all kinds.
The hottest Hamlet on the scene is an octogenarian.
Before Clueless or Mean Girls came Heathers, a cult 1988 film satirising the explosive consequences of painful social pressures in an American high school.
Ronkẹ Adékoluẹjo is sensational in Benedict Lombe’s full-length debut currently running at The Bush Theatre.
There’s a song by Brad Paisley titled “Little Moments” where the American singer-songwriter celebrates the small instances and idiosyncrasies that make life worth living.
At a time when we're getting too many words, words, words from a bumbling Prime Minister and his cronies, what a relief to discover a charming, kind and life-affirming silent movie-style production that harks back to simpler times.
What do Dua Lipa and a French comedy from the 18th Century have in common? Absolutely nothing.
In 1941 two leading physicists secretly met in Nazi-occupied Denmark to discuss the race between Hitler and the allies to create the nuclear bomb.
What sells better than sex? In Anna X, the answer is clear: exclusivity.
Right when summer starts kicking in and restrictions slowly ease, Iris Theatre is putting on an eclectic range of shows at The Actors’ Church in Covent Garden.
The team of Andrew Lloyd Webber, David Zippel, and Emerald Fennell have created a new version of Cinderella that's actually quite fun, sometimes lovely, and consistently catchy.
South Londoners are given a voice from beyond the grave in six beautifully rendered monologues from, and for, Covid times.
Harold Pinter's 1960 two-hander seems to be near-ubiquitous of late, having been revived on the West End early in 2019 as part of an all-Pinter season and then again separately late last year at the Hampstead, in a run that was truncated by the pandemic.
Mr and Mrs Pooter have just moved from Peckham to their new home in Holloway, much to the Mrs P's dismay.
By the pricking of my thumbs, something tipsy this way comes.
Shakespeare is such a constant in the theatrical cannon that there is often a desire to do something innovative with his work.
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