Skip to main content Skip to footer site map
Review: DANIEL SLOSS: CAN'T, London Palladium

Review: DANIEL SLOSS: CAN'T, London Palladium

Thought-provoking, empathetic and hilarious stand up

Review: DANIEL SLOSS: CAN'T, London Palladium

Last night, I had the chance to finally see Daniel Sloss in person at the London Palladium performing his new show, Can't. For those unfamiliar, Sloss is a comedian known for his specials like "SOCIO," "X," "DARK," and "Jigsaw" which go into dark and controversial topics like sexual assault, divorce, rape, and 9/11.

Sloss emerged from the wings with a surprisingly quiet greeting to the crowd. He begins the show by talking about his mother, a scientist who travels the world, speaking to world leaders about the dangers of global warming. She was supportive of Sloss' dream of becoming a stand-up comedian as long as he was serious about it. Together, the two of them would work at her desk, with her working on mercury emission science and Sloss writing stand-up. And according to Sloss, based on his popularity and the state of global warming, "One of us was working very hard at that desk!"

From that hilarious and thought-provoking start, the show goes into a range of topics including the United States being the "undisputed GOAT of reality television," why babies are kinky, the death of Queen Elizabeth, and the horrors of childbirth. As Sloss has recently become a father, the show does focus a lot of its content on parenthood and children as a whole.

An absolute highlight of the show was Sloss's argument that "The greatest form of entertainment is illegal." He is, surprisingly (or unsurprisingly, if you know his dark sense of humour), referring to the Colosseum from Ancient Rome and the gladiator fights that took place within it. He gives a modern comparison of the gladiators fighting lions to Tories fighting bears at Wembley (gay bears or dangerous bears? Sloss lets you decide).

One of the most interesting aspects of the show was how Sloss was able to bring empathy into his dark comedy. But, to quote the comedian himself, "The secret to dark comedy is empathy." Sloss calls out those who complain about how it's dangerous to be a stand-up comedian, arguing that "everything can and should be joked about," but there is a fine line between comedy and hate speech. He brings up a joke that he used to tell but now no longer finds funny, a reflection of his growth over the years and an interesting take on how his 17-year-old self would view his current 32-year-old self.

Ultimately, Daniel Sloss' Can't is a brilliant show that will have you crying tears of laughter while also making you think about the different controversies that divide our world. I can't wait until it's filmed and shared with the rest of the world so we can have more conversations about comedy and controversy in this strange world.

Daniel Sloss will be performing Can't at the London Palladium on 4 and 18 February 2023. After touring and performing the show in 54 countries, he will return to the Palladium on 2 February 2024.

Photo Credit: Daniel Sloss



The Playwrights Laboratory Hosts a Pop-Up Residency at Arcola Theatre Photo
The Playwright's Laboratory invites you to an exciting opportunity to travel the globe in one place in a series of script-in-hand readings from playwrights across the world, presenting a kaleidoscope of international cultures.

Rachel Fairburn Will Embark on 35-Date SHOWGIRL Tour Photo
Critically-acclaimed comedian Rachel Fairburn is set to embark on her biggest UK tour to date with brand-new show 'ShowGirl' from 24th September.

Flawboreds ITS A MOTHERF**KING PLEASURE Transfers To Londons West End Photo
Flawbored arrive at Soho Theatre this spring following a short critically acclaimed sell-out VAULT Festival 2023 run of their brilliant, self-aware, intersectional satire It's a Motherf**king Pleasure. 

SCOOTERS, SHOOTERS, AND SHOTTAS: A CURIOUS TALE is Presented by The Gate Theatre Photo
Platforming the untold experiences of marginalised voices, Gate Theatre will host the launch of Scooters, Shooters and Shottas: a Curious tale, a new audio drama that highlights the lives of young black queer communities. 


From This Author - Kat Mokrynski


Interview: Interview: "Being Myself on Stage is Something I Am Petrified About" Carrie Hope Fletcher on Imposter Syndrome and Touring Her New Show AN OPEN BOOK
March 28, 2023

BroadwayWorld UK had the chance to speak with Carrie Hope Fletcher about the process of creating the show. We talked about imposter syndrome, what it's been like to perform solo instead of with large casts, and even a bit of audience participation!

Review: NOT YOUR GRANDMA'S FOLK TALES, VAULT FestivalReview: NOT YOUR GRANDMA'S FOLK TALES, VAULT Festival
March 21, 2023

Not Your Grandma’s Folk Tales is a beautiful hour of storytelling that will wrap you up in a blanket of magical tales and leave you feeling ready to face the world, armed with the words of others.

Review: VILLAIN, INTERRUPTED, VAULT FestivalReview: VILLAIN, INTERRUPTED, VAULT Festival
March 20, 2023

Villain, Interrupted is a fun show that gives the “villains” a chance to shine while also looking at the psychology in a world in which those who have powers are feared, separating the world into “us versus them”.

Review: CRIMINALLY UNTRUE: AN IMPROVISED TRUE CRIME DOCUMENTARY, VAULT FestivalReview: CRIMINALLY UNTRUE: AN IMPROVISED TRUE CRIME DOCUMENTARY, VAULT Festival
March 20, 2023

Criminally Untrue: An Improvised True Crime Documentary is a hilarious show that will leave you wanting more from PillowTalk Theatre. Oldfield and Treen have directed a fantastic cast of improvisers that will bring a little bit of “organised chaos” into your life, creating the crime story of the decade.

"It Felt Like I Was Coming Home": A First Timer's Account of the Importance and Impact of VAULT Festival
March 17, 2023

Entering the VAULT Festival is like stepping into a small pocket universe. Once you are inside The Vaults, you are in a place of arts and acceptance, where people in drag mingle with businessmen after a busy day of working and performing, with shows where women attach steaks to their labia and cabaret performers dance all in the same night.