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Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS

When three orphaned children are reluctantly evacuated from wartime London to live with the mysterious Eglantine Price, they have no idea what adventures lie ahead.

The UK tour of Bedknobs and Broomsticks began performances at Newcastle Theatre Royal on Saturday 14 August 2021! The UK Tour is now extended through to March 2022. The tour includes a 5-week Christmas season at Leeds Grand Theatre.

Check out new photos below!

Enter a world of magic and fantasy with Disney's classic movie Bedknobs and Broomsticks. With the original songs by the legendary Sherman Brothers (Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang), including Portobello Road, The Age Of Not Believing, The Beautiful Briny and new music and lyrics by Neil Bartram and book by Brian Hill, Bedknobs and Broomsticks will be brought to life by award-winning theatre-makers Candice Edmunds and Jamie Harrison.

Dianne Pilkington will lead the cast as Miss Eglantine Price, the mysterious lady that the three orphaned Rawlins children are evacuated from wartime London to live with. Dianne's West End credits include Les Miserables, Wicked, Mamma Mia and Mel Brooks' Young Frankenstein.


Charles Brunton will play Emelius Browne. Charles starred in the iconic role of Miss Trunchbull in Matilda both in the West End and on Broadway. Other credits include Love Never Dies, Chess and Scrooge.

The rest of the company includes Mark Anderson, Jessica Aubrey, Georgie Buckland, Kayla Carter, Jonathan Cobb, Jacqui Dubois, Matthew Elliot-Campbell, Sam Lupton, Rob Madge, Vinnie Monachello, Nathaniel Morrison, Conor O'Hara, Sadie-Jean Shirley, Robin Simoes Da Silva, Emma Thornett and Susannah Van Den Berg.

The Rawlins children will be played by Dexter Barry, Izabella Bucknell, Haydn Court, Poppy Houghton, Evie Lightman and Aidan Oti.

When the three orphaned Rawlins children are reluctantly evacuated from wartime London to live with the mysterious Eglantine Price, they have no idea what adventures lie ahead. Upon discovering Eglantine to be a trainee witch, they join forces to search for a secret spell that will defeat the enemy once and for all. Armed with an enchanted bedknob, a bewitched broomstick and a magical flying bed, they encounter surprising new friendships on their journey from Portobello Road to the depths of the beautiful briny sea.

For more information CLICK HERE!

Photo credit: Johan Persson

Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS

Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS

Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS

Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS

Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS

Photos: See Dianne Pilkington, Charles Brunton & More in BEDKNOBS AND BROOMSTICKS



Review: WINNIE THE POOH, Riverside Studios Photo
The hotly anticipated UK production of the new musical adaptation of Disney's Winnie the Pooh has arrived in London at Riverside Studios. This charming new stage show takes us on a series of whimsical adventures with the well loved characters created by A.A. Milne including Christopher Robin, Winnie the Pooh, Piglet, Tigger and Eeyore.

Review: THE DEAD CITY (DIE TOTE STADT), London Coliseum Photo
Annilese Miskimmon directs an arresting new production of Korngold's cult operatic meditation on melancholy

Review: MARJORIE PRIME, Menier Chocolate Factory Photo
Jordan Harrison’s 2015 Pulitzer Prize finalist is a reflection on mortality that doesn’t dare to go into the depths of the matter. It ends up being rather stagnant philosophically and anthropologically, but Dominic Dromgoole’s latest production is a delicate take. Running at 85 minutes on paper but around 70 in reality, the piece’s greatly sophisticated performances and sleek look save it from its redundant nature.

Review: WASTED, Lyric Hammersmith Photo
Running at around 50 minutes, it’s snappy and positively Gen-Z in pace and subject. Fernandes crafts a script that wanders from deliciously colloquial to slightly expository, but remains solid throughout.


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