WASHINGTON NATIONAL OPERA

by Roger Catlin - June 08, 2026

Theatre Prometheus, a company devoted to queer and feminist art, celebrates Pride Month 2026 with a production that’s more than 400 years old....

by Jake Bridges - June 07, 2026

What did our critic think of INDECENT at 1st Stage?...

by David Friscic - June 08, 2026

The historical and still-ongoing revelations about the children that Thomas Jefferson had with his slave woman Sally Hemmings has justifiably created a reevaluation of Thomas Jeferson’s image and reputation---as one can discover in Suzan-Lori Parks’ probing play Sally & Tom currently playing at ...

by Roger Catlin - June 03, 2026

“It’s not a play,” Justin Weaks declares fairly early in his one-man “A Fine Madness” presented by the Woolly Mammoth Theatre Company. “But we gon’ play,” he adds....

by Brian Bochicchio - June 01, 2026

National Tour is tighter and cleans up some of the grittier sensibilities while employing Broadway level talent....

by Roger Catlin - June 01, 2026

The Shakespeare Theatre Company has had a rich history of stars lured to its stage — not just to sell tickets through big names. The actors nearly always deliver — and the company attracts them because of the quality and rigor it retains....

by Roger Catlin - May 26, 2026

The separation of the Washington National Opera from the overrun-and-soon-to-close  Kennedy Center has meant next season’s eight planned productions, including five full length operas, will occur on five different stages in the D.C. area. ...

by Mary Lincer - May 24, 2026

What did our critic think of THE MANNEQUIN at We Happy Few?...

by Aidan O'Connor - May 21, 2026

Certain facets of the human condition are foundational to our very existence – change, connection, desire. One such particularly toxic universal truth is a constant need to be something more than we currently are. To search for happiness in external achievement rather than within ourselves, in our...

by Laurie Sara Oliver - May 21, 2026

Writers have a somewhat embarrassing tendency to glorify the act of writing. There are too many author protagonists to count. Liz Duffy Adams leans into this trend with a tasteful sense of irony in her 2009 play, OR. She picked an interesting subject for the task with Aphra Behn. ...