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A 2018 hit at the Contemporary American Theatre Festival, Gregorys play portrays the determination of a totalitarian regime to erase history, and the tragic effect that has on a man who can forget nothing. Based on a true story, a man with a photographic memory finds himself and those around him in peril under an authoritarian regime that erases its political enemies. The play, by D.W. Gregory, takes place in the Stalinist Soviet Union, where this mans inability to forget those whom the government has erased becomes increasingly problematic for him and his family.
Ages: Age 12 and up
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The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Washington, DC Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.
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The Washington Stage Guild has finally had the opportunity to stage D. W. Gregory's searing study of innocence, hardened cynicism and totalitarian self-delusion, 'Memoirs of a Forgotten Man.' In spite of the long hiatus from its premiere four years ago (pre-COVID), the play continues to challenge us, throwing the mirror up to our flawed natures.
Washington, D.C. is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month.
The Washington Stage Guild will conclude its 2021-2022 season with Memoirs of a Forgotten Man by D.W. Gregory. The play, which had its world premiere at The Contemporary American Theatre Festival in 2018, takes place in the Stalinist Soviet Union, where a man’s inability to forget those whom the government has “erased” becomes increasingly problematic for him and his family.
Washington Stage Guild is at Undercroft Theatre, 900 Massachusetts Avenue, N.W. , Washington.
Founded in 1986 by a professional company of theatre artists dedicated to producing literate, challenging works in a collegial and supportive atmosphere, the Washington Stage Guild quickly established itself as an indispensable component of the D.C. area theatre scene; recognized as early as the end of the first season (1987) by The Washington Post. Having since attracted international attention for its distinctive plays and strong ensemble, the company was praised in 2010 in The Washington Post: "...the Stage Guild staged more than 80 productions in five different homes, a remarkable track record for a company that has never had its own theatre. And it earned intense devotion…" The ensemble theatre company’s acclaimed repertoire of neglected classics, unfamiliar works by familiar playwrights, and stimulating new plays from around the world is presented in a style that is the Guild’s own—direct and clear, with a strong commitment to adhering to the author’s intent.
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