BWW Reviews: ROMEO AND JULIET: LOVE KNOWS NO AGE at Unexpected Stage Company
When I see that a theater's season includes ROMEO AND JULIET, I often get nervous.
The latest reviews and critic recommendations from Washington, DC.
When I see that a theater's season includes ROMEO AND JULIET, I often get nervous.
It's quite easy to root for the success of the National Children's Theatre if this inaugural production is indicative of the kind of work it will bring to our community.
I had more fun at this Fringe production than I have at any other in a very long time.
In 1960's Baltimore, Tracy Turnblad's dreams are as big as her hair.
The iconic rock opera is back onstage and Prince William Little Theatre has got it.
While it addresses a most timely issue and would likely do well on the educational circuit, the production is unfortunately lacking in, well (it must be said)…theatricality.
While the spy genre is no stranger to parody, Bond: An Unauthorized Parody can best be described in the words of another iconic superhero as rather 'mild-mannered.
This charming one-man show at Capital Fringe is perfect for history and political buffs, fans of celebrity gossip or anyone wanting a peak into what life is like behind the iron gates at 1600 Pennsylvania Avenue.
Winner of 8 Tony Awards including Best Musical in 2012 is a must see.
Let's chalk this one up to a work in progress.
Bottom line? While there is nothing particularly new, original, or different about her story - and to be clear, that's what I usually look for in a solo show about one's own life - it is performed competently and likely to resonate with many audience members.
Fans of improv, comedy and making fun of all the ridiculousness that is Washington, DC, rejoice.
This one may not be quite ready for prime time, but the ambitious work has a few things going for it that would suggest there's promise in developing it further.
To say that 'Dust to Dust' at the Fringe Festival leaves me speechless is an understatement.
Leto is the mother goddess of Lucia.
Do yourself a favor and check this one out.
Part of the beauty of the Fringe Festival is getting to see works you wouldn't normally think of seeing.
There is a humorous Venn diagram that shows that art is the intersection between absolute narcissism and crippling self-doubt.
Imagine an America where the Democratic and Republican Parties cease to exist and Mad Magazine and Monty Python administered our political system.
Wolf Trap recently hosted the innovative Native Pride Dancers for a demonstration of Native American dance, a fascinating hour featuring young, dedicated performers.
To paraphrase author J.
Dancers touring like rock stars might invoke some doubt, but the motto of Derek and Julianne Hough's Move Live on Tour is "Motion=Emotion," and it's a safe bet that the audience at Wolf Trap on Friday night was feeling it.
DOUBLE TROUBLE, despite its classic story, scenic quality and talented actors, ultimately suffers from a faulty adaptation that feels too rushed and in need of major changes.
Happenstance Theater's IMPOSSIBLE! is impossibly inventive, whimsical, and tender.
Missteps aside, it's good to see Keegan back in action, and I look forward to what it offers next at their lovely intimate theatre space.
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