BWW Review: Shakespeare Theatre Company Presents an OTHELLO for Our Times
Shakespeare Theatre Company proves once again their place as one of the nation's finest classical theatre companies with a new production of OTHELLO. A careful blend of grand spectacle and intimate relationships, William Shakespeare's mature tragedy leaps off of the stage with passion, wit, and path...
BWW Review: FOR COLORED GIRLS/WORD BECOMES FLESH at Theater Alliance
Theater Alliance's for colored girls who have considered suicide/when the rainbow is enuf and Word Becomes Flesh are both beautiful theatrical experiences; when presented together their power and resonance only magnifies....
BWW Review: CRIMES OF THE HEART Is Heart-Stopping in Bursts at NEXTSTOP Theatre
NEXTSTOP Theatre's production of Crimes of the Heart provides a few bursts of heart-stopping drama with minimal laughs and leaves the 1970's aesthetic at the door....
BWW Review: THE WASHINGTON BALLET Celebrates Septime Webre's Legacy in Director's Cut
On the evening of Thursday, February 25th 2016 at the Eisenhower Theater in Washington, DC, Director's Cut began with a standing ovation for Artistic Director Septime Webre who just announced his departure from the Washington Ballet after a seventeen-year tenure. Webre has transformed the Ballet fro...
BWW Review: Darren Criss, Betsy Wolfe, and the National Symphony Bring a Little Broadway to Kennedy Center
One thing I can always count on when I go to a National Symphony Orchestra (NSO) Pops concert featuring music of the Great White Way - and perhaps beyond - is that the accomplished musicians and their exceptional conductor Steven Reineke will give it all the energy, vigor and verve it deserves. Thi...
BWW Review: ANTIGONE PROJECT - A PLAY IN 5 PARTS at Rep Stage in Columbia: Bold and Profound
Joseph W. Ritsch performs a herculean effort as he directs this complex theatrical experience....
BWW Review: JAMES AND THE GIANT PEACH Goes On an Adventure at Adventure Theatre MTC
One of the many things that Adventure Theatre MTC does right its new gorgeous production of Roald Dahl's James and the Giant Peach is to bring back director Michael Baron to the area. Since Mr. Baron left us a few years ago to take over as Artistic Director at the Lyric Theatre of Oklahoma, his exit...
BWW Review: SUTTON FOSTER Sparkles in Performance with the Baltimore Symphony
Principal Baltimore Symphony Pops Conductor Jack Everly presents top notch entertainment....
BWW Review: ROMEO AND JULIET at Synetic Theater
Shakespeare's iambic pentameter, the rhythm of his words, echo the human heartbeat: ba-BUM, ba-BUM. But Synetic Theater gets to the beating heart of ROMEO AND JULIET without a single utterance of any of the Bard's famed words. In its innovative merging of drama and movement, Synetic's silent explora...
BWW Review: Compelling PROMISED LAND from Mosaic
It might be inviting this jammed political year to escape all the televised debates, town halls and election coverage and simply take in a play. But it's more rewarding when that play presents, better than anything from a political podium, the very issue that keeps coming up this year and an audienc...
BWW Review: Brisk, Moving CONSTELLATIONS at Studio
Quantum physics and string theory are recent enough areas of study to still blow the minds of physicists and be a complete mystery to those unfamiliar with the science....
BWW Review: CARMEN - An Afro-Cuban Jazz Musical at Olney Theatre Center - New Musical Sizzles With Sensuality
Get your tickets now for what could become the hottest ticket of the 2016 theater season....
BWW Review: Raucous, Rocking YOU OR WHATEVER I CAN GET at Flying V Theater
Flying V has carved out a niche in the DC theater scene by producing unabashedly joyful, adventurous and original material. Their latest offering, the rock musical You, or whatever I can get, is a creation of an ensemble that is tight, talented, and as ready for prime time as it gets....
BWW Review: ALAN CUMMING SINGS SAPPY SONGS at Strathmore
Cumming gave the audience a concert to remember....
BWW Review: Spooky Action Theater Rewrites History with COLLABORATORS
From the first darkly comic scene, Spooky Action Theater's COLLABORATORS plunges its audience into a tension between hilarity and terror. As the play unfolds, there is laughter at the absurdity of the situation and simultaneous dread over what will happen next. A revisionist account of Mikhail Bulga...
BWW Review: Washington National Opera Takes On A Bit of Broadway With LOST IN THE STARS
Although the production doesn't quite soar, LOST IN THE STARS is a welcome addition to the WNO season simply because it's not performed very frequently - at least in comparison to other more familiar works that transcend the opera-musical divide....
BWW Review: JACK AND PHIL, SLAYERS OF GIANTS-INC at Imagination Stage
'Jack in the Beanstalk' gets a modern twist at Imagination Stage as two friends embark on a giant adventure to save Jack's house, all the while learning lessons about being friends and knowing what matters....
BWW Review: Bristling A CITY OF CONVERSATION at Arena
When Anthony Giardina's The City of Conversation opened at New York's Lincoln Center Theater in 2014, the depiction of a Georgetown political salon seemed so perfectly reflective of Washington, Arena Stage's Molly Smith rushed to get it staged here, and even succeeded in obtaining the same director,...
BWW Review: Electrifying MONSTERS OF THE VILLA DIODATI Premieres at Creative Cauldron
The second installment in Creative Cauldron's 'Bold New Works for Intimate Stages' initiative, the new musical MONSTERS OF THE VILLA DIODATI transports audiences to a famous gathering of 19th-century writers on Lake Geneva during a dark and stormy summer. This atmospheric production reveals the orig...
BWW Review: FATHER COMES HOME FROM THE WARS at Round House
Suzan-Lori Parks has made her name updating Civil War lore in striking modernist terms in Topdog/Underdog, the Pulitzer Prize winner from 2001, the same year she won a MacArthur 'genius' grant....
BWW Review: Folger's Delightful MIDSUMMER NIGHT'S DREAM
Nobody's quite sure of the birthdate of the greatest writer in the English language, but everyone is pretty sure William Shakespeare died in 1616, making this the 400th anniversary of his death, or as Michael Witmore, director of the Folger Shakespeare Library calls it, 'the fifth century of his aft...
BWW Review: THE GLASS MENAGERIE Makes Welcome Return at Ford's Theatre
Memories painful and poignant intermingle through a smoky haze in the sharp and vivid production of Tennessee Williams THE GLASS MENAGERIE now onstage at Ford's Theatre. Painstakingly directed by Mark Ramont, the production boasts a superb cast of actors whose nuanced and detailed performances mine ...
BWW Review: SHAKE LOOSE at MetroStage
It is certainly isn't a bad sign when the two-year old in the front row gets up to dance with the music....
BWW Review: Washington Stage Guild vs. Critics in ST. NICHOLAS
I was all ready and looking forward to the final installment of Back to Methuselah, the George Bernard Shaw epic that the Washington Stage Guild has been staging in chapters since 2014. But building the future, or more precisely, 'as far as thought can reach' proved too costly for the venerable D....
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