Review: POSTCARDS FROM IHATOV at 1st Stage
This is the premise for 1st Stage’s production of Postcards from Ihatov, adapted and directed by Natsu Onoda Power.
This is the premise for 1st Stage’s production of Postcards from Ihatov, adapted and directed by Natsu Onoda Power.
If you are looking for a spooky production to watch during the month of October, you don’t want to miss out on The Tell-Tale Heart, directed by Paata Tsikurishvili.
1st Stage's production of Mlima's Tale, directed by José Carrasquillo, is a surreal approach to what happens to Mlima after his death.
Synetic's Host & Guest depicts the intensity of Kist-Khevsur conflict through an unlikely bond between two strangers.
Creative Cauldron’s production of Sondheim’s Into the Woods, directed by Matt Conner with music direction by Elisa Rosman, concocts a magical musical within the constraints of a small theatre space.
One cannot think about Fiddler on the Roof without the thought of tradition.
We all remember back in the day (meaning before mid-March 2020) when we would gather in a theatre, wait for the house lights to dim and hear the first notes from a live orchestra played.
Synetic's JOY! is an exploratory theater experience, which blends intimate storytelling with audience interaction.
Sondheim's Assassins recently opened at Signature Theatre in Arlington, Virginia.
Signature Theatre and Stephen Sondheim have been a winning combination in the DC theatre scene since 1991when the company presented Sweeney Todd at Gunston.
Creative Cauldron's On Air needs tinkering with its storyline and songs in order to broadcast its message loud and clear.
There are certain things that really bother me in theater.
Sometimes a particular genre of theater isn't necessarily popular with a general audience.
It's hard to believe that it's been over 40 years now since a little revue that started at New York's Manhattan Theatre Club took Broadway by storm.
MetroStage continues its winning 2018/19 season with the company's fourth production of Three Sistahs.
If you were to ask anyone who they think was one of the greatest all-around performers of the twentieth century, chances are Judy Garland would definitely be one of the most popular answers.
I've come to expect the unexpected from Synetic Theater's exquisite, wordless productions.
Some pieces of theater require your undivided attention because of some deep underlying message that the playwright doesn't want you to miss.
For something completely different this holiday season, you might want to consider Signature Theatre's latest offering.
Here is the scenario.
I've seen a lot of Shakespeare lately.
The topics of the distinguished Broadway writing team of John Kander and Fred Ebb's musicals have never been light and frothy.
It's strange to think a Shakespeare production could render words unnecessary, but Synetic Theater's most recent wordless Shakespeare play, TITUS ANDRONICUS, gives you the impossible idea that dialogue might ruin the drama.
One thing can be said about award-nominated playwright Annie Baker.
I have seen and worked on plenty of solo shows in my more than twenty years in the business and sometimes I see one that just leaves me asking, 'How did this performer get to do this show?' Unfortunately Deb Filler is in that situation right now at MetroStage with her concoction called I Did it My W