the latest episode of its 'Act II...Places' series features Gina Femia & actor and Heather Cunningham. Playwright Gina Femia's 2018 award-winning We Are A Masterpiece, produced by Retro Productions Artistic Director Heather Cunningham-who performed the lead-is a dramatic examination of the societal reaction to the AIDS epidemic.
Today's episode features beloved Broadway beltress Eden Espinosa, who is most recognized for her critically acclaimed portrayal of Elphaba in Wicked on Broadway and in Los Angeles and San Francisco. Listen as she chats about finding peace in the chaos of the pandemic, how she has coped with life without live theatre, and so much more.
How many exclamation points is too many? On Monday's episode of THE BROADWAY GINGER PODCAST, hosts Sally and Ashley explore the answer through the eyes of Lionel Bart, composer and lyricist of OLIVER!
The Broadway Podcast Network is celebrating the holiday season by gathering together next week to celebrate and give thanks with special Live Events such as Thanksgiving Parade Memories with The Ensemblist's Mo Brady and stars like Jessica Rush (who performed twice), Wining & Brining with Robyn Hurder, and more.
Sean Chandler host of the podcast 'Your Program Is Your Ticket', in association with the Broadway Podcast Network, has announced the latest episode of its 'Act II...Places' series featuring Larry Little of CPA Theatricals.
MCC Theater in association with The Parsnip Ship and Business Lunch Productions will present This Is Where We Go by Amara J. Brady (Last Ones First), Jessie Rivera DeBruin (Luciérnagas), Gina Femia (Allond(r)a), and Nina Ki (Taemong (Birth Dream)).
Broadway’s podcast, The Fabulous Invalid, has launched Season Three today with eleven-time Grammy Award nominated recording artist and Tony Award nominated star of stage and screen, Vanessa Williams.
From The Land Down Under to The Big Apple, this singer-songwriter, pianist, writer and comedian just released his new album, Beetlejuice: The Demos! The Demos! The Demos!, and is showing other Australians that it's possible to make the leap and find yourself working on a Broadway musical (or two).
Sean Chandler host of the podcast 'Your Program Is Your Ticket', in association with the Broadway Podcast Network, has announced the latest episode of its 'Act II...Places' series featuring Shelley Butler and West Hyler of the innovative play-by-mail company 'Artistic Stamp'.
For Emma Hatton - West End star, renowned singer and radio presenter – music truly is the food of love. A lifetime devotee of jazz and blues she has trod the boards all over the UK and internationally, wowing audiences with her velvet tones. For Hatton, however, there is one major project she has been keeping under wraps – until now.
The Pulitzer Prize for Drama almost always goes to a critically-acclaimed straight play by someone really serious like Eugene O’Neill or August Wilson, but on rare occasions, it goes to a musical. Only ten musicals have ever won.
RefleXions Music Series has announced the premiere and release of the RefleXions Podcast, featuring 'Sing for Hope' co-founders Monica Yunus and Camille Zamora on their first episode on November 17 at noon during Ozarks at Large on KUAF, 91.3.
Starting Monday, November 23, Experiments in Opera (EiO)-the mad scientists behind Video Operas, Radio Operas, Binge Operas-will offer critics the chance to preview EIO's new five-part podcast opera AQUA NET & FUNYUNS (available to the general public for free after December 7).
This influential columnist and broadcaster has been writing about theater for over 20 years, and now with the release of his second book, shares some insight that keeps him going - 'Thats the great thing about writing about Broadway - everything is unexpected'.
Tony Award® nominee Keala Settle (The Greatest Showman, Hands on a Hardbody, Waitress) is the special guest on the one year anniversary episode of the theatre and entertainment podcast DRAMA. with Connor & Dylan MacDowell.
Tony Award-winning producer Hal Luftig, in association with the Broadway Podcast Network, announced today the launch of his new podcast, Broadway Biz highlighting the careers and creatives it takes to build a Broadway show on Wednesday, November 18.
In today’s episode of Rebel Girls’ Good Night Stories for Rebel Girls podcast, Grammy-nominated singer Andra Day narrates the life and career of pianist and actress Hazel Scott.
On the new episode of 'Tell Me More,' BroadwayRadio's Matt Tamanini speaks with New York Post theatre columnist and New York Times Best Selling author Michael Riedel. For many, Riedel is the snarky, sharp-tongued gossip columnist who has skewered Broadway for decades.
There are few better moments for theatre people than discovering our favorite songwriting team has written more than just that one hit show we love (looking at you, Lin-Manuel Miranda). In Monday's episode, Sally and Ashley discuss when they have experienced such moments with Lin himself, Andrew Lippa, and Tom Jones/Harvey Schmidt of THE FANTASTICKS.
Madness ensues when five Canadian actors take on a Dungeons and Dragons adventure! Tabletop Tiddies is a Dungeons & Dragons 5th edition Actual Play podcast that is run entirely by people of marginalized genders, with new episodes released every week!
This Broadway performer, who made her debut on the West End and followed her gut to NYC, is spending time during the shutdown spreading the benefits of theater education, while patiently waiting to bring it all full circle with a notorious bit of England on the New York stage in Diana.
Associate conductor Nate Patten (Charlie and the Chocolate Factory) is never one to hold back opinions on his own podcast, Booked It. And so along with host Patrick Oliver Jones, Patten addresses some of the confusion, consternation, and controversy created by this year's Tony Award nominations.
For the past 10 years The Seagull Project has been producing Great Souls: An Evening of Short Stories and Performance at ACT Theatre and Hugo House in Seattle, WA. Under the current pandemic, the company decided to pivot the program into a podcast format to continue to provide high quality short stories to the public for free.
Musical theatre has a history of big, splashy, high-kicking casts, and that’s what many people think when they hear the word “musical.” The increasing trend for writers wanting to tell a poignant, dramatic story (and producers wanting to pay fewer actors) is to use a tiny cast of six or fewer to narrow the focus without getting distracted by glitter.