Review: South Coast Repertory Presents THE HEART SELLERS
by Michael Quintos - Nov 10, 2025
An intermission-less, two-character, conversational-centric play that focuses on a pair of women's specific immigrant experiences—marked with loneliness, hopes, fears, and puzzlements big and small—Pulitzer Prize finalist Lloyd Suh's absorbing, touching, and occasionally (thankfully) very funny play explores the emotional tug-of-war between comfortable, familiar cultural traditions left behind and the need to accept, learn, and assimilate to the often confounding realities of their new home environment—a sometimes exciting, but sometimes heartbreaking concept that many first-generation immigrants know all too well. Continues at South Coast Repertory through November 16, 2025.
The History of Feminist Plays That Came Before LIBERATION
by Jennifer Ashley Tepper - Oct 28, 2025
As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.
The 7th Annual Rogue Theater Festival To Present 37 New Productions
by A.A. Cristi - Jul 14, 2025
Rogue Theatre Festival (RTF) returns with a bold and eclectic lineup for their 7th annual celebration of new works. This year, the festival will showcase 37 original plays and musicals, including fully staged productions, short plays, staged readings, and digital streaming performances.
Interview: Alan Demovsky, Director of THE NANCE at Elmwood Playhouse
by Peter Danish - May 30, 2025
The NANCE is currently enjoying a succesful and critically aclaimed run at Elmwood Playhouse in Nyack, NY. We caught up with the play's director Alan Demovsky to chat a bit about the play's message and its extraordinary significance in today's increasingly repressive political climate.
What is the History of New Musicals at the Public Theater?
by Jennifer Ashley Tepper - May 20, 2025
The new musical Goddess can currently be seen in its New York premiere production at the Public Theater on Lafayette Street. Directed by the Public’s associate artistic director and resident director Saheem Ali, who is currently Tony Award-nominated for directing Buena Vista Social Club, Goddess is playing at the Public’s largest space by capacity, the Newman Theatre.
Review: BACKSTAGE BABBLE Brought Flops Back to Life at 54 Below
by Andrew Poretz - Feb 25, 2025
Charles Kirsch’s latest Backstage Babble was a fun resurrection of songs from mostly flop shows that quickly failed on Broadway or out of town. The theme was inspired by Joe Allen's “flop wall” of posters from shows that closed in the first week.
Tales from the Blacklist: The Shadow of McCarthyism On Broadway
by A.A. Cristi - Mar 16, 2025
As Broadway prepares to reckon with the effect of McCarthyism on journalism in the new drama, Good Night and Good Luck, go deeper into the history of the Red Scare and its long-lasting implications for artists on Broadway and beyond.
An In-Depth History of the Orpheum Theatre
by Jennifer Ashley Tepper - Feb 9, 2025
Some of the shows that the Orpheum has been best known for are Stomp, which ran there for an astounding 29 years, from 1994 to 2023, and the original production of Little Shop of Horrors which spent over five years at the theater from 1982 to 1987.
Interview: Cid Bullens on THE CIVILITY OF ALBERT CASHIER at The Colony Theatre
by Shari Barrett - Aug 26, 2024
The Colony Theatre in association with producers Christine Russell (Beautiful: The Carole King Musical, Head Over Heels), Robert Ulrich and Jay Paul Deratany are presenting the Reel Red Entertainment production of The Civility of Albert Cashier, a new musical about notable queer history figure Albert Cashier, born Jennie Hodgers, who served alongside the men of the 95th Illinois Volunteer Infantry with distinction throughout some of the fiercest fighting of the Civil War. While not alone as a woman serving on the battlefield during the war, Cashier never revealed himself as anyone other than a man dedicated to serving his country on the battlefields during its greatest time of need. He was recognized as such by his comrades in arms and those surrounding him and retained his identity as a man throughout his later life. Transgender musician and actor Cidny Bullens (Pictured) portrays the older Cashier in the play with Dani Shay taking on the role of the younger Cashier. I decided to speak with Cid about his own road to self-discovery and what led him to the role of a transgender man.