What Did He See?

What did our critic think of BEAUTY AND THE BEAST at Orpheum Theatre Memphis?

Told through a series of vignettes, Crossing Delancey examines Bubbie's belief in the old-world Jewish family custom of all young women needing to find a husband as soon as possible to settle down and raise a family against those of Isabel, a modern 1980s Jewish woman in New York City learning to stand on her own two feet. I spoke with Holly Sidell who is portraying Isabel in the current production at Theatre 40 in Beverly Hills through June 21.

BroadwayWorld is saddened to learn of the passing of playwright and performer Andy Halliday. Halliday passed away at age 73, and was known for his work Off-Broadway, and with longtime friend Charles Busch.

It’s been 30 years since Jonathan Larson’s rock opera Rent opened at the Nederlander Theatre on April 29, 1996, and arguably changed the theatrical landscape of Broadway.

August Wilson is back on Broadway with Taraji P. Henson and Cedric “The Entertainer” and more in a new production of Joe Turner's Come and Gone, directed by  the legendary Debbie Allen. The critics are weighing in on the show! See what they're saying in tonight's review roundup!

Rise and shine, BroadwayWorld! It is April 21, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

Everyone's favorite plus-sized civil rights crusader is on stage again in Columbus.

Those who attend the Columbus stop of THE MOON, THE WALL AND BEYOND tour at the Palace Theatre might be checking to make sure this is Brit Floyd instead of the actual Pink Floyd, which last played together with singer Roger Waters July 2, 2005, at the Live 8 Concert.

A high octane tour de force, brilliantly directed by Karla Hartley.

Ute Lemper truly personifies Marlene Dietrich in this fly on the wall autobiography of the screen legend. The show plays two more performances 1/30 and 1/31 at 7 pm

BroadwayWorld spoke with Frank Wildhorn to discuss his wide-ranging international career and his excitement for Chimney Town the Musical, his success across Asia and Europe, his writing process, and much more. Read the full interview here!

It wasn’t until later on in theatre history that revivals began including shows that weren’t initially well received or financially successful in their initial engagements. As musical theatre continued to evolve, and more shows entered the canon, a consensus began to grow about shows being worthy of additional exploration even if they hadn’t been hits the first time around. What about musicals that had been ahead of their time, musicals that had fallen prey to circumstances, early works by writers who became successful later on, and of course, shows that found an audience after closing via their cast recordings?

The idea of the concept album took flight at the same time as the idea of the rock musical. A concept album introduces audiences to the score of a musical by deliberately releasing an album of the songs before any live production exists at all. The concept album ostensibly stands on its own terms.

BroadwayWorld chats with Bay Area favorite Heather Orth who is appearing as Cinderella's Stepmother in Stephen Sondheim & James Lapine's 'Into the Woods' at San Francisco Playhouse through January 17th.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 50th Anniversary Season with Peter Shaffer’s Oscar and Tony Award-winning masterpiece Amadeus, directed by Tony Award winner Robert Falls in his Steppenwolf debut. 

During his prolific and storied career, Sondheim collaborated with many other artists, from book writers to directors, from actors to musicians. Seeing Sondheim’s regular collaborators, close friends, one-time associates, mentors, and rare connections make appearances in his collection was both moving and illuminating.

Rise and shine, BroadwayWorld! It is October 29, 2025 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

Perhaps no one is more surprised Steve Hackett is doing a retrospective on THE LAMB 50 years after the fact than the guitarist himself. THE LAMB was ranked in the top ten of Rolling Stone magazine’s top 50 progressive rock albums of all time. The BBC called it a “conceptual masterpiece.” Hackett has another word for it: an anomaly.

When David Henry Hwang’s 1988 play M. Butterfly premiered at the National Theater in Washington D.C. and then produced on Broadway, it was truly visionary, compelling, thought-provoking, and outright shocking. Revised in 2017 to incorporate information that was released after the original play was produced, more people’s acceptance of the LGBTQIA+ community, and China’s growth as a superpower.

Broadwayworld had the pleasure of interviewing Will Savarese who plays the starring role of Nuke in Bull Durham. 

The Late Show with Stephen Colbert has been taped at the Ed Sullivan Theatre located on Broadway between 53rd and 54th Streets since it began in 2015. Before the Broadway-loving Colbert took over The Late Show, the host was David Letterman, who ruled late night from 1993 onward via his perch at 1697 Broadway.

The brilliance of the script is that, although first written in the 1950s, it still has so much relevance to our world today. The audience at the performance I saw was one of the most robust, vocally supportive and emotional audiences I have ever seen. 

Oscar Wilde’s scandalous novel gets a razor-edged revival at TheatreFor, where director Michael Cote and actor Juan Toro pull back the velvet curtain on The Picture of Dorian Gray.

Brian Stokes Mitchell says he doesn’t recall exactly when it was that he met Keith Lockhart, but he’ll never forget his first impression of the Boston Pops conductor.

Brian Wilson, musical genius and founder of the Beach Boys, died today (Wednesday, June 11, 2025), so in honor of him, here is an article of the 40 greatest Beach Boys songs that I wrote for Broadway World two years ago.  Love & Mercy, Brian!