Out There Revival

There is plenty of fun to be had in this light-hearted musical.

It doesn’t matter if you know the stage version, or the movie version, or don’t know anything about it, just know ARSENIC AND OLD LACE has an easy to follow plot that leads you down a path of hijinks straight to your funny bone.

Just yesterday, the 2026 Tony Award nominees gathered at the Sofitel New York to meet the press for the first time and BroadwayWorld was there for the special day. Check out photos of the 2026 nominees here!

“Domestic matters are more your domain than mine,” a husband says to his wife in the middle of her working day, echoing a thousand gaslighting, supposedly liberal men who’ve come before and since. There are audible gasps from the audience.

What did our critic think of IL TRITTICO at Houston Grand Opera?

We Americans should not be too proud to admit we owe the Brits for a few important things - Harry Potter, earl gray tea, a lot of great music, and, to a certain extent, the 19th Amendment.  

James Mirrione, the bookwriter behind The Grippe, invites audiences to revisit a pivotal moment in history through the lens of theatre. Inspired by the overlooked story of the 1918 Spanish Flu and its striking parallels to contemporary society, Mirrione combines rigorous historical research, personal family history, and music of the era to craft a play that is both enlightening and emotionally resonant.

Multiple lost Broadway theaters intersect with the Hammerstein family. This follows since Oscar Hammerstein I was a theater owner and builder. In addition to Hammerstein’s which was named after him and is now the Ed Sullivan, and the New Victory which he originally built, there is also the Hammerstein Ballroom. Read more here!

Wellington Repertory Theatre is running it's latest offering, an adaptation of DH Lawrence's The Fox written by Keith Scott, a Dunedin playwright known for his historical works and original stage plays.

One of the operas at the top of my list for next season at the Met is the Deborah Warner staging of Tchaikovsky’s EUGENE ONEGIN that brings back soprano Asmik Grigorian for the first time since her 2024 debut in MADAMA BUTTERFLY. Not that there’s anything wrong with Puccini, the major composer I’ve heard her sing. The first was that Met debut with her golden-throated, heart-breaking Cio-Cio San, followed by her blonde bombshell of a Freudian Turandot (plus a recital) at the Vienna State Opera. Very recently, there was this season’s justifiable cheering from the audience--myself included--when she took on the three soprano roles in IL TRITTICO at the Paris Opera’s home at the Bastille.

From 1918 to the mid-1930s, African American artists in the United States experienced a cultural blossoming known as the Harlem Renaissance-a period in which theatre, music and literature were created by (and often for) Black Americans.

A new version of the classic, The Pirates of Penzance, is currently commanding the stage at Roundabout’s Todd Haimes Theatre on 42nd Street—formerly the American Airlines and before that, the Selwyn. This revisal of the beloved show is titled: Pirates! The Penzance Musical.

There’s an old expression, “A lawyer who defends himself has a fool for a client.” While John Adams didn’t decide to take on the libretto for his latest opera, Monday night’s Met premiere, ANTONY AND CLEOPATRA, all on his own, I wonder whether he might have bypassed the one resource that might have been most useful: Arrigo Boito.

This time, the reader question was: How Often Do Broadway Musicals Tackle the Topic of War? There are actually many musicals about war in the canon. The rare feat of Operation Mincemeat lies in its tone. The show is a fast-paced, zany, comedic take on a mission that used a dead body to mislead the Axis forces, leading to the successful Allied invasion of Sicily.

Award winning playwright Charles Evered’s play “Adopt a Sailor” has been on a nationwide tour since 2018 to garner support for the Evered House, the playwright’s non-profit that supports creative military members and others who serve. 

The MAP Theater will present a rare revival of Exiles by James Joyce, one of the most influential writers of the 20th century. Learn more about the production and see how to purchase tickets.

I’m not sure F Scott Fitzgerald would recognise what Jethro Compton and Darren Clark have done with his intriguing short story about a man living his life, while aging in reverse.

As I sat in the audience, waiting for the performance of War Horse In Concert, a Pops presentation for the Wichita Symphony, I overhead several audience members discussing their expectations for what they were about to experience. “Is this a play?”  “It looks like there are narrators!” “Is this different from a regular concert?” Most “In Concert” performances are based on well known musicals, but War Horse In Concert is based on War Horse Suite 2022, a symphonic work derived from the score of the play with the same name. The play is based on the original story written by Michael Morpurgo. War Horse: The Story in Concert premiered at London’s Royal Albert Hall in 2016, with music composed by Adrian Sutton, and the narration was adapted from the play script written in 1982 by Nick Stafford. The performance consisted of a very simple staged version of the piece, with multiple actors playing multiple roles, supplying dialogue at the important points in the story. There was also a main singer and a chorus to help convey the emotions that the spoken word can fail to supply. This allows the orchestra to feature the score so the story to be told by both the music and the word. A concert version is usually a scaled down production, sans sets, props, elaborate costumes, and in the case of War Horse, the puppets used to portray the horses. The audience is asked to use their imaginations, and their mind’s eye, to fill in the remainder of the story.

THE FIELDS OF AMBROSIA will have industry readings in NYC on October 17 and 18, featuring a cast led by Mike McGowan and Sierra Boggess.

This time, the reader question was: What is the history of Romeo and Juliet on Broadway?

Prior to being cast as Hans, I had already been assigned to research him as part of my duties as a dramaturg. Naturally, as soon as I found out I would be playing the role, I consumed every piece of media related to him and his life that I could.

This is the company's 40th year production.

The new musical Gatsby, being given its world premiere by the American Repertory Theater at the Loeb Drama Center in Cambridge through August 3, isn’t just great, it’s spectacular.

This time, the reader question was: Which Broadway theaters are the largest and which are the smallest and our expert, Jennifer Ashley Tepper has done a deep dive on the sizes of Broadway theatres both past and present!

LAGUNA PLAYHOUSE will present Lerner & Loewe's CAMELOT, directed by Jeffrey D. Moss. The show opens Sunday, July 28 at 5:30pm.