Celine Dion Extends Paris Engagement with New 2027 Dates
by Josh Sharpe - Jun 1, 2026
Due to continued demand, Celine Dion has added ten new dates to her Paris residency. Celine Dion PARIS 2026 will now play in May 2027 at the Paris La Défense Arena, in addition to her previously announced dates this fall.
Review: THE NOTEBOOK: THE MUSICAL at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - May 14, 2026
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.
Exclusive: SUFFS Finds Perfect Partner in PBS, Says Shaina Taub
by Josh Sharpe - May 4, 2026
Ahead of the debut PBS airing of Suffs, BroadwayWorld caught up with Shaina Taub to discuss the origins of the Suffs proshot, the importance of arts accessibility, and why PBS was the right platform to spotlight this history-making musical.
Review: THE NOTEBOOK at ASU Gammage
by Cheyenne Lewis - Apr 8, 2026
Love is one of the most wonderful parts of human existence; it is beautiful, but one of the hardest things a person can experience. Love is not just a feeling, but a venture that must constantly be worked at and put effort into to be maintained. THE NOTEBOOK, currently playing at ASU Gammage and based on Nicholas Sparks’ novel of the same name, explores what a lifelong love story looks like.
Marc Anthony Adds Fall 2026 Dates to Las Vegas Residency
by Josh Sharpe - Apr 7, 2026
Marc Anthony has added new fall 2026 performance dates to his BleauLive Theater residency, “VEGAS… MY WAY!, returning to the stage this September. Tickets for the new dates go on sale on Friday, April 10, at 10 a.m. PDT.
Review: AFANADOR at Châtelet
by Patrick Honoré - Apr 6, 2026
Marcos Morau and the Ballet Nacional de España bring Afanador to Paris — a hypnotic fusion of flamenco, contemporary dance, photography, and queer aesthetics. A work of ravishing strangeness, formal brilliance, and emotional generosity
Party of One: Broadway’s Solo Show Takeover
by Jennifer Ashley Tepper - Apr 12, 2026
Broadway has a long history of one-person shows, including many that have been added to the canon in this century. Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
TRAYF and More Set for Next Act Theatre 2026-27 Season
by A.A. Cristi - Feb 10, 2026
Next Act Theatre has announced its 2026–27 season, featuring a world premiere, two Wisconsin premieres, and a contemporary play returning to Milwaukee. The lineup includes works by Lindsay Joelle, Heidi Armbruster, Sarah Ruhl, and Terry Guest.
Review: THE NOTEBOOK at Pantages Theatre
by Evan Henerson - Jan 13, 2026
Between Ingrid Michelson’s heart-swelling score, a safe and steady book by Bekah Brunstetter and the co-direction of Michael Greif and Schele Williams, this entertaining but hardly remarkable tale kicks off the 2026 season at the Hollywood Pantages on an appropriately tear-streaked note.
Did You Know These Broadway Revivals Started As Flops?
by Jennifer Ashley Tepper - Jan 11, 2026
It wasn’t until later on in theatre history that revivals began including shows that weren’t initially well received or financially successful in their initial engagements. As musical theatre continued to evolve, and more shows entered the canon, a consensus began to grow about shows being worthy of additional exploration even if they hadn’t been hits the first time around. What about musicals that had been ahead of their time, musicals that had fallen prey to circumstances, early works by writers who became successful later on, and of course, shows that found an audience after closing via their cast recordings?
Review Roundup: INITIATIVE World Premiere Opens At The Public Theater
by A.A. Cristi - Nov 20, 2025
Go inside the lives of a group of California teens in the Public Theater world premiere of INITIATIVE, an epic new play by Emerging Writers Group alumnus Else Went and directed by The Public Theater’s inaugural Directing Fellow Emma Rosa Went. Read the reviews!
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.