Things We Want - 2007 - Off-Broadway Articles Page 12

Krawutzi Kaputzi is getting closer to it's opening night. The cast and creatives are in the rehearsal process. During rehearsals, Johannes Gluck found some time to sit down and talk with us about the show and where it all started. Gluck is one of this rare diamonds in the business. He is not only a writer/composer, he is also a singer/actor and one of the finest comedians in the country. If you caught yourself asking, is there anything this guy can't do, relax, there is and he is totally honest about, „drumroll', it's dancing.

Ravens & Chimes will release their new album The Empty House on March 22 via Better Looking Records (pre-order). This week they shared their new single “Irreplaceable Artifacts” with MXDWN and the track will be available on all digital streaming services this Friday. About the song MXDWN says, 'The song has a loping rhythm and eerie instrumentation that recall vintage heartland rock with a strong mix of modern indie rock influence. The song breaks down to the earnestly-sung vocals and a kick drum at the end, allowing Ravens & Chimes to strip the song down to its barest elements. It's a fitting ending to an elaborately arranged yet ultimately straightforward rock song.'

Good morning, BroadwayWorld! Happy Wednesday! Get over the hump with today's top Broadway stories.

Today's subject, Kevin McAllister, always has dynamic stage presence no matter the production. Currently he is living his theatre life onstage at Signature Theatre singing the Ken Page track in Ain't Misbehavin'. The production runs through March 10th in Signature Theatre's MAX space.

Music by Bay Area composer Mason Bates, libretto by Mark Campbell, originally premiered at Santa Fe Opera in July 2017

With the sudden closing of the Cornelia Street Cafe Monologues and Madness has found a new home at Pangea. After 12 years in the West Village, this moveable feast shifts East.

Good morning BroadwayWorld! Today's top stories: Ring in the New Year with Aaron Tveit at Feinstein's/54 Below, and more!

While watching Chance Theater's brand new OC-premiere of EMMA: THE MUSICAL--Paul Gordon's charm-filled 2007 stage musical adaptation of Jane Austen's beloved 1815 novel--I noticed a welcome sensation that took over me throughout most of the production… I could not stop smiling. Delightfully appealing and positively buoyant in a great many aspects, this wonderfully witty and quite beguiling production--directed with engaging gusto by Casey Long--continues performances at their Cripe Stage in Anaheim through December 23, 2018.

CNBC Transcript: JP Morgan Chairman and CEO Jamie Dimon Speaks with CNBC's Becky Quick Today

Can a musical drama set on a grim WW I battlefield make an audience feel good? Those working on the San Diego Opera's staging of All Is Calm: the Christmas Truce of 1914 are certain it can. The work tells the true story of the spontaneous unofficial truce between WWI enemies who left their trenches and entered the no-man's land between them to join in a celebration of the Christmas holidays. Peter Rothstein wrote the drama for his Minneapolis-based company Theatre Latte Da, and based it on material from the period, the most important of which is the verbatim text of letters and war journals written by soldiers who participated in the truce.  The cast sings many songs popular during the war and a few traditional Christmas carols. All were arranged by Erick Lichte and Timothy C. Takach, and are sung a cappella in the English, German and French languages of the soldiers. Vanessa Dinning has taken on the challenge of coaching in nearly 20 different dialects.

In a production that almost didn't happen - it was upended by college administrators' fear of the power of the words found in DeLappe's stunning script - The Wolves is a play about the evolution of a group of nine young women who find themselves together every Saturday morning for a soccer match at an indoor facility in some unspecified locale that could be in New York, California or even Tennessee (or any place in between), during which they reveal themselves and their lives in a no-holds-barred conversation that allows audiences an unfettered view of whatever happens to be on their minds at any given moment.

Sardoville, a repertoire-esque theatre company fusing dance, design, art and word to tell stories that are moving and entertaining, was founded by Azzura Ardovini, Phil Sanger and Josh Wille, all former performers with Phoenix Dance Theatre, and presents For Only An Hour at Blue Elephant Theatre in London today 16 and Saturday 17 November, and Trinity Community Arts in Bristol on Saturday 24 November as part of IGNiTE.

Ragtime, the modern Broadway classic which debuted in 1998, will be making its way to the Maier Performance Hall at the Clay Center for the Arts and Sciences in early November courtesy of the Charleston Light Opera Guild (CLOG). CLOG is no stranger to Ragtime, as they previously performed this production in 2007. With a previous production under their belt and many actors reprising their roles, CLOG's rendition of Ragtime is sure to thrill audiences while showing them why this show is widely heralded as a new classic.

In his third-floor dressing room at the Barrymore Theater, Ari'el Stachel harbors a priceless little trinket: his brand-new Tony Award for Featured Actor in a Musical.

Sardoville, a repertoire-esque theatre company fusing dance, design, art and word to tell stories that are moving and entertaining, was founded by Azzura Ardovini, Phil Sanger and Josh Wille, all former performers with Phoenix Dance Theatre, and presents For Only An Hour at Blue Elephant Theatre in London on Friday 16 and Saturday 17 November, and Trinity Community Arts in Bristol on Saturday 24 November as part of IGNiTE.

GHOSTLIGHT RECORDS has announced the release of How We React and How We Recover, the new album from three-time Tony Award winner Jason Robert Brown, on physical CD online and in stores today, Friday, September 28.

Please tune in to Shannon Penrod's interview on Autism-Live.com with THE BOYS NEXT DOOR director Jeremy Aldridge and featured actor August McAdoo on Thursdays October 4 and 18 at 11:45 AM Pacific Time on both dates, at which time they will be talking about their involvement with those on the Autism spectrum as well as their participation in the CRE Outreach production opening Friday, October 12 through Saturday, November 10, 2018 on Fridays and Saturdays at 8:00pm, Sundays at 3:00pm (except dark 10/21) at The Blue Door, 9617 Venice Blvd., Culver City, CA 90232.

I may be the only serious Broadway fan who has not seen Andrew Lloyd Weber's version of Phantom of the Opera, so I went into Westchester Broadway Theatre's Revival of Maury YestonArthur Kopit's Phantom with a completely open mind.

The hysterical, gory tradition of Evil Dead: The Musical is returning to the City Theatre starting September 27th inside Hockeytown Cafe in Detroit. The cult classic is a favorite here in the Motor City, which is the reason it is back for a tenth season packed full of talented local cast members - some brand new and others excitedly welcomed back. Evil Dead: The Musical is based on Sam Raimi's 1980's cult classic films and have all the horror, gore, and theatre campiness that audience members want. Director and producer, Jamie Warrow, took time out of her busy schedule before the show opens on September 27th at the City Theatre to speak with BroadwayWorld Detroit about her love for the production, what it has been liking working on it for the past ten years, and what makes this year of Evil Dead: The Musical so special.

Following the announcement of their Opening Night Film, Yen Tan's award-winning AIDS drama 1985, NewFest today announced the full lineup of their 30th annual celebration of the year's best LGBT films from around the world. The program of more than 140 narrative features, documentaries, episodic series and shorts runs from October 24-30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.

Dan Boeckner (Wolf Parade, Divine Fits) and his band Operators are bringing back the music of the prolific musician's former duo Handsome Furs. They will be playing music from Handsome Furs' catalogue for the first time in six years at NYC's Baby's All Right on December 13th and December 15th at Toronto's Lee's Palace. Hansome Furs released three critically acclaimed LP's, Plague Park (2007), Face Control (2009) andSound Kapital (2011), on Sub Pop Records. Tickets on sale now.

As a follow-up to 2017's acclaimed Ballet: The Music of Michael Gibbs, Seattle-based trumpeter Cuong Vu joins forces once again with guitar great Bill Frisell, bassist Luke Bergman and drummer Ted Poor on the boundary-pushing quartet outing for RareNoiseRecords, Change in the Air. With all the members of the quartet contributing compositions, this one finds the four participants on equal footing on ten adventurous originals. From Poor's dreamy, noirish opener 'All That's Left of Me Is You' and his lonesome echo-laden waltz 'Alive' to Bergman's dynamic 'Must Concentrate,' Frisell's delicate 'Look, Listen' and his beguiling heartland melody 'Long Ago' and Vu's angular 'Round and Round' and his edgy and electrified 'March of the Owl and the Bat,' these four stellar musicians are truly on one accord and dealing with a rare level of nuance and depth of communication on Change in the Air.

CNBC Transcript: Bridgewater Associates Founder, Co-Chair and Co-Chief Investment Officer Ray Dalio

CRE Outreach is pleased to present THE BOYS NEXT DOOR by Tom Griffin, a comedy-drama centering on a caring social worker who supervises four disabled men (portrayed by actors with disabilities) living together in an apartment while learning to face their daily challenges together. We all fight with filters and obstacles in our lives, but the actors and characters in this production face challenges steeper than most. It is the experience and living truth of the actors that will fill these disabled characters' stories with physical and emotional authenticity.

RareNoiseRecords was founded in 2008 by two Italians, entrepreneur Giacomo Bruzzo and music producer Eraldo Bernocchi. Located in London, the label's mission is to detect and amplify contemporary trends in progressive music, by highlighting their relation to the history of the art-form, while choosing not to be bound by pre-conceptions of genre. It seeks to become a guiding light for all those enamored by exciting, adventurous and progressive sounds. For further information and to listen to excerpts, please go to www.rarenoiserecords.com.