Patrick Marber’s grimy revival of the Mel Brooks musical classic is a little creaky but still hilarious, with a radiant contempt for fascism
8 / 10
The Producers is a bit dated, a bit slow in getting going, and is bereft of the exciting hype that fizzed and crackled through it last time. But its pillorying of fascist iconography remains hysterically funny and steely sharp – perhaps sharper than it was before.
