The stars of screen and stage align as Orlando Bloom (Pirates of the Caribbean) and Tony Award Nominee Condola Rashad (Stick Fly) take on the roles of Shakespeare’s legendary star-crossed lovers, ROMEO AND JULIET.
The most famous love story ever told returns to Broadway for the first time in 36 years in a stunning new production from five-time Tony nominee David Leveaux. Jealousy. Prejudice. Betrayal. And the chance that true love could actually conquer all. That’s Romeo and Juliet.
When you get to the theater, make sure to share the love! Patrons are encouraged to bring locks to hang on our #RJLOVELOCK fence outside of our theater. Patrons can also check into ROMEO AND JULIET on Broadway on Facebook and receive a free lock from the merchandise stand.
Mr. Bloom, in a first-rate Broadway debut, and the gifted Ms. Rashad exude a too-fine-for-this-world purity that makes their characters' love feel sacred...Yet, while the production features stunning columns of flame as part of its eclectic mise-en-scène, it never acquires the fiery, all-consuming urgency that 'Romeo and Juliet' should deliver...Good as she is in the early scenes, Ms. Rashad doesn't yet have the vocal heft and variety to take Juliet into the echoing halls of tragedy...On the other hand, Mr. Bloom, famous for being handsomely heroic in the 'Lord of the Rings' and 'Pirates of the Caribbean' franchises, keeps surprising. For once, we have a Romeo who evolves substantively, from a posturing youth in love with love to a man who discovers the startling revelation of real love, with a last-act descent into bilious, bitter anger that verges on madness.
In the absence of all suspense - though not of pacing, which is fairly fleet, almost brisk - the show is taken over by spotlight supporting roles, most notably Jayne Houdyshell, who steals the show as Juliet's nurse. Houdyshell is, of course, a brilliant stage performer, but when the Nurse runs off with yourR&J, chances are it wasn't secured properly in the first place. Mercutio's another matter: As the only brilliant person in this rather dull crew of partisans, prigs and puppy-lovers - and thus the only crazy person, as well - he's designed to walk away with the whole shootin' match. Christian Camargo doesn't disappoint: A skinny-jeaned, leather-jacketed apparition, he's like some Billyburg poseur driven mad by the dawning recognition of his waning powers of bullshit. As a verbal duelist, Camargo's the very butcher of a silk button - he speaks in short stabbing motions, milks nothing, hits everything, jumps back before he's worn out his welcome.
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