TUTU - - West End Articles Page 8

Since taking the lead as Birmingham Royal Ballet's Director just three months ago, Carlos Acosta certainly hasn't had the easiest time of it. His ambitious first season of programming - featuring Don Quixote, Romeo and Juliet, their popular Nutcracker and a exciting Curated by Carlos bill featuring Alessandra Ferri - is on hold for now thanks to Coronavirus, but Acosta has not shied away from trying something new. Quickly shifting into Home From Home mode, Acosta and co. have experimented with performance and social distancing to create a specially adapted version of The Dying Swan, or as it is known here as simply The Swan.

Chloé Nelkin is the founder of Chloé Nelkin Consulting (CNC), a PR and marketing firm specialising in the arts. Their work ranges from West End shows to the VAULT and Edinburgh Fringe Festivals, as well as heritage clients like the National Trust, circus stars, and classical music venues like Opera Holland Park. Nelkin talks to BroadwayWorld about her route into the arts and shares advice for surviving the shutdown.

SA's own Dominic Warren brings the highly anticipated Queen: It's A Kinda Magic world tour to Sibaya's Izulu Theatre from 10 to 26 April.

Grammy Award-winning vocalist Steve Tyrell has reinvented and re-popularized classic pop standards for a modern audiencea?"and he's been a McCallum favorite for more than 15 years! Through the generosity of Rich and Judy Billings, he'll return to Palm Desert at 8:00 pm, Friday, March 27. Tyrell is widely known for his breakthrough performances in Father of the Bride and Father of the Bride II. His hitsa?"a?oeThe Way You Look Tonight,a?? a?oeThe Simple Life,a?? a?oeCrush on Youa?? and a?oeThe Sunny Side of the Streeta??a?"have launched millions of romances and been played at thousands of weddings, including Chelsea Clinton's!

can I have it without begging, an inter-generational, live music and dance collaboration between choreographer Megan Williams and award-winning composer Eve Beglarian, will have its world premiere at Danspace Project, March 26 a?" 28, 2020 at 8 pm.

Today, Feinstein's at the Nikko announced an exciting lineup of national and local artists who will take the stage at San Francisco's premier intimate nightclub this spring. Additional artists will be announced at a later date. Tickets for all shows are on-sale now by visiting www.feinsteinssf.com or calling 866-663-1063. Ticket prices are subject to change without notice.

Houston Ballet begins its 2020 performances with The Sleeping Beauty by former Artistic Director, Ben Stevenson OBE. This story ballet, as part of Houston Ballet's 50th anniversary season lineup, honors the lasting legacy Stevenson built from 1976-2003.

On the heels of winning her fourth Grammy Award, Angélique Kidjo concludes her Perspectives series with Daughter of Independence on Saturday, March 14 at 8:00 p.m. in Stern Auditorium/ Perelman Stage.

can I have it without begging, an inter-generational live music and dance collaboration between choreographer Megan Williams and award-winning composer Eve Beglarian, will have its world premiere at Danspace Project, March 26 a?" 28, 2020. can I have it without begging is comprised of four connected repertory dance works in conversation with existing compositions from Beglarian's catalogue as well as two newly commissioned world premiere pieces. It features performers from Megan Williams Dance Projects, live music, vocals from the Young People's Chorus of New York City, and an all-star cast of new-music luminaries.

a?oeDietrich,a?? a compelling and acclaimed one-woman play that brings to life the iconic German actress Marlene Dietrich, is scheduled for a one night only performance Jan. 18th in Association with Hudson Theatre Works.

I will never look at classic cocktails the same way after experiencing Marilyn Klaus' immersive show, a?oeCocktail Houra?? by her New York based company, Ballets with a Twist. This innovative and clever show transcended time periods and dance styles with small stories inspired by drinks such as a?oeLemon Dropa??, a?oeCuba Librea??, and a?oeBloody Marya??. The Crest Theatre at Old School Square was the perfect venue to highlight a?oeCocktail Houra?? - it was like seeing history come alive.

Happened last night, December 10th, the online broadcast of the third edition of the Premio Destaque Imprensa Digital (DID - Highlight Digital Press Award). Composed by Culture and Entertainment digital vehicles, in addition to those specializing in musical theater, the award evaluated 32 musical shows that had seasons with at least 12 performances for paying audiences, including evening sessions, between November 1, 2018 and October 31, 2019.

The Russian State Ballet of Siberia returns in 2020 for a 22 venue schedule (2 January - 15 March). It will be the Company's 18th UK tour and will feature exquisite performances of three of the world's most popular ballets.

Continuing a series of personal projects away from the mainstay of the Bolshoi repertoire, Svetlana Zakharova returns to the London Coliseum once more with Modanse, a chic double bill of UK premieres with high calibre support from a range of Bolshoi Principals and Soloists. Chic it may be, with opulent costumes and some original choreography but the cumulative effect lacks impact as a vehicle for the ballet superstar to shine. 

Grammy Award-winner and two-time Emmy nominee Steve Tyrell returns to Café Carlyle, May 19-30. The performances follow this month's sold out 15th anniversary shows in Café Carlyle's revered holiday slot, running tonight through New Year's Eve. His spring 2020 performances will feature favorites from the Great American Songbook including songs he has performed in major motion pictures.

ArtsEmerson continues its tradition of hosting world-class theatre pieces in Boston by presenting Isango Ensemble's production of Mozart's The Magic Flute. The troupe, comprised of 21 black South African musicians, alternates nebulously between delivering recitative, dancing ebulliently, and playing marimbas, rawhide drums, and an eclectic mix of instruments in the on-stage orchestra. Upon entering the Cutler Majestic, the fusion of cultures is jarringa?'- an exposed stage behind an opulent proscenium arch is interrupted by simple structures of distressed wood and corrugated steel panels. The (predominantly white) audience is immediately won over by the novelty of hearing Mozart's iconic overture played entirely on wooden marimbas. The expertise of the musicians in questiona?'- as percussionists, vocalists, actors, dancers, et. ala?'- is reason enough to reserve tickets, and as the novelty of hearing western music arranged on djembes and glass bottles wears off, the precision of the performances continues to impress.

The outrageous and flamboyant Jack Bartholet creates the most authentic and genuine cabaret show, Lady With a Song, using devices theatrical, flashy and absolute honesty.

Bartholet has crafted an impressive show that balances the dazzling polish of his tall matinee idol vocals with a more bare, witty, open-hearted storytelling, which he brings to bear on the tragic outcomes born of toxic masculinity, such as gun violence, in a brilliant act of what he calls Cabe-RAGE-a portmanteau of cabaret and rage of his own devising. Where his musical performances approach frozen perfection, his spoken words are more real, more honest, less of a production. The show is ambitious, daring, powerful and entertaining.

The first mixed bill of the season sees the Royal Ballet celebrate a diverse cross-section of 1960s productions - from the clean and tightly choreographed Concerto, to the luscious opulence of Raymonda Act III (so commonly seen as a standalone piece). The two are separated by some picture-perfect Ashtonian charm with Enigma Variations.

THE DANCE GALLERY FESTIVAL was founded in 2007 by Astrid Von Ussar and Mojcar Ussar as a platform to present choreographers in annual showcases in New York City and Texas. This year, there were three performances at the Ailey Citigroup Theatre, September 27, 28, and 29. I attended the September 28th performance which included twelve works. The Festival offers opportunities and community for emerging dance artists, valuable in today's dance world. Today, Astrid Von Ussar is Artistic Director and Andy Noble is Associate Artistic Director.

The Mariinsky Ballet's a?oePaquitaa?? should begin at its end. It's culminating event, the infamous Grand Pas, arrives after roughly two hours and for anyone in the Kennedy Center Opera House who doesn't know it's coming, the temptation to leave at one of two interminable intermissions is hard to resist.

Three-time Grammy Award winner and Benin-born singer Angélique Kidjo brings her intoxicating blend of West African music, American R&B, jazz, and funk to her Perspectives series throughout Carnegie Hall's 2019a?"2020 season. The highly anticipated residency takes audiences on a journey of African music and culture throughout the world including three concerts curated by Kidjo and one spectacular program featuring her as a performer.

By popular demand, Show One Productions presents the anticipated return of the world famous, all-male ballet company Les Ballets Trockadero de Monte Carlo (Trocks), onstage March 7, 2020 at 8pm and March 8, 2020 at 2pm and 7pm at the Winter Garden Theatre. Following a sold-out run of shows in 2017, these sensational performances will showcase the Trocks' wickedly absurd antics and serious dancing chops a?" featuring sly send-ups of beloved ballet classics and contemporary works. Infused with a heavy dose of highbrow hilarity, this antic-laden production will offer audiences a chance to experience high-powered diva energy as the men strut their stuff in size 11 pointe shoes.

Hear the spirited sounds of South Africa in this fall's vibrant staging of Aesop's Fables by the Olivier Award-winning Isango Ensemble at The New Victory Theater from November 1 - 3, 2019.