Power Plays - 1998 - Off-Broadway Articles Page 13

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

Yara Arts Group (www.yaraartsgroup.net), under the direction of Virlana Tkacz, will stage a concert-theater event, 'Koliada and Music from the Carpathians,' December 6 and 7 at 7:00 PM at the Ukrainian Museum, 222 E 6th Street in Manhattan.

ENSEMBLE STUDIO THEATRE (EST) and The Alfred P. Sloan Foundation (Doron Weber, Vice-President, Programs) along with the EST/Sloan Project, are pleased to announce new EST/Sloan commissions for the 2019-2020 season.

The 19/20 theatrical season has seen several milestones for many of its area theatres but the biggest by far is the 70th anniversary of the company that helped pioneer the regional theatre movement in this country Arena Stage.

Power and romance from acclaimed young Romanian pianist Alexandra Dariescu in Rachmaninov's Second Piano Concerto.

With her production of the world première of Anupama Chandrasekhar's When the Crows Visit in rehearsals, Artistic Director Indhu Rubasingham today announces Pass Over, A Museum in Baghdad and The Glee Club which will be staged at Kiln Theatre in 2020, following the previously announced Snowflake by Mike Bartlett.

When I was first approached by Giles Foden to adapt his 1998 novel for the stage, I was unsure how to respond. I'd seen Kevin MacDonald's fine movie version in 2006 and wondered what a theatrical version could add to it. So I went back to Giles's novel and found myself gripped by his account of Ugandan history and the complexity of Idi Amin Dada, its nightmarishly charismatic President from 1971 to 1979. Giles constructed Nicholas Garrigan, Amin's physician, out of a number of real prototypes, ranging from rogue diplomats to mercenaries. What gripped me from the outset was the core psychological drama exploring friendship, charisma and denial in the face of atrocity. 

Goldie Dver talks and sings of life from tragedy to triumph in a very personal journey, BACK IN MAMA'S ARMS at Don't Tell Mama

Producers John Frost, Craig Donnell, Warner Bros Theatre Ventures, Langley Park Productions and Neal Street Productions are delighted to announce that Roald Dahl's Charlie and the Chocolate Factory is partnering with My Room to bring hope, strength and joy to children and their families facing life-threatening cancers.

Alan Paul directs and demonstrates the power of live theater.

For RAGTIME, director Mark Edward Smith and his crew have crafted one of the most appealing and stately sets I've seen at the Garden Theatre. The blocking is clever and thoughtful - important when you have a big ensemble cast on a small stage - and the lighting and costumes are on point. The vaudeville era must be the Garden's charm, because this is certainly the best staging I've seen here since the last season opener, Gypsy. But whether you've seen RAGTIME or not, it's the cast here that is really going to wow you...

The critics went to the cabaret, old chum! Cabaret at the Ivoryton Playhouse plays through this Sunday, September 1. Hear what the critics had to say about this production.

FACTORY is proud to launch their 50th Anniversary season with its first CrossCurrents Canada presentation of 2019-20a?? a?" the Toronto premiere of the critically acclaimed Nightswimming production, BROKEN TAILBONE. Written and performed by Carmen Aguirre, and commissioned and produced by Nightswimming, this extraordinary production integrates stories of intimacy, politics, culture and the forgotten origins of the salsa into an interactive dance party and will be presented in the Factory Studio Theatre, October 2 a?" 13, 2019 (Opening Night October 3).

COAL MINE THEATRE kicks off its powerhouse Season Six with a tremendous modern Scottish classic. A slight departure from its regular programming, the world-renowned KNIVES IN HENS by David Harrower takes the audience on a sensual journey into the world of a young woman grappling to find her freedom and power through language.

Now in its 53rd season, Gallery Players of Park Slope announce the full line-up for the 2019-2020 season, which opens on Saturday, September 7, 2019 with Cabaret.

Tony Award nominee and Elliot Norton Award winner John Douglas Thompson revives his Tony-nominated role in a staged reading of Jitney as a benefit for the Front Porch Arts Collective, Boston's newest Black theatre company. The reading will take place at the South End/Calderwood Pavilion at the BCA (527 Tremont St., Boston) on Monday, September 16 at 6:30pm. Single tickets are pay what you wish starting at $25 and can be purchased by visiting bostontheatrescene.com.

In the whimsically theatrical world of Jump, lights flicker, hearts heal, and a young woman finds solace on a bridge. At once heartbreaking, hilarious, and hopeful, Jump is about the connections we share - with family, with friends, with strangers - the connections that bind us together, and lead us into the unknown.

Based on a true 1941 meeting in occupied Denmark, Cesear's Forum is offering Michael Frayn's drama COPENHAGEN, in a limited six-week September/October engagement, at Kennedy's Down Under, Playhouse Square, Cleveland, Ohio.

Today's top stories: go behind the scenes of the upcoming Cats film, Beautiful will end its run in October, all new Moulin Rouge! photos, and more!

A review of the original 1998 production of Diana Son's Stop Kiss refers to the play as a 'small treasure' - not intended as a slight, but I think in reference to the beautifully, movingly simple nature of the script. I would use the same phrase to describe the New Mexico Actor's Lab production (currently running at Teatro Paraguas) - the play is full of small, gorgeous moments that are masterfully directed and acted, creating a lovely and impactful evening of theatre.

In their new production of Diana Son's 1998 Off-Broadway play 'Stop Kiss,' theatrical producers Positive Space, MusicArtes, and New Voice Company (NVC) are encouraging Filipino theatergoers to take a stand against discrimination and celebrate love, in whatever form.

Civic Ensemble's Godfrey L. Simmons, Jr. will perform Mike Daisey's edgy, funny, and provocative monologue The Trump Card at the Kitchen Theatre Company this Summer! Opening night is Thursday, July 18th at 8:00pm at the Kitchen Theatre Company, 417 West MLK Jr. Street, Ithaca NY. Performances are Thursday to Saturday at 8:00 pm and Sunday at 4:00 pm through July 28th. The Trump Card is an examination of our current political moment and a call for self reflection among Ithacans of every political persuasion. The production is directed by Ron Russell, Co-Founder and Executive Director,  of Epic Theatre Ensemble of New York City. 

In their new production of Diana Son's 1998 Off-Broadway play "Stop Kiss," theatrical producers Positive Space, MusicArtes, and New Voice Company (NVC) are encouraging Filipino theatergoers to take a stand against discrimination and celebrate love, in whatever form.

For its seventh year of offering plays by contemporary Irish playwrights to Portland audiences, Corrib Theatre announces a three-show season: Eclipsed by Patricia Burke Brogan, James X by Gerard Mannix Flynn, and Kissing the Witch by Emma Donoghue. All three 2019-20 productions will be held at New Expressive Works, 810 SE Belmont St., Portland.

From June 12 to 22, Playwrights' Workshop Montr al (PWM), in partnership with the Cole Foundation, and with the support of donations made in memory of the great Canadian theatre artist, Bill Glassco, will host the 16th edition of the Glassco Translation Residency. Unique in the country, the retreat which takes place in the historic Fletcher Cottage, in breathtaking Tadoussac, Qu bec, gives translators time, space, and dramaturgical support to translate a play. The translators and playwrights are paired for ten days under the same magical roof to discuss and explore the universe of the play as it is being translated.