Martha Graham

BAM has announced the return of Martha@The 1963 Interview as part of its 2025 Next Wave Festival, running October 28–November 1 at BAM Fisher in Brooklyn. Tickets start at $35 and are available now.

Tickets are now on sale for the Jacob's Pillow's full schedule of programming at this summer’s 93rd annual Dance Festival. Learn more about the upcoming events and see how to attend.

BroadwayWorld is saddened to report that Christian Holder, noted as a dancer, choreographer, actor, teacher, costume designer, writer, painter and singer, has died at age 75.

The University of North Carolina School of the Arts and American Ballet Theatre have announced an expanded educational partnership, enhancing training opportunities for students in dance and performance.

Eliot Feld and Ballet Tech donate their ballet archive to the New York Public Library, placing Feld's works in the public domain to ensure wider access and preservation.

Presenting a program of two world premieres and one classic work, her sensational company of dancers, Twyla Tharp Dance, will play The Joyce Theater from February 13-25. 

The Martha Graham Dance Company presents their Spring 2024 New York Season, featuring Graham masterworks, a new 'Rodeo,' and a New York premiere by Jamar Roberts. Don't miss this celebration of American legacies at New York City Center from April 17-20, 2024.

Asian Cultural Council (ACC), the preeminent New York-based organization advancing international dialogue through arts and cultural exchange between Asia and the U.S., announced the launch of ACC Voices, a new series of free public programs.

The Hemispheric Institute at New York University and the Bronx Academy of Arts and Dance present Naked Vanguard: The Arthur Avilés Archive in Motion — a series of conversations and performances in September, October, and November 2021 that will celebrate the publication of the Arthur Avilés Collection in the Hemispheric Institute Digital Video Library.

Post-world-war-two America somehow managed to erase what 1920s women had fought so hard to create, and what the war effort at home had literally proved, that women could just as easily do a man's job. During the war, women were working in factories, becoming mechanics, if it was a 'man's job' women were out there doing it while the men fought the war. When the men came home, somehow women said hurrah! and happily became housewives and mothers. 'Whew! So glad to be back where I belong!' every magazine, billboard, and family-centric television show seemed to say, characterizing women as happy homemakers whose identity was determined by her biology aka her ability to keep a man happy in bed while producing babies, and all of the domesticity that implies.

The Martha Graham Dance Company's Studio Series continues with GrahamDeconstructed featuring Martha Graham's 1963 work Circe. GrahamDeconstructed will take place on Tuesday, February 25, and Wednesday, February 26, at 7pm, at the Martha Graham Studio Theater, 55 Bethune Street (11th floor), in Manhattan.

The world-renowned Martha Graham Dance Company presents the second season of The EVE Projecta?"a program celebrating female empowerment and the centennial of the 19th Amendment this year. The New York City Center season features acclaimed classics from Graham's repertory alongside works by some of today's top choreographers, including a world premiere by Andrea Miller and recent commissions from Pam Tanowitz and Maxine Doyle and Bobbi Jene Smith. Prima ballerina Diana Vishneva will be a guest star at the gala evening dancing Graham's Deep Song. Music for all of the Graham classics will be played live by The Mannes Orchestra. Performances are Wednesday, April 22 at 7pm (Opening Night Gala), Thursdaya?"Friday, April 23a?"24 at 8pm, Saturday, April 25 at 2pm and 8pm, and Sunday, April 26 at 2pm.

NYU Skirball will present The Road Awaits Us,  two North American premieres and one beloved solo from Big Dance Theatre on Friday November 8 and Saturday, November 9 at 7:30 pm at NYU Skirball.

The Martha Graham Dance Company announces the 2019–20 season of its popular Studio Series, which offers audiences a behind-the-scenes look at the work of the Company in the intimate setting of the Martha Graham Studio Theater. The events in the Studio Series revolve around The EVE Project, the Company's season theme celebrating female empowerment and the 100th anniversary in 2020 of women's right to vote.

The world-renowned Martha Graham Dance Company announces the second season of The EVE Project, a two-year initiative celebrating female empowerment and the upcoming 100th anniversary of women's right to vote. Commissioned works from some of today's top choreographers will be presented, and the classic repertory features Martha Graham's heroines and anti-heroines-all with an underlying statement about female power.

In this solo concert, RESONANCE III, Miki Orihara will be dancing Martha Graham's "Lamentation (1930)", Doris Humphrey's "Two Ecstatic Themes (1931)", Seiko Takata's work "Mother (1938)" Konami Ishii's "Moon Desert (early 1930's)" and Yuriko's "Cry (1963)".

In this solo concert, RESONANCE III, Miki Orihara will be dancing Martha Graham's 'Lamentation (1930)', Doris Humphrey's 'Two Ecstatic Themes (1931)', Seiko Takata's work 'Mother (1938)' Konami Ishii's 'Moon Desert (early 1930's)' and Yuriko's 'Cry (1963)'.

Tanglewood's season-long Bernstein centennial celebration will culminate in a gala concert on Bernstein's actual 100th birthday, August 25, to be recorded by Great Performances for an exclusive U.S. broadcast premiere December 28 at 9 p.m. on PBS

Tanglewood's season-long Bernstein centennial celebration-one of the most comprehensive looks at Bernstein's amazing impact on the worlds of music and theater taking place in the anniversary year-will culminate in a gala concert on Bernstein's actual 100th birthday, August 25. Reflecting the season-long theme, The Bernstein Centennial Celebration at Tanglewood concert will spotlight Bernstein's wide-ranging talents as a composer, his many gifts as a great interpreter and champion of other composers, his role as an inspirer of a new generation of musicians and music lovers across the country and around the globe, and his presence as a driving musical force at Tanglewood, 1940-1990.

The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.

The Martha Graham Dance Company's spring NEW@Graham features a look inside two works that are new to the Company: Lucinda Childs' Histoire and Lar Lubovitch's The Legend of Ten.

The Martha Graham Dance Company's spring NEW@Graham event will feature a look inside two works that are new to the Company: Lucinda Childs' Histoire and Lar Lubovitch's The Legend of Ten. For Histoire, Childs has expanded a 1999 duet she created for the Company into a work for eight dancers. The Legend of Ten joins the Company's repertory in honor of the 50th anniversary of the Lar Lubovitch Dance Company. Excerpts from both works will be performed by the renowned Graham dancers and introduced by Graham Company Artistic Director Janet Eilber. The Company will premiere both works during its New York City Center season in April.

Juilliard Dance, led by acting artistic director Taryn Kaschock Russell, continues its season with Spring Dances, a repertory program featuring Merce Cunningham's Sounddance, set to Untitled 1975/1994 by David Tudor and staged by Jean Freebury; Crystal Pite's Grace Engine, set to music by Owen Belton and staged by Alexandra Damiani; and Twyla Tharp's Deuce Coupe, set to music by the Beach Boys and staged by Richard Colton.

For more than half a century, this Celtic super-group has charmed and entertained audiences around the world with their exciting stage shows and live performances of their original rollicking drinking songs and beautiful ballads. Regularly touring the US, Canada, Australia, and New Zealand, The Irish Rovers' hits such as "The Unicorn," "Wasn't That a Party," and "Grandma Got Run Over by a Reindeer" have sold millions of copies worldwide. On this final world tour, the Unicorn Tour 2018, the band hopes to bid a proper farewell to all those they have entertained for these many years.