Love Letters - 2015 US Tour History , Info & More
Love Letters - 2015 - US Tour Articles Page 13
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by Chloe Rabinowitz - Sep 15, 2020
Cutting Ball Theater presents the virtual World Premiere of Utopia, a wildly inventive new work by Obie Award winning playwright Charles L. Mee.
by Chloe Rabinowitz - Sep 8, 2020
Irish Repertory Theatre has announced its Online 2020 Fall Season. This fall will feature five Performances on Screen.
by Stephi Wild - Sep 3, 2020
the american vicarious in collaboration with The Invisible Dog Art Center present the New York Premiere of STATIC APNEA (2020) a socially distanced performative installation beginning performances on September 12, 2020.
by Student Blogger: Brigid Pfeifer - Sep 1, 2020
For this particular blog post, Ia??ll be focusing on shows that I saw either on Broadway, Off-Broadway or regionally.
by Chloe Rabinowitz - Aug 24, 2020
Audible has announced its latest Emerging Playwrights Fund class.
by Stephi Wild - Aug 22, 2020
Sundance Now has announced its September slate.
by Robert Diamond - Aug 17, 2020
The state line between Minnesota and North Dakota is an area not often immortalized in song—until now. Brennen Leigh’s upcoming concept record, Prairie Love Letter, is an ode to where she grew up
by A.A. Cristi - Aug 12, 2020
TheatreWorks Silicon Valley's Artistic Director Tim Bond and Executive Director Phil Santora announced today that the Tony Award-winning theatre will postpone the opening of its 51st mainstage season to March 2021, with eight plays presented through May 2022.
by Chloe Rabinowitz - Aug 4, 2020
Terrence McNally, the legendary American playwright, screenwriter, and librettist will posthumously receive The Dallas Opera's most prestigious honor, 'The Maria Callas Award,' in recognition of his contribution to two landmark events in the company's history.
by Stephi Wild - Jun 13, 2020
The Royal Opera House has announced two new broadcasts, as part of its #OurHouseToYourHouse series. Both Woolf Works and La boheme will be broadcast for free online.
by Kaitlin Milligan - Jun 9, 2020
ANE BRUN has announced details of a brand new single, 'Honey', released by her label, Balloon Ranger Recordings.
by Chloe Rabinowitz - Jun 8, 2020
San Diego Opera has announced its 2020-2021 season, after the premature ending of the Company's previous season this winter in response to the global coronavirus pandemic.
by Kaitlin Milligan - Jun 5, 2020
ANE BRUN has announced details of a brand new single, 'Honey', released by her label, Balloon Ranger Recordings.
by Stephi Wild - Jun 1, 2020
The Onassis Foundation presents Week 6 of ENTER, their series of new works commissioned from artists in various parts of the world, created in their homes in 120 hours or less and drawing on experiences through the COVID-19 pandemic and its many transformations of life as we know it.
by A.A. Cristi - May 19, 2020
While acknowledging that the landscape for future performing arts events is currently uncertain, Long Beach Opera is forging ahead with plans for its 2021 a?oeSeason of Solidaritya?? beginning in January. Both LBO and Interim Artistic Advisor Yuval Sharon believe that collaboration and creative thinking will be the key to returning to performing arts activities, and understand that adaptability may be necessary to return to the important work of connecting individuals and communities through live, in-person artistic expression.
by Nicole Rosky - May 18, 2020
Today (May 18) in live streaming: Laura Benanti hosts Stars in the House, Broadway comes together for Covenant House, and so much more!
by Stephi Wild - May 1, 2020
American Ballet Theatre Principal Dancer and author Misty Copeland will open the first-ever ALA Virtual Event on June 24, 2020.
by Peter Nason - Apr 30, 2020
BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.
by A.A. Cristi - Apr 23, 2020
The Broad Stage at Home is a destination offering new, live-streamed content from artistic partners and archival footage, highlighted by new, recurring series and content broadcast live. This Saturday, April 25 at 8:00 p.m. The Broad Stage at Home presents readings and conversation on the Red Hen Press Poetry Hour, hosted by author Sandra Tsing Loh.
by Chloe Rabinowitz - Apr 22, 2020
4th Wall Theatre Company, Houston's home for extraordinary performances up close, has announced its 10th anniversary season.
by A.A. Cristi - Apr 21, 2020
Philadelphia Theatre Company mourns the loss of Philadelphia cultural icon Suzanne Roberts. Roberts had a transformative effect on the landscape of Philadelphia, especially its vast arts and cultural community.
by Kristen Morale - Apr 17, 2020
As we hunker down and wait for the world to return to what it was, many have refused to remain stagnant or let discouragement overtake them. This is especially true for Valerie David, a playwright, performer and three-time cancer survivor who now shares her beautiful story and gives us a new perspective on life in the midst of temporary darkness.
by Taylor Brethauer-Hamling - Mar 27, 2020
We asked our readers to share their theatre memories for #WorldTheatreDay and they did not disappoint! Thanks for celebrating with us!
by A.A. Cristi - Mar 26, 2020
OPERA America is pleased to announce the recipients of the 2020 Discovery Grants from the Opera Grants for Female Composers program.
by Abigail Charpentier - Mar 6, 2020
Alt-pop band THE GRAHAMS have released the empowering title track off their upcoming third album KIDS LIKE US (set for release on March 27, 2020 via 3 Sirens Music Group/RED MUSIC/The Orchard). The band explains to Culture Collide (who premiered the track yesterday), “While the sounds and imagery of [Bruce] Springsteen and [Neil] Young emphasized breaking away from the constrictions of family, economy, society on the fringes of a dead-end town (like Springsteen, in our case it was the Jersey suburbs), “Kids Like Us” explores growing up and living in towns that are simultaneously confronting climate crisis and environmental damage, opioid epidemics, underemployment, and an entire country on the brink of madness. Overall, we were experiencing a need to break free. Break free from politics, from the hatred, from adulthood, from the constant clamor and disappointment, from the Nashville scene, from preconceived notions of who we were, and from the artistic constraints we felt in the past.”
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