Intermission! the Musical - 2018 Regional (US) History , Info & More
Intermission! the Musical - 2018 - Regional (US) Articles Page 18
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by Tori Hartshorn - Jun 14, 2019
Marie Osmond will bring her signature style and exuberance to the stage for the Deer Valley® Music Festival on Saturday, June 29 at 7:30 PM at the Deer Valley® Snow Park Outdoor Amphitheater in her first orchestra concert in more than a decade. She will perform with the Utah Symphony conducted by Jerry Williams. Daniel Emmet, 2018 America's Got Talent finalist known for his unforgettable performance with Plácido Domingo, and Marie's nephew, David Osmond, will also perform on the program.
by Sarah Hookey - Jun 13, 2019
The New York Musical Festival (NYMF) and Sharp Women, LLC present Overture the Musical, a new story celebrating the extraordinary grass-roots efforts to save the Kansas City Philharmonic, with music and lyrics by Krista Eyler, book by Krista Eyler and Barbara Nichols.
by Julie Musbach - Jun 3, 2019
Broadway Associate Director Nikki DiLoreto (Tony nominated Kiss Me, Kate, David Henry Hwang's Soft Power) leads a talented cast in the New York debut of Talk to Me, a new play about aphasia written by and starring Megan Bussiere.
by Julie Musbach - May 24, 2019
Perhaps Leonard Bernstein's most uplifting composition is paired with one of the most significant compositions by musical master Ludwig van Beethoven's in "Bernstein and Beethoven: Part II" on Saturday, June 1, 2019 at 8 p.m. at The Music Center at Strathmore.
by A.A. Cristi - May 22, 2019
Bay Area Musicals has announced the full cast and creative team for the final production of the Company's 2018-2019 season, the international smash hit HAIRSPRAY (Winner of 8 Tony Awards including "Best Musical"). Based on the 1988 John Waters film, HAIRSPRAY features music by Mark Shaiman, lyrics by Scott Wittman & Mark Shaiman and a book by Mark O'Donnell & Thomas Meehan.
by Julie Musbach - May 17, 2019
New York Classical Theatre in association with Voza Rivers/New Heritage Theatre Group and David Heron's Sure Thing Productions will present a staged reading production of David Stallings' new play Leonora at the Williams Institutional CME Church in Harlem on Monday June 3 at 7pm.
by Julie Musbach - May 14, 2019
American pianist/composer Thomas Nickell, an artist with 'an ever increasing reputation as a player's player and composer' (Litchfield Live, July 23, 2017) will appear as soloist with the Oistrakh Symphony Orchestra of Chicago under the baton of Mina Zikri at Zankel Hall at Carnegie Hall on Sunday afternoon, June 2, 2019, 3 p.m., presented by the Alexander & Buono Foundation.
by A.A. Cristi - May 13, 2019
On July 26 and 27, 2019, the American Museum of Natural History in association with the American Repertory Theater (A.R.T.) at Harvard University will present staged excerpts from Moby-Dick, a new musical adaptation of Herman Melville's classic 1851 novel, in the Museum's Milstein Hall of Ocean Life. Written by Tony-nominated composer Dave Malloy (Natasha, Pierre & The Great Comet of 1812) and directed by Tony nominee Rachel Chavkin (Natasha, Pierre & The Great Comet of 1812; Hadestown), this adaptation, which will receive its world premiere at A.R.T. in December 2019, reimagines Melville's 19th-century classic for a 21st-century America.
by Sam Abney - May 13, 2019
I've never been disappointed by a show at Signature Theatre. Even their ongoing Grand Hotel, which is working with some less-than-stellar source material, is elevated by the wonderful craftsmanship and talented artists this theater welcomes. The same can unfortunately not be said of the disappointing Spunk, which opened in Signature's more intimate ARK theater on Friday. Zora Neale Hurston's masterful prose falls flat in a production that feels like it opened too soon, resulting in an evening lacking in the gumption this show tries to champion.
by A.A. Cristi - May 10, 2019
Pacific Symphony is saddened to announce the recent passing of its Principal Cellist Timothy Landauer. In Landauer's honor, Pacific Symphony will perform a selection of music on the first half of the classical program, May 16, 17 and 18, that will provide a stirring atmosphere to contemplate his many musical contributions over the years.
by Isabella Perrone - May 7, 2019
The women of The Second City return to the mainstage to present SHE THE PEOPLE: THE RESISTANCE CONTINUES, a follow-up to 2018's SHE THE PEOPLE. While the cast and creative team remains mostly the same as the original show, this reimagining explores a wider scope of true-to-life and absurd comedic scenarios. Under direction of head writer Carly Heffernan, the broad capabilities of the actors and creative team were utilized to fully translate the female experience in 2019.
by Brandon Horwin - May 6, 2019
Matthew Morrison and Shoshana been lit up the stage at the Strathmore's Annual Spring Gala in North Bethesda on Saturday. The evening started out with Shoshana Bean's jazz set which perfectly showcased her incredible voice. Bean's set included many songs from her 2018 album 'Spectrum' which she expressed was an album that was rooted in and inspired by music from her childhood. Bean opened her set with a song from this album entitled 'Remember the Day' - an electrifying jazz song which showcased Bean's exquisite voice and personality. She had the audience in the palm of her hand from the first note. Bean continued with songs from 'Spectrum' including 'I Wanna Be Around' and 'Strange Thunder.' Bean introduced her music director and producer David Cook who was on piano, and exclaimed to Cook that 'you're one of my favorite people to make music with.' The Bean and Cook pair made some exceptional music which resonated gracefully, throughout the beautiful Strathmore music hall.
by Ellen Dostal - May 2, 2019
When it comes to developing a loyal fan base, Troubadour Theater Company has found the secret: do outstanding work, stay true to your aesthetic, and give the people what they want - a great time at the theater. Artistic Director Matt Walker started the troupe and, with the help of longtime friend and foil, Beth Kennedy, continues to lead his merry band into the great theatrical unknown. Next up for the company is JULIUS WEEZER, which combines Shakespeare's JULIUS CAESAR and the music of Weezer to tell its tale of political intrigue Troubie style. Today, they talk about what it's like putting together a new show and why they keep on coming back for more.
by Julie Musbach - Apr 29, 2019
After being voted West Virginia's Theatre of the Year in the 2018 BroadwayWorld Regional Awards, West Virginia Public Theatre (WVPT) is thrilled to announce their new summer season: Storming Heaven: The Musical (June 6-9, 11-16) and Patrick Barlow's The 39 Steps (June 26-30).
by Julie Musbach - Apr 26, 2019
The Tank in association with All For One Theater will present the World Premiere of Open, written by Crystal Skillman
by Chelcy Harrell - Apr 25, 2019
Beehive: The 60s Musical, takes audiences on a musical journey from hip to groovy to raw, from innocence to loss of innocence, and how the evolution of the music of the decade impacted and propelled the female empowerment movement. You are guaranteed to leave singing some of your favorite 60s tunes for hours, maybe even days afterwards!
by Tara Olivero - Apr 22, 2019
Three Rivers Music Theatre's final show for their 2018-2019 season is the much anticipated ONCE ON THIS ISLAND, which opens this weekend at Wunderkammer on Fairfield Avenue. Andy Planck, executive artistic director of TRMT and the director of the show, sat down with BroadwayWorld to talk about his vision for the production and what he sees as its value in today's world.
by Stephi Wild - Apr 22, 2019
One of Leonard Bernstein's most iconic compositions will be paired with the legendary Ludwig van Beethoven's most celebrated work in "Bernstein and Beethoven: Part I" on Saturday, May 11, 2019 at 8 p.m. at The Music Center at Strathmore. As a continued celebration of the Leonard Bernstein Centennial, world-renowned pianist Michael Brown will join Philharmonic Music Director and Conductor Piotr Gajewski and the National Philharmonic in performing Bernstein's Symphony No. 2 ("The Age of Anxiety"), a genre-defying work that combines elements of symphony, concerto, and program music and is inspired by the dramatic poem The Age of Anxiety by W.H. Auden. After an intermission, Gajewski will lead the Philharmonic in Beethoven's Symphony No. 5 in C minor, Op. 67. This timeless work is one of the most performed, recorded, adapted, and abused of all the works in Beethoven's canonical repertoire. A pre-concert lecture will take place between 6:45-7:15 p.m. From 7-7:30 p.m., families can explore orchestral instruments with Philharmonic musicians. The concert will feature a members-only encore question-and-answer. Ticket prices are $42-$78, and young people 7-17 are free. Strathmore is located at 5301 Tuckerman Lane, North Bethesda. For more information or to purchase tickets, visit nationalphilharmonic.org or call 301.581.5100.
by Julie Musbach - Apr 18, 2019
The Bossy Collective is thrilled to present The Wives of Henry the Eighth, a new musical written by Tisch School of the Arts graduate Ellie Handel, May 10-12, 2019 at Royal Family Productions located at 145 W 46th St, New York, NY 10036 (between 6th & 7th avenue).
by Stephi Wild - Apr 18, 2019
The nation's most diverse orchestra, Chicago Sinfonietta, and Music Director Mei-Ann Chen are proud to present the finale to the illustrious 2018-2019 season with SoundSketch, a concert rooted in painting portraits in rhythm, blues and beyond. The orchestra puts its own spin on the concept of "the tribute" by highlighting musical icons throughout history in a string-centric program, with MacArthur Genius and violin virtuoso Regina Carter as a featured special guest. Chicago Sinfonietta's performances will occur Saturday, May 11, 2019 at 8 p.m. at Wentz Concert Hall at North Central College, 171 E. Chicago Ave., Naperville, and on Monday, May 13, 2019 at 7:30 p.m. at Symphony Center, 220 S. Michigan Ave., Chicago.
by Sarah Hookey - Apr 17, 2019
Grand Rapids Symphony will conclude its 2018-19 Great Eras Series on Friday, May 3, with a concert titled The 20th/21st Century Concert: Celebrating Women featuring music by women plus a woman as guest soloist.
by Jeffrey Ellis - Apr 17, 2019
Daring to dream, to allow one's imagination to soar and one's creativity to thrive is at the core of theater and thanks to a clever and engaging retelling of a time-honored fable now onstage at Nashville's Darkhorse Theatre - Jack and the Giant, the latest offering of ACT 1's 2018-19 season - audiences are reminded of the power of live performance to transport them to another world.
by Julie Musbach - Apr 16, 2019
San Jose Stage Company (Randall King, Artistic Director and Cathleen King, Executive Director) has announced the cast and creative team for the final production of The Stage's 36th Anniversary Season, the smash hit ABBA musical MAMMA MIA! The production run from May 29 - July 7, 2019 at San Jose Stage Company (490 South 1st Street, San Jose, CA, 95113). MAMMA MIA! will be directed by Allison F. Rich* (who will also play the role of "Tanya Cresham-Leigh"), with choreography by Keith Pinto (who will also play the role of "Harry Bright"). Martin Rojas Dietrich will serve as Associate Music Director. The press opening will take place on Saturday, June 1, 2019 at 8:00 p.m.
by Cristina Pla-Guzman - Apr 16, 2019
Pure Joy turned into Grief and Terror then finally Relief coursed through me. For 90 minutes, I was completely immersed in the experience that is AMPARO. And that is exactly what AMPARO is; a complete theatrical experience. As I am writing this I can still feel all the emotions I went through when I first participated in AMPARO. I say participated because you don't watch AMPARO, you live it. I also haven't stopped talking about it to anyone who will listen and even now when I describe the experience as I am urging family and friends to GO SEE IT, I get goosebumps. I fear that I won't do the experience justice with my mere words but I will do my best.
by Elliot Lanes - Apr 11, 2019
There are certain things that really bother me in theater. One of the biggest is when a theater company that is capable of brilliance presents a show that should be a perfect fit – and unfortunately ultimately delivers a final product that does not meet my expectations.
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