INDECENT is the new play from Pulitzer Prize winner Paula Vogel inspired by the true story of the controversial 1923 Broadway debut of Sholem Asch's God of Vengeance. Called "superbly realized and remarkably powerful" by the New York Times and hailed as one of the best plays of the year by critics, Indecent charts the journey of an incendiary drama and the artists who risked their lives to perform it. Created by Vogel and director Rebecca Taichman and set at a time when waves of immigrants were changing the face of America, this play with music is a riveting look at an explosive moment in theatrical history and comes to Broadway from its critically acclaimed, sold-out run at the Vineyard Theatre.
...a second viewing of the play, now pumped up and retuned for Broadway, only makes its problems more obvious. Happily, its good qualities are enhanced as well, including an imaginative staging by Rebecca Taichman, beautiful klezmer-inspired music by Lisa Gutkin and Aaron Halva, and, most fundamentally, the depth of its engagement with a recalcitrant subject...Indecent gets one thing perfectly right. The rain scene between the two girls, which we also see repeatedly, is still, after 107 years, something shocking and sacred - and character-driven. Most history is.
It's humbling, not to say near-impossible, to fully convey the thrumming resonance of Indecent, the evanescent shimmer of a show that arrived on Broadway tonight following its New York debut last spring at the Vineyard Theatre. But I'll give it my best and hope that you'll set aside any argument touting its importance - because Indecent ain't just spinach - and instead make haste for the Cort Theatre simply to share the astonishing power of this new play with music about a delicious ancient Broadway scandal that pulses through the decades to our own time.
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