If - 1927 - Broadway Articles Page 7

Sweden's greatest modernist playwright, August Strindberg, returned from the Continent to Stockholm in 1906, where he lived out his last seven years. There he wrote 'The Pelican' for his Intimate Theater in 1907 and 'Isle of the Dead' (Toten-Insel) immediately after as its prologue. The latter was unpublished until 1918 and rediscovered in the early 60s, when it was found and promptly dismissed as an incomplete fragment. The two plays were finally reunited by Ingmar Bergman in a radio version in 2003. It was his last dramatic production. From February 6 to 22 August Strindberg Rep, a resident company of Theater for the New City (TNC), will bring the two plays to the stage together for the first time in history. It will also be the world premiere of new English translations of both plays by Robert Greer, Artistic Director of Strindberg Rep, who helms the production.

In this digital age, we all want to be seen and heard-and not just online. As sentient beings, we crave and thrive on human interaction and affection. Perhaps this pertains to no group as much as teenagers, whose self-worth relies heavily (and sometimes solely) upon the image reflected back to them by their peers. With this comes depression, isolation, and incredible pressure. Catapulting these issues to the forefront of everyone's consciousness is the six-time Tony Award-winning musical, Dear Evan Hansen. On its first national tour, it stops in Sacramento on January 15 at the newly renovated Memorial Auditorium. Stephanie LaRochelle, who plays the role of Zoe Murphy, recently spoke to Broadway World Sacramento about touring with the show that has been dubbed, a?oeone of the most remarkable shows in musical theatre history,a?? by Peter Marks of The Washington Post.

'I guarantee audience members will leave with a smile on their face and a Christmas glow in their heart.'

In March and April 2020, The Cleveland Orchestra and Music Director Franz Welser-Möst embark on their twentieth international tour together, with seven performances scheduled in three cities across Europe (Vienna, Paris, and Linz), and four concerts in the United Arab Emirates as the first U.S. orchestra to perform at the Abu Dhabi Festival.

Today, on Mose Allison's birthday, Fat Possum Records releases two newly-recorded Allison tracks from IF YOU'RE GOING TO  THE CITY:  A Tribute To Mose Allison, out November 29. Pixies vocalist Frank Black has recorded 'Numbers on Paper,' while punk icon Iggy Pop puts his spin on the title track. IF YOU'RE GOING TO THE CITY also benefits Sweet Relief, which assists musicians in need. 

Wolfgang Amadeus Mozart's classic THE MAGIC FLUTE opens this week at the Dorothy Chandler Pavilion on Saturday November 16, 2019; under the baton of James Conlon (with Grant Gershon conducting on December 1, 12 and 15). This will be the third LA Opera mounting of 1927 and Barrie Kosky's avant-garde THE MAGIC FLUTE merging animation with live performance. I had the chance to present a few questions to Bodgan Volkov, who's making his Los Angeles Opera debut as Tamino, the prince and current bearer of the magic flute.

Art Lab (Meg Fofonoff, Executive Producer) just announced the development of a new musical, shAme, written by Mark Governor, based on Nathaniel Hawthorne's The Scarlett Letter. Tony Award Winner Kathleen Marshall is set to direct.

Merrimack Repertory Theatre (MRT) announced today that critically acclaimed Boston actress Karen MacDonald will star next April in Erma Bombeck: At Wit's End by Allison Engel and Margaret Engel, and Terry Berliner, MRT's Interim Artistic Director, will direct.

Based on the 1997 animated film 'Anastasia', Anastasia the New Broadway Musical, bowing on broadway in 2017, is an entertaining whirlwind of sight and sound. It will make you laugh and cry. You will undoubtedly leave the theatre with a lasting impression of grande theatricality and how it weaves its magic into our humdrum lives. Plus, it is based on fact. Currently onstage at the Hollywood Pantages until October 27 only, this Anastasia has the makings of a great big hit.

Dumba?? dumbera?? dumbest? Open Fist Theatre Company presents the world premiere of Neil Simon's Musical Fools, an adaptation of the Simon play Fools, with book and lyrics by Neil Simon and music and lyrics by Phil Swann and Ron West (deLEARious, The People Vs Friar Laurence). West also directs, with music direction by Jan Roper and choreography by Louisa Kendrick Burton. Neil Simon's Musical Fools opens Oct. 12 at Atwater Village Theatre, where performances will continue through Nov. 17; pay-what-you-want previews begin Oct. 4.

What are the best places to get a drink after a Broadway show? Let us help you pick. There is no better way to wind down from an evening of Broadway, than with a post-show drink. Where should you go to raise a glass? Check our our picks for the most convenient and most delicious after-theatre drinks to keep your thirst quenched long after the curtain comes down.

It's true what they say; the classics never do go out of style. That's particularly true with 1927's The Jazz Singer. The first feature-length 'sound film,' Alan Crosland's The Jazz Singer made history with its use of synchronized sound, however it's also remembered for its controversial use of blackface. Now, almost a century later, audience members get the opportunity to re-discover such a significant production in an entirely new medium.

Downton Abbey opened nationwide on September 20, 2019. Let's see what the critics are saying...

There is an old adage: the show must go on. And the shows have gone on at Ritz Theatre Company in Haddon Township, NJ for more than three decades now, and the historic theatre has become a staple to the Delaware Valley community. But, a recent post on the Ritz Theatre Company Facebook page has really gotten audiences in South Jersey wondering if the curtain might go down forever on the iconic theatre.

Dumb... dumber... dumbest? Open Fist Theatre Company presents the world premiere of Neil Simon's Musical Fools, an adaptation of the Simon play Fools, with book and lyrics by Neil Simon and music and lyrics by Phil Swann and Ron West (deLEARious, The People Vs Friar Laurence). West also directs, with music direction by Jan Roper and choreography by Louisa Kendrick Burton. Neil Simon's Musical Fools opens Oct. 12 at Atwater Village Theatre, where performances will continue through Nov. 17; pay-what-you-want previews begin Oct. 4.

Jesse Cook, Juno winning master guitarist, known for his intoxicating fusion of world music, will be performing at the Capitol Center for the Arts on Fri, October 18 at 8PM.

The New Jersey City University Center for the Arts presents the 7th Annual NJCU Alumni Jazz Big Band Concert on Friday, September 6 at 6 p.m. on the J. Owen Grundy Pier, Exchange Place, in Jersey City. Conducted by Professor Emeritus Richard Lowenthal, this free concert features trumpeter Wynton Marsalis and vocalists Allan Harris and Antoinette Montague.

The New Jersey City University Center for the Arts presents the 7th Annual NJCU Alumni Jazz Big Band Concert on Friday, September 6 at 6 p.m. on the J. Owen Grundy Pier, Exchange Place, in Jersey City. Conducted by Professor Emeritus Richard Lowenthal, this free concert features trumpeter Wynton Marsalis and vocalists Allan Harris and Antoinette Montague.

The New York Philharmonic will present the US Stage Premiere of director / set and lighting designer Bengt Gomér's production of Schoenberg's Erwartung and Bartók's Bluebeard's Castle, conducted by Jaap van Zweden. Bluebeard's Castle will feature soprano Nina Stemme (New York Philharmonic debut), recipient of the 2018 Birgit Nilsson Prize, as Judith and baritone Johannes Martin Kränzle (debut) as Duke Bluebeard; Erwartung will feature mezzo-soprano Katarina Karnéus as A Woman (debut). The performances will take place Thursday, September 26, 2019, at 7:30 p.m.; Friday, September 27 at 8:00 p.m.; and Saturday, September 28 at 8:00 p.m.

As I took my seat in the lobby of Stratford's Festival Theatre on Monday night, the eager patron next to me leaned in and proclaimed a?oeThere is quite the buzz in here!a?? She was absolutely right. We had both arrived early enough to grab seats for WHY WE TELL THE STORY: A CELEBRATION OF AFRICAN-AMERICAN MUSICAL THEATRE--A much anticipated cabaret event conceived by Festival actor Marcus Nance who can currently be seen in LITTLE SHOP OF HORRORS and BILLY ELLIOT. After initially selling out months before the Festival season even began, the high demand of this show led to more chairs being added and eventually to 'standing room only' tickets being sold so that as many people as possible could witness what indeed turned out to be a magical night of words and song.

Merrimack Repertory Theatre (MRT) today announced a lineup change to the 2019-20 Season with the addition of Erma Bombeck: At Wit's End by Allison Engel and Margaret Engel. A one-woman tour-de-force, At Wit's End celebrates the life of one of the 20th Century's most beloved humorists, who wrote more than 4,000 columns for 900 newspapers and 30 million readers.

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

This Anastasia is impeccably performed, gorgeously rendered, and entertaining to be sure. Still, to me, the new songs don't soar alongside the old ones. I wonder how I'd feel if I didn't already know those old songs by heart. That's the risk the show's creators took in translating Anastasia for Broadway.

Following on the footsteps of Hotsy Totsy Burlesque's successful Disney, Harry Potter, The Big Lebowski, Mad Men, Doctor Who and Star Wars 1978 Holiday Special tribute shows, Cherry Pitz and Joe the Shark present a burlesque tribute to Downton Abbey. 

The Cape Playhouse at the Cape Cod Center for the Arts announces complete casting for their upcoming production of the Tony and Pulitzer Prize winning musical A Chorus Line.