I Lost You There - 2017 Off-Broadway History , Info & More
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I Lost You There - 2017 - Off-Broadway Articles Page 1
by Stephi Wild - May 26, 2026
Ed Harris has revealed that he will be returning to the stage this year, starring alongside Julia Louis-Dreyfus and Allison Janney in a production of Jon Robin Baitz's family drama, Other Desert Cities.
by John Dalton-White - May 24, 2026
The witty yet poignant THE BOOK OF WILL will have audiences laughing and applauding.
by A.A. Cristi - May 18, 2026
The Contemporary Theater Company in Wakefield, RI will present its 8th Annual OCEAN STATE IMPROV FESTIVAL, featuring 37 troupes from 13 states in five days of performances and workshops.
by Scott Rawson - May 14, 2026
There were so many magical moments with this show that it is hard to keep track of them all. Teh opening set the stage and With this opening, the show creates a magical bond with the audience, one that would not be broken until long after leaving the theater.
by Stephi Wild - May 14, 2026
Theatre Passe Muraille's THROUGH THE EYES OF GOD led the 2026 Toronto Theatre Critics' Awards with three wins, including best production of a play, while Crow's Theatre productions collectively took home eight prizes.
by Jennifer Ashley Tepper - May 17, 2026
Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.
by Cara Joy David - Mar 30, 2026
The biggest change from prior years is at The New York Times, where Helen Shaw became the first female chief theater critic at the paper of record earlier this year. Previously, The Times has had plenty of female second-string critics, but the top seat was always held by a man.
by Drew Eberhard - Mar 29, 2026
DreamWorks The Prince of Egypt is a stage musical with a book by Phillip LaZebnik and music/lyrics by the great Stephen Schwartz. A retelling of the Book of Exodus, based on the 1998 DreamWorks Animation film of the same name. The story follows Moses on his journey from being the Prince of Egypt, being cast out altogether, and then ultimately fulfilling his true destiny of leading the Children of Israel out of Egypt.
by Theresa Bertram - Feb 25, 2026
Broadway World sat down with Dan Decker of Decker Media LLC to talk about life working The Cons and other endeavors that compliment this passion.
by Alison Bridget Chambers - Feb 11, 2026
Kerrville’s Playhouse 2000 presents “Sweat,” the Pulitzer Prize-winning drama by Lynn Nottage, February 6–22 at its VK Garage Theater.
by A.A. Cristi - Feb 4, 2026
Lorna Dallas, one of cabaret's most acclaimed and cherished artists and the recipient of a 2020 Bistro Award for “Consummate Cabaret Artistry,” returns to Chelsea Table + Stage.
by Chloe Rabinowitz - Jan 26, 2026
SFJAZZ will present a diverse lineup of jazz performances in February 2026, featuring renowned artists and ensembles. The month-long event will take place at the iconic SFJAZZ Center in San Francisco.
by Richard Sasanow - Jan 2, 2026
Not long ago, I was sitting in a café in midtown Manhattan with Beth Morrisson, president and creative producer of Beth Morrison Projects (BMP). BMP has been pushing the boundaries of traditional opera for 20 years and is now sole curator, producer and presenter of the indie-opera/music theatre Prototype Festival, with performances through January 18 in New York City.
by A.A. Cristi - Dec 8, 2025
Marjorie Prime, the existential drama from Jordan Harrison is now playing at the Helen Hayes Theater, directed by Anne Kauffman. The production stars Danny Burstein, Christopher Lowell, Cynthia Nixon, and June Squibb in the title role of Marjorie Prime.
by Elliot Lanes - Nov 26, 2025
Every once in awhile you go to see a show not knowing what the final product is going to be. The epic musical Natasha, Pierre & the Great Comet of 1812 was one of those musicals that was very specific to its original staging because of it’s tent location. It was totally immersive. When the show moved to Broadway, it didn’t have the same effect.
by Albert Gutierrez - Nov 5, 2025
The 2024 production earned seven Tony Award nominations, including Best Musical, which I feel is an earned acknowledgment that speaks more to the craftsmanship, the ambition, and the emotional journey present in the show. The stage production’s direction, choreography, puppetry design, and ensemble synergy create moments of theatrical awe that are impossible to deny. What the songs lack in dramatic momentum, the production more than makes up for in its combination of narrative intimacy with large-scale visual storytelling.
by Jim Munson - Oct 31, 2025
BroadwayWorld chats with Lance Gardner about directing Suzan-Lori Parks' 'Sally & Tom' at Marin Theatre, where he serves as Executive Artistic Director. It runs through Sunday, November 23rd in Mill Valley, CA.
by Jennifer Ashley Tepper - Oct 28, 2025
As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.
by Chloe Rabinowitz - Sep 26, 2025
In October of 2025, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Joy Woods, Adrienne Warren and more. Learn more!
by Michael Quintos - Sep 26, 2025
Still quite a rousing crowd-pleaser—offering empathy and kindness as its main endearing ingredient— La Mirada Theatre's brand new, 'non-replica' production of the Tony-winning musical COME FROM AWAY is a superb, rather enjoyable new Broadway-caliber production that is as every bit as appealing as the characters that populate it. Energetically directed and choreographed by Richard J. Hinds, the show exudes a joy and pleasantness that few musicals are able to achieve with such ease. Funny, touching, celebratory, appropriately honorable, and musically endearing, COME FROM AWAY remains an awe-inspiring theatrical testament to compassion, and will forever remind us that even in the shadow of horrific, unbelievable devastation, humanity's capacity for kindness and generosity can—and should—take center stage.
by Jennifer Ashley Tepper - Oct 5, 2025
While a lot has been written about two handers, a term for two-person shows, less has been penned about three-handers. Yet, three-person plays are just as common a genre on Broadway as pieces with only two players. Currently, Art, by Yasmina Reza, is receiving an all-star revival at the Music Box.
by Jennifer Ashley Tepper - Sep 28, 2025
Multiple lost Broadway theaters intersect with the Hammerstein family. This follows since Oscar Hammerstein I was a theater owner and builder. In addition to Hammerstein’s which was named after him and is now the Ed Sullivan, and the New Victory which he originally built, there is also the Hammerstein Ballroom. Read more here!
by Nicole Rosky - Sep 8, 2025
Two-time Academy Award nominee Bryan Buckley, producing team Academy Award winner Taika Waititi, international recording artist Rita Ora, Tony Award nominee Matthew Weaver and Hungry Man Productions just announced the development of FYRE FEST THE MUSICAL. We have all of the details!
by Jennifer Ashley Tepper - Sep 21, 2025
Broadway currently boasts 41 theaters. This number has always been ever-changing—since even before the first time the word “Broadway” was used to describe professional theater in New York.
by Stephi Wild - Aug 21, 2025
Open Door, the award-winning charity helping actors and behind the scenes creatives from low income backgrounds secure places at leading drama schools, has unveiled a string of new high profile ambassadors.
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