I Lost You There - 2017 - Off-Broadway Articles Page 1

FringeArts announced programming for the 30th annual Philadelphia Fringe Festival, featuring over 330 productions across nearly 100 venues, including world premieres and Philadelphia premieres from local and international artists.

The ESL Rochester Fringe Festival announced its full lineup for its 15th season, featuring 715 performances of 297 productions at 45 venues, including CIRCUS IN THE CITY and comedian Pete Davidson as headliner.

Whether you are Team Black or Team Green, there is probably a stage veteran on your side. Like other HBO shows such as The Gilded Age and Julia, the Game of Thrones spin-off, House of the Dragon, is full of Broadway, West End, and stage alums. 

A week before their Tony performance, the candelabra that Amber Gray holds during the Rocky Horror set sat on a counter in Brooklyn for repair. You’ve seen the shimmering pink vial in the hands of Megan Hilty and plastered across Playbills and pole banners in the theater district, or maybe you’ve seen the light-up “Handbook For The Recently Deceased” on the Beetlejuice tour in Sarasota, Florida. Wherever they are now, those props were born in a small, unassuming workshop on the intersection of Meeker Ave. and Apollo Street. 

Jesse Eisenberg's The Debut gets its first teaser posters! The A24 musical comedy stars Julianne Moore, Paul Giamatti, Bernadette Peters & more.

I'll say this now: this Summer's most beguiling, most enchanting theatrical surprise is perhaps the brand new, gorgeously opulent regional production of ANASTASIA - THE MUSICAL, now on stage at the La Mirada Theatre for the Performing Arts through June 20, 2026. A visual stunner punctuated by remarkable musicality and an impressive acting ensemble, this epically-staged, winningly triumphant local iteration is an impressive presentation, from its thrilling technical aspects and grandiose (yet still grounded) storytelling to its superb, talent-bursting cast led by a fierce star turn by Lena Ceja in the title role that audiences will remember for a long time.

Much has been written about the proliferation of pop singer-songwriters writing new musicals for Broadway and off-Broadway. Less covered is the trend of pop singers performing on Broadway, which has made for a number of memorable appearances in current and recent seasons. 

Ed Harris has revealed that he will be returning to the stage this year, starring alongside Julia Louis-Dreyfus and Allison Janney in a production of Jon Robin Baitz's family drama, Other Desert Cities.

The witty yet poignant THE BOOK OF WILL will have audiences laughing and applauding.

The Contemporary Theater Company in Wakefield, RI will present its 8th Annual OCEAN STATE IMPROV FESTIVAL, featuring 37 troupes from 13 states in five days of performances and workshops.

There were so many magical moments with this show that it is hard to keep track of them all. Teh opening set the stage and With this opening, the show creates a magical bond with the audience, one that would not be broken until long after leaving the theater.

Theatre Passe Muraille's THROUGH THE EYES OF GOD led the 2026 Toronto Theatre Critics' Awards with three wins, including best production of a play, while Crow's Theatre productions collectively took home eight prizes.

Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.

The biggest change from prior years is at The New York Times, where Helen Shaw became the first female chief theater critic at the paper of record earlier this year. Previously, The Times has had plenty of female second-string critics, but the top seat was always held by a man.

DreamWorks The Prince of Egypt is a stage musical with a book by Phillip LaZebnik and music/lyrics by the great Stephen Schwartz. A retelling of the Book of Exodus, based on the 1998 DreamWorks Animation film of the same name. The story follows Moses on his journey from being the Prince of Egypt, being cast out altogether, and then ultimately fulfilling his true destiny of leading the Children of Israel out of Egypt.

Broadway World sat down with Dan Decker of Decker Media LLC to talk about life working The Cons and other endeavors that compliment this passion. 

Kerrville’s Playhouse 2000 presents “Sweat,” the Pulitzer Prize-winning drama by Lynn Nottage, February 6–22 at its VK Garage Theater.

Lorna Dallas, one of cabaret's most acclaimed and cherished artists and the recipient of a 2020 Bistro Award for “Consummate Cabaret Artistry,” returns to Chelsea Table + Stage.

SFJAZZ will present a diverse lineup of jazz performances in February 2026, featuring renowned artists and ensembles. The month-long event will take place at the iconic SFJAZZ Center in San Francisco.

Not long ago, I was sitting in a café in midtown Manhattan with Beth Morrisson, president and creative producer of Beth Morrison Projects (BMP). BMP has been pushing the boundaries of traditional opera for 20 years and is now sole curator, producer and presenter of the indie-opera/music theatre Prototype Festival, with performances through January 18 in New York City.

Marjorie Prime, the existential drama from Jordan Harrison is now playing at the Helen Hayes Theater, directed by Anne Kauffman. The production stars Danny Burstein, Christopher Lowell, Cynthia Nixon, and June Squibb in the title role of Marjorie Prime. 

Every once in awhile you go to see a show not knowing what the final product is going to be. The epic musical Natasha, Pierre & the Great Comet of 1812 was one of those musicals that was very specific to its original staging because of it’s tent location. It was totally immersive. When the show moved to Broadway, it didn’t have the same effect.

The 2024 production earned seven Tony Award nominations, including Best Musical, which I feel is an earned acknowledgment that speaks more to the craftsmanship, the ambition, and the emotional journey present in the show. The stage production’s direction, choreography, puppetry design, and ensemble synergy create moments of theatrical awe that are impossible to deny. What the songs lack in dramatic momentum, the production more than makes up for in its combination of narrative intimacy with large-scale visual storytelling.

BroadwayWorld chats with Lance Gardner about directing Suzan-Lori Parks' 'Sally & Tom' at Marin Theatre, where he serves as Executive Artistic Director. It runs through Sunday, November 23rd in Mill Valley, CA.

As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.