I Am a Camera 1951

In times of turmoil, oppression, and uncertainty, how do people cope? How do they find joy, hope, and freedom when all seems hopeless? In the early 1930’s many of the citizens of Berlin found ways to escape the realities of life and the rise of the Nazi party by visiting one of the many cabarets in the city where they could leave their troubles at the door and partake in the debauchery of the latest avant garde entertainment. Today, however, in 2024, a visit to the Kit Kat Klub of CABARET, the latest offering from Titusville Playhouse, provides such an escape but with an important cautionary tale about the dangers of extremism and the real consequences of not taking them seriously. 

In a Berlin nightclub, as the 1920's draw to a close, a garish MC welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee's bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich.

One of the most impressive aspects of this performance of Cabaret is the choreography, designed by Chad-Alan Carr with assistant choreographer Debbie Williams. This historically and culturally important and emotionally hard-hitting musical runs through February 11th at Gettysburg Community Theatre.

Attending the opening performance of Kander & Ebb’s Cabaret at the award winning Barrington Stage Company Sunday took on an added degree of darkness for me because of the current political situation in our country.  

This season the new musical New York, New York is bringing the hopes and dreams of young artists to the Broadway stage in a new musical from iconic duo John Kander and Fred Ebb. From their meeting in 1964, Kander and Ebb have forged one of the longest-running and most successful partnerships in Broadway history, crafting beloved hits like Flora, the Red Menace, Cabaret, Zorba, Chicago, Kiss of the Spiderwoman, Curtains, The Scottsboro Boys and many more. 

Porchlight Music Theatre has announced that the Tony Award-winning landmark musical Cabaret, at the Ruth Page Center for the Arts, 1016 N. Dearborn St. Cabaret has been extended for a second time, now through Sunday, March 19.

Porchlight Music Theatre has announced, due to popular demand, a new block of tickets for three weeks of performances have been added to its presentation of the Tony Award-winning landmark musical Cabaret, at the Ruth Page Center for the Arts. See photos from the production!

Porchlight Music Theatre is continuing its 2022 - 2023 season with Porchlight Revisits I am a Camera, book by John Van Druten, directed by Nate Cohen+. Porchlight Revisits I am a Camera is presented for two performances only Wednesday, Feb. 8 at 7:30 p.m. and Thursday, Feb. 9 at 1:30 p.m.

See photos from opening night of Porchlight Music Theatre's Porchlight Revisits The Apple Tree, book and lyrics by Sheldon Harnick, book and music by Jerry Bock with additional material by James Coopersmith.

Porchlight Music Theatre begins its ninth season of Chicago's “lost” musicals series with Porchlight Revisits The Apple Tree, book and lyrics by Sheldon Harnick, book and music by Jerry Bock with additional material by James Coopersmith.

Porchlight Music Theatre will present the Tony Award-winning landmark musical Cabaret, at the Ruth Page Center for the Arts January 14 - February 12, 2023. Porchlight’s production is directed by Artistic Director Michael Weber, associate directed and choreographed by Brenda Didier and music directed by Linda Madonia.

Porchlight Music Theatre has announced its 28th season that includes the 2022 – 2023 Mainstage, Porchlight Revisits and New Faces Sing Broadway series. Mainstage and Porchlight Revisits performances take place at The Ruth Page Center for the Arts, 1016 N. Dearborn Street.

Lyric Stage Reopens & Celebrates 100 Year Anniversary of Majestic Theatre The 28th season will kick off with a Best of Broadway concert this October.

There's enough energy to power a small town.

Today, the American Film Institute (AFI) announced that the 34th edition of AFI FEST presented by Audi will close with the World Premiere of SHOWTIME® Documentary Films’  MY PSYCHEDELIC LOVE STORY.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

The last time I attended a production at Osceola Arts, the stage had been transformed into 1899 New York City for a production of Newsies. Last night, I returned to Osceola Arts, but now found myself transported thirty-two years later and over four thousand miles eastward to Germany, specifically the Kit Kat Klub of Berlin as immortalized in the 1966 musical CABARET. Although we're now ninety years removed from the Weimar Republic, CABARET still feels timely as ever. Given what regime succeeded the Weimar Republic, maybe that should not be good news. Yet that is why we need shows like CABARET: reminders that the apathy and distractions we think help us get by should actually not be our only outlet for life and livelihood. The Kit Kat Klub becomes less a physical place than it does a state of mind, one that comments upon the action of the musical, but does so without the repercussions and consequences of the narrative, at least until the bitter end.

Bristol Riverside Theatre presents the landmark Broadway musical Cabaret, with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff. Lauren Molina, of The Skivvies, will lead the cast as Sally Bowles.

If what you know about 'Cabaret' is informed by the classic 1972 movie which made Liza Minnelli a superstar, you owe yourself to see the Tony-winning musical stage version like the one at community-based Sherman Playhouse. Director Bradford Blake, inspired by London's Donmar Warehouse 1993 revival which made it to Studio54 in 1998, creates a solid, engaging production that is both faithful to the cautionary theme of the original Broadway production and authentic to the raw and seedy world of the decadent Kit Kat Klub, Berlin 1931.

Keeping us gasping is what Cabaret in all of its incarnations has always been about. Gasping at the opulence, gasping at the decadence, gasping at the heedlessness and the horror. It is intentionally strong stuff, and if it delivers, then it succeeds. And by that yardstick, this version, whatever it may or may not owe to its predecessors, is a smashing success.

CABARET is a TONY and Oscar winning classic with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff, based on John Van Druten's 1951 play I Am a Camera, which was adapted from the short novel Goodbye to Berlin by Christopher Isherwood. 

San Francisco Playhouse announced casting for Cabaret, the Tony Award-winning musical that will close the company's 2018/19 Season. Susi Damilano will direct, with music direction by Dave Dobrusky and choreography by Nicole Helfer.

CABARET is a 1966 musical with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff, based on John Van Druten's 1951 play I Am a Camera, which was adapted from the short novel Goodbye to Berlin (1939) by Christopher Isherwood. Set in 1931 Berlin as the Nazis are rising to power, it focuses on the nightlife at the seedy Kit Kat Klub, and revolves around young American writer Cliff Bradshaw (John Fredrickson) and his relationship with English cabaret performer Sally Bowles (Logan-Rae). The musical was also made into a 1972 film.