How Come? - 1923 - Broadway Articles Page 4

BBC AMERICA announced today that it will air the Royal wedding of HRH Prince Henry of Wales and Ms. Meghan Markle, as a live and direct simulcast of BBC ONE's coverage. The historic event airs with limited commercial breaks as the centerpiece of a week of celebratory programming that includes the wedding of Prince Charles and Lady Diana and the US television premiere of Harry and Meghan: A Very Modern Romance.

Arnulfo Maldonado/Set Design Bobbie Clearly by Alex Lubischer is exciting in its structure and unique storytelling -- I was immediately struck by how engaging the interview format can feel within a theatrical context. What is the setting for such a world? In the film/documentary version of this play, these subjects would be interviewed against a static background. But this play spans both various locations and time.

ENGAGING SHAW begins in England in 1897 in a comfortable cottage in Stratford, England, where Shaw hopes to complete his new play. As he engages in conversation with his friends, the happily married cottage owners, Beatrice and Sidney Webb, we learn Shaw is a notorious flirt and heartbreaker who enjoys romancing women, attracting them to him "like a moth to the flame." But it is soon apparent he is not particularly interested in sex, a fact reflected in his real life where he remained a virgin until his 29th birthday. It's the thrill of the hunt that is the main attraction for Shaw, thoroughly enjoying the effect he has on women as he pursues them, not in the keeping of them. In present-day parlance, he'd be considered a sexist cad. Beatrice sees an opportunity to deflect Shaw's interest in her (and hers in him) by inviting their wealthy benefactor Charlotte to visit, knowing when she meets Shaw, the financially challenged but famous Irish playwright and political activist, that sparks will fly.

BRIGHT STAR follows two pairs of star-crossed lovers, two decades apart, all against the backdrop of the Blue Ridge Mountains of North Carolina. And now through March 25, the Tony Award-nominated musical makes its home at the Hobby Center.

Baltimore Center Stage is pleased to announce its 2018/19 Mainstage Season, which includes a world premiere and a classic family drama, along with provocative political and social justice stories providing a lens into American life across cultures.

Pittsburgh Public Theater's new Artistic Director, Marya Sea Kaminski, has assembled a collection of plays - some epic and timeless, others fresh and intimate - that invite us into the idea of home. These characters search for where they belong, who they love, and how they make a place for their families in poignant, hilarious, and sometimes harrowing circumstances. Marya welcomes you into their homes, and into ours: 'I am thrilled to invite Pittsburgh audiences into this season and to continue the Public Theater's legacy of telling a rich variety of stories with some of the most exciting artists working in the American Theater today. My favorite moment in the theater is when the artists and audience finally come together to bring a story to life. That feels like home to me. I look forward to having that experience in Pittsburgh, night after night.'

Kansas City Repertory Theatre offered a sneak peek at their diverse 2018/2019 season this evening at a special invitation-only event for Donors and Subscribers announcing the featured plays and musicals slated for next season at their Spencer Theatre and Copaken Stage.

Kansas City Repertory Theatre offered a sneak peek at their diverse 2018/2019 season this evening at a special invitation-only event for Donors and Subscribers announcing the featured plays and musicals slated for next season at their Spencer Theatre and Copaken Stage.

Following a sell-out season at the Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with the Abbey Theatre.

San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.

San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.

The Lark has announced that playwrights Erika Dickerson-Despenza and David Zheng have been selected as the recipients of the 2018 Van Lier New Voices Fellowship. This year long residency is designed to support extraordinary playwrights of color under the age of 30, in order to help address the lack of inclusion of early career playwrights of color in the theater field. The Fellowship includes a cash award of $15,000, plus up to $3,000 in health insurance reimbursement, as well as access to a wide range of Lark resources, including artistic program participation, office and rehearsal space, and staff support. The 2018 cycle marks this Fellowship's fifth year at The Lark. Past fellows include Brittany K. Allen (Redwood), C.A. Johnson (Thirst), Donja R. Love (soft), and Christina Quintana (Gumbo). The Van Lier New Voices Fellowship is a critical component in The Lark's acclaimed portfolio of fellowships, designed to engage a diverse community of visionary playwrights whose work collectively reflects the vibrancy and complexity of our world.

Erte was nicknamed 'the father of Art Deco', a soubriquet that he was not comfortable with but it unfortunately stuck. He was born into Russian aristocracy and his family tree can be traced back to the Tartar kahns. He was greatly influenced by books on Persian and Indian miniatures in his father's library and by his beloved Greek vases that he studied during frequent trips as a boy to the Hermitage Museum.

Irish Arts Center (IAC), the arts and cultural center dedicated to projecting a dynamic image of Ireland and Irish America for the 21st century, announces its Spring 2018 lineup, featuring a characteristically wide range of theatrical, musical, dance, literary, podcast, interdisciplinary and educational events.

Irish Arts Center Announces Spring 2018 Season

The New York Philharmonic will celebrate its 175th birthday with a subscription program led by former Music Director Alan Gilbert; nearly 100 historic radio broadcast performances released for streaming for the first time; a New York Philharmonic Digital Archives release of all of the Orchestra's archival material from the 19th century; a New York Philharmonic Archives exhibit, The New York Philharmonic at 175: A History of Innovation; and a free Insights at the Atrium event, 'Inside the Orchestra: Yesterday, Today, and Imagining the Future,' with Philharmonic musicians.

The Drama Book Shop, the premiere performing arts book shop in the country, currently located at 250 West 40th Street in NYC's theatre district, will commemorate its 100th birthday with an all day celebration on Monday, October 2nd, 2017 open to the public.

The Food Plays present UPROOT by Julia Levine, at HERE (145 6th Avenue) tonight, August 22, and tomorrow, August 23 at 8:30pm.

The Food Plays present UPROOT by Julia Levine, at HERE (145 6th Avenue) on Tuesday, August 22 and Wednesday, August 23 at 8:30pm.

GOOD MORNING, THEATERATI! Welcome to Friday, June 9, 2017 - we're awfully glad to have you here! It's a big weekend in Nashville, maybe the biggest ever, thanks to the perfect storm of events and celebrations all across the region. It's CMA Music Festival weekend, Bonnaroo is pulsating some miles down the road (taking most of the attendees through Music City on their way to Manchester) and the Nashville Predators take on a team from Pittsburgh in the Stanley Cup Final's sixth game on Sunday night at Bridgestone Arena.

JAPAN CUTS, North America's premiere showcase for new Japanese cinema, returns for its 11th installment July 13-23 to serve up a slice of the best and boldest films from Japan never before seen in NYC with special guest filmmakers and stars, post-screening Q&As, parties and more. Boasting a thrilling slate of epic blockbusters, shoestring independents, radical documentaries, mind-bending avant-garde, newly-restored classics and breathtaking animation, Japan Society's renowned summer film festival promises a bounty of cinematic discoveries for film fans and pop culture enthusiasts alike.

We've caught Tony fever here at BroadwayWorld, and it's spreading! Follow us on BWW throughout the day, as we'll bring you Tony nominee reactions, exclusive reports, surprises, behind the scenes coverage and oh, so much more!

MJM Dance, under the artistic direction of Megan J. Minturn, presented their first evening-length piece entitled Monopoly: The Landlord's Game April 13-14, 2017 at the Mark Morris Dance Center. Here, Ms. Minturn in collaboration with her dancers- Leah Antonellis, Michelle Applebaum, Kelli Chapman, Cantata Chen Fan, Anna Johannes, Mara Katz, Chie Kurokawa, and Beverly Lopez, came together to tell the little known history of the game of Monopoly while exposing the injustices of our society and economic system.

Indecent, the newest work by Pulitzer Prize-winner Paula Vogel (HOW I LEARNED TO DRIVE), opens tonight, April 18, at the Cort Theatre (138 West 48th Street, between Sixth and Seventh Avenues). Let's see what the critics had to say...

 Tony Award-winning producer Margot Astrachan (A Gentleman's Guide to Love and Murder) is joined by a panel of musical theatre industry veterans on Wednesday, April 19 at 7pm for an insightful discussion about how musicals come together.  Topics will include moving a work from concept to full production, and how musicals are selected for prestigious showcases like the New York Musical Festival.