How Come? - 1923 - Broadway Articles Page 3

Finbar Lynch has enjoyed an extensive acting career, spanning stage, film and television. His theatre work includes Girl From the North Country (Noel Coward Theatre, Gielgud Theatre and Toronto) Translations (Donmar Warehouse), Richard III (Almeida Theatre), Antony and Cleopatra (National Theatre), and Antigone (Barbican and world tour). In 1999, he was nominated for both Tony and Drama Desk awards for his performance as Canary Jim in Tennessee Williams' Not About Nightingales. He talks to BroadwayWorld about his role as the Stage Manager in the London transfer of Paula Vogel's Indecent at the Menier Chocolate Factory. A Tony Award-winning hit on Broadway, Indecent explores the origins of the controversial play God of Vengeance by Sholem Asch.

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

Yara Arts Group will offer the American debut of its new work 'Opera GAZ,' December 19, 20 and 22 at La MaMa, 66 East 4th Street. This opera was created by director Virlana Tkacz, who heads Yara Arts Group in New York, and the composers Roman Grygoriv and Illia Razumeiko. It features the performers of Nova Opera in Kyiv. Live performances and traditional instruments are combined with electronic music to present the story of an explosion at a futuristic gas factory that produces all the energy for the industrial world. The visually striking production is sung in English, Ukrainian and German but is universally accessible.

The Oregon Shakespeare Festival will open two new plays in early July with origins at the festival: La Comedia of Errors and Indecent.

VOICE OF THE PRAIRIE is a story worth telling at the Lofte Community Theatre

Paula Vogel's INDECENT has already begun its previews at the Ahmanson Theatre. Vogel and director Rebecca Taichman continue their collaboration, from the workshops and the Broadway run (for which Rebecca won her Tony Award directing INDECENT), to this co-production between the Center Theatre Group and the Huntington Theatre Company. I had the opportunity to delve into the inner creative workings of the man portraying Sholem Asch - Joby Earle.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

INDECENT is a more than decent as good theatre. I'd see it again if only for the beauty of the production. Performances run through April 14th with tickets available at http://bluebarn.org/tickets/ or by calling 402-345-1576.

Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.

The University Musical Society (UMS) is pleased to announce a visit to Michigan by cellist Yo-Yo Ma that will take place February 27-28, 2019 in Ann Arbor and Flint. This special visit builds on the performer's two-year journey to perform Johann Sebastian Bach's Six Suites for Solo Cello as a catalyst for social action, and it marks the first time Ma is extending the model beyond the Bach Project to engage a broader audience. The activities include a talk in the University of Michigan's Hill Auditorium on 'Culture, Understanding, and Survival' as well as a 'Day of Action' in Flint, MI, with the theme 'Flint Voices: Culture, Community, and Resilience.' This day-long set of activities will bring together 50 Flint-based community leaders for a working session on cultural collaboration for social change led by Yo-Yo Ma, as well as a Community Cultural Showcase celebrating Flint's past and future, which is open to the public.

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.

Osmo Vanska announced plans today at the Minnesota Orchestra's annual meeting to conclude his tenure as Music Director of the Minnesota Orchestra in August 2022. The 2021-22 season, his final as music director, will mark his 19th year at the helm of the Minnesota Orchestra, capping what is widely considered one of the great musical partnerships in Minnesota Orchestra history. Beyond 2022, Mr. Vanska and the Minnesota Orchestra will maintain their musical relationship, with Mr. Vanska returning for ongoing concert engagements.

The British Museum has announced its lineup of forthcoming exhibitions for 2019. Exhibition titles and dates are subject to change and should be checked with the press office before publication.

Chopin Theatre, the multidisciplinary arts center in the heart of Wicker Park, 1543 W. Division, turns 100 in 2018. To mark the centennial anniversary, owners Lela Headd Dyrkacz and Zygmunt Dyrkacz are hosting a celebration on Oct 29 from 5 p.m. to Midnight, providing a sneak peek of the forthcoming book on Nov. 5 during the "All Souls Jazz Festival" and releasing the book "Around Chopin Theatre: A Century in Pictures & Stories"on Nov. 24. The Oct. 29 celebration is free for past artists associated with Chopin Theatre and general admission tickets are $30. For more information and to RSVP visit www.ChopinTheatre.com

David Sisco and Laura Josepher, owners of ContemporaryMusicalTheatre.com, will present a free masterclass, followed by signing copies of their book, "Mastering College Musical Theatre Auditions: Sound Advice for Students, Teachers, and Parents" at Drama Book Shop's Arthur Seelen Theatre (250 W. 40th Street) on Saturday, September 22 from 2-4 PM.

Baruch Performing Arts Center announces their 2018/2019 season, featuring premieres by composers Huang Ruo, Gregory Spears, and the late Matt Marks, and choreographer Dusan Týnek. The season includes the 27th year of the Milt Hinton Jazz Perspectives series, a 5th Anniversary celebration of the CUNY Dance Initiative, and work in progress by veteran writer-performer Penny Arcade. For more information and tickets, visit http://www.baruch.cuny.edu/bpac/. All performances take place at 55 Lexington Ave. (enter 25th Street between Lexington & 3rd Aves.)

Baruch Performing Arts Center announces their 2018/2019 season, featuring premieres by composers Huang Ruo, Gregory Spears, and the late Matt Marks, and choreographer Dusan Týnek. The season includes the 27th year of the Milt Hinton Jazz Perspectives series, a 5th Anniversary celebration of the CUNY Dance Initiative, and work in progress by veteran writer-performer Penny Arcade. For more information and tickets, visit http://www.baruch.cuny.edu/bpac/. All performances take place at 55 Lexington Ave. (enter 25th Street between Lexington & 3rd Aves.)

Single tickets for the 2018/2019 season at Kansas City Repertory Theatre will go on sale to the general public on Monday, July 30, 2018. The tickets, which range in price from $38 to $97 for online purchases, and are as low as $10 for students the day of a performance, will be available online, in-person, and on mobile devices with the app.

EAG is a performing arts charity and membership organization that has, since 1923, offered emergency assistance and career support to local performers in need regardless of faith, race, ethnicity, gender, sexual orientation, age, physical ability, or language. Open Stage is a part of EAG's ongoing effort to find ways to support New York's performing arts community. Understanding how challenging it is for emerging theatre companies to find affordable space for creating work, EAG is proud to offer this space grant. Through this program, Quick Silver Theater Company (QST) will receive six weeks of free time in Episcopal Actors' Guild (EAG) historic theatre space at 1 East 29th Street NYC. With this time, QST will be able to rehearse and present their developmental work entitled, 'Albino Deer'. The grant will culminate in 5 performances.

Nadim Naaman is best known for playing Raoul in The Phantom of the Opera in the West End, though he has also appeared in shows like Sweeney Todd, Titanic and Chess. He has released a solo album, Sides, and has just co-written his first musical with Qatari composer Dana Al Farden. Broken Wings is based on a poetic novel by Khalil Gibran about forbidden love, gender equality and religion in 1912 Lebanon.

Nakkiah Lui latest offering BLACKIE BLACKIE BROWN: THE TRADITIONAL OWNER OF DEATH is a hilarious superhero story all of Australia needs to see.