How Come? - 1923 - Broadway Articles Page 6

Shakespeare Center of Los Angeles (SCLA), under the artistic direction of Ben Donenberg, returns to the Japanese Garden at the Greater Los Angeles VA Healthcare Campus for the third consecutive summer, with a Los Angeles-centric summer production of William Shakespeare's Romeo and Juliet -- directed by Royal Shakespeare Company and Royal National Theatre alum Kenn Sabberton -- for seventeen performances only, today, July 8 to 26 (press opening July 13).

Shakespeare Center of Los Angeles (SCLA), under the artistic direction of Ben Donenberg, returns to the Japanese Garden at the Greater Los Angeles VA Healthcare Campus for the third consecutive summer, with a Los Angeles-centric summer production of William Shakespeare's Romeo and Juliet -- directed by Royal Shakespeare Company and Royal National Theatre alum Kenn Sabberton -- for seventeen performances only, July 8 to 26 (press opening July 13).

This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.

A powerful new piece of musical theatre by Rottingdean residents Jane Bramwell (Book and Lyrics) and Michael Brand (Music) will be staged as part of the Brighton Festival Fringe on May 22, 23 and 25th.

This spring Japan Society continues to honor the late Donald Richie, whose criticism, commentary and advocacy contributed incomparably toward making Japanese art and culture, especially its cinema, revered throughout the world. As the second and final leg of the ongoing series, again curated by noted film scholar Kyoko Hirano, A Tribute to Donald Richie (1924-2013), Part 2: Richie's Electric Eight: The Bold & the Daring encompasses eight films that reflect the complexity, nuance, and brilliance of Japanese society, as seen through Richie's unflinching and insatiable eye.

Ted Sod: Why did you choose to direct Machinal? Lyndsey Turner: I first read Machinal when I was at university: I was struck by the boldness of the writing, the way Treadwell follows, with brutal inexorable logic, the journey of an unremarkable woman through a series of encounters which lead her to commit a remarkable act. The play is a brilliant account of the impact of mechanization and industrialization on American society, as well a forensic and unflinching portrait of a young woman in crisis.

International City Theatre bids au revoir to its 2013 season with a sexy, modern French farce, adapted for English-speaking audiences by Robin Hawdon from the original by Marc Camoletti(Boeing-Boeing). Directed byTodd Nielsen, Don't Dress for Dinner opens Oct. 11 atInternational City Theatre in the Long Beach Performing Arts Center. Two low-priced previews take place on Oct. 9 and Oct. 10.

International City Theatre bids au revoir to its 2013 season with a sexy, modern French farce, adapted for English-speaking audiences by Robin Hawdon from the original by Marc Camoletti (Boeing-Boeing). Directed by Todd Nielsen, Don't Dress for Dinner opens Oct. 11 at International City Theatre in the Long Beach Performing Arts Center. Two low-priced previews take place on Oct. 9 and Oct. 10.

The Naumburg Orchestral Concerts will present Orpheus Chamber Orchestra in its summer concert series in Central Park for three more seasons, beginning in 2014. Orpheus recently concluded its second consecutive season with Naumburg, having opened the classical music series in 2012, and will continue to perform at the historic Naumburg Bandshell through summer 2016. For previous Naumburg concerts, Orpheus has presented programs of popular and lesser-known works from the 18th and 19th centuries. In their most recent concert for the series in July 2013, Orpheus performed works by Beethoven, Haydn, Rossini, and Tchaikovsky.

THE STORY OF FILM: AN ODYSSEY is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe.

Be among the first to watch ABC's most anticipated new fall series and animated specials and have a chance to learn the secrets behind how they were made.

Hollywood's biggest star, the Hollywood Sign, is turning 90 years old – another odds-defying milestone for the former real estate billboard that went on to become one of the world's most recognizable and evocative icons.

Disney Consumer Products (DCP) will give Disney's most loyal fans an up close look at an extensive collection of interactive experiences and merchandise that celebrate Disney, Marvel and Star Wars timeless characters during the bi-annual D23 Expo, the ultimate Disney fan event. Held at the Anaheim Convention Center from Aug. 9-11, 2013, Disney fans will have the chance to follow their favorite products from 'sketch to shelf' and learn how Disney Consumer Products extends storytelling from character and content extension to product development through featured discussions, art and sculptures and final product displays.

THE STORY OF FILM: AN ODYSSEY is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe.

In August, 2009 I was greeted by incredibly enthusiastic students on 65th Street between Broadway and Amsterdam. The Juilliard School: this was my new home and although my mom and sisters were overwhelmed by the welcoming committee, they knew I'd fit right in. Orientation lasted one week in which I met students from all over the world, set up my dorm room, and got use to downsizing from my two-bedroom apartment in Las Vegas. The school held several seminars to orient us, and organized outings to help us get our bearings in the city while having some fun before the Juilliard schedule took over our lives!

The Film Society of Lincoln Center announced today the lineup for the upcoming 13th edition of FILM COMMENT SELECTS (February 18-28), Film Comment magazine's essential and eclectic film festival.

The Museum of African Art and the French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present the Congo-based director, choreographer and performer Faustin Linyekula as part of the 2012 Crossing the Line festival.

As part of the 2012 Crossing the Line festival, its annual interdisciplinary festival of contemporary arts, the French Institute Alliance Française (FIAF) presents the Lecture/Performance Series information as performance, and vice-versa.

The Museum of African Art and the French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, present the Congo-based director, choreographer and performer Faustin Linyekula as part of the 2012 Crossing the Line festival.

As part of the 2012 Crossing the Line festival, its annual interdisciplinary festival of contemporary arts, the French Institute Alliance Française (FIAF) presents the Lecture/Performance Series information as performance, and vice-versa.

Joyce SoHo is set to present its Spring/Summer '12 season featuring a riveting line-up of the dance world's most innovative choreographers and companies.

Joyce SoHo is set to present its Spring/Summer '12 season featuring a riveting line-up of the dance world's most innovative choreographers and companies.

Joyce SoHo is set to present its Spring/Summer '12 season featuring a riveting line-up of the dance world's most innovative choreographers and companies.

Barneys New York, the luxury specialty retailer, announced today the beginning of the '12 Days of Gaga,' the official countdown to GAGA'S WORKSHOP which will open to the public at 11:59pm on November 21st at the retailer's Madison Avenue flagship location and on barneys.com.

Four long acts long, with casting challenges, bedeviled by attitudes modern audiences likely will not share, and, it must be said, self-indulgent as regards some of O'Neill's great weaknesses, Moon for the Misbegotten requires more than most companies and audiences can summon to put it across successfully. I say "successfully" but perhaps "successfully as possible" might be the more accurate phrase. Washington's Heritage-O'Neill Theatre Company's current production partly but not fully meets these challenges.