Review: Alicia Keys Is in a ‘Hell’s Kitchen’ State of Mind at the Public
7 / 10
In contrast to its intimate domestic scale and relatively subdued dramatic stakes, Hell’s Kitchen is slick and aggressively commercial; Keys, also the producer, has made no secret of her desire to transfer uptown. Ending with the earwormy urban jingle “Empire State of Mind” more out of fan service than anything story related, this feel-good empowerment fable hungers for a home on Broadway. And why not? Tourists are not going to nitpick about where a neighborhood begins or ends. They probably won’t even visit.
