‘Death of a Salesman’ and ‘Cats’ are back on Broadway. Both are triumphs.
10 / 10
As synth-powered entertainment, it’s exhilarating. As a display of loose-limbed fabulosity, it’s a marvel. As a beacon of gay liberation, it’s affirming. After relishing this production’s 2024 off-Broadway run, staged at the more immersive Perelman Performing Arts Center, I worried that something would be broken in its Midtown relocation. But the entire vision — Omari Wiles and Arturo Lyons’s vibrant choreography, Rachel Hauck’s sleek set, Qween Jean’s breathtaking costumes — feels refreshingly at home on Broadway.
