Beg, Borrow, or Steal - 1960 - Broadway Articles Page 4

This stage production is directed by Keiko Miyata, known for her work across a wide range of genres. Drawing on the “Ripley” series, which has inspired numerous screen adaptations over the years, including the 1960 film “Purple Noon (Plein Soleil).'

​​​​​​​リプリー：数々のジャンルを横断してきた演出家・宮田慶子が手がける舞台作品である。1960年公開の『太陽がいっぱい（原題『Purple Noon／Plein Soleil』）をはじめ、長年にわたり映像化されてきた『リプリー』シリーズを新たな演出で日本初舞台化。 主人公トム・リプリーを演じるのは、映像と舞台の両分野で活動を重ねてきた上田竜也。狡猾で冷酷な一面を持ちながら、人を引き寄せる人物像に挑む。彼と出会い運命を大きく変えていくリチャード・グリーンリーフには木村了。さらに、トムに対して警戒心を見せるマージ・シャーウッドを潤花が、リチャードの友人フレディ・マイルズを板倉武志、イタリアで暮らす少年ファウストを長友郁真が演じる。また、リチャードの両親役として川上麻衣子と鶴見辰吾が出演する。トムとリチャード以外の登場人物を複数の俳優が兼ねるという構成も特徴である。

This marks the second triumph for co-creator-director-choreographer Scott Thompson, following his sensational “One For My Baby” at the same venue last year.

The St. Charles Singers will perform 'Sacred Spaces,' an a cappella program of sacred works at venues in Wheaton and St. Charles, before embarking on a concert tour of Italy, including St. Peter's Basilica.

The Muny announced the principal cast for MEET ME IN ST. LOUIS, with Patti Murin, Colin Donnell, Katerina McCrimmon and others joining previously announced Beth Leavel in the production's return to Forest Park.

FRIGID New York revealed the artist lineup for the Queerly Fesival, themed 'Then, Now, and Always,' featuring queer mythology, historical fiction, burlesque, and more at UNDER St. Marks in NYC.

Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.

Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event. 

BroadwayWorld Los Angeles' kid reporters talk with the young touring cast of THE SOUND OF MUSIC to find out what it's like to be part of one of Broadway’s most iconic shows and what actually happens behind the curtain.

Hamilton is the room where it happens—a history remix that’s not throwing away its shot at dazzling you with rhyme, rhythm, and revolution. Founding fathers trade powdered wigs for mic drops as ambition rises faster than the tempo, and duels come with both pistols and punchlines. This production of Hamilton will be performing at the Fisher theatre now through May 17th.

What did our critic think of BOEING BOEING at Albuquerque Little Theater?

What did our critic think of OUT OF NOWHERE TOUR 2026: TIG NOTARO at State Theatre?

A new collection of recordings is now available from Shani Wallis, who starred as Nancy in the 1968 film adaptation of Oliver! The new release is the first retrospective CD spotlighting the early recordings of the performer.

​​​​​​​BroadwayWorld recently spoke with the dynamic Leslie McDonel and Tracey Edwards about the not-so-upbeat themes at the heart of ZACH Theatre’s current production of DEAR EVAN HANSEN.

Bated Breath Theatre Company announced the final performances of DIRTY BOOKS, the immersive world premiere written and directed by Mara Lieberman, playing at Bated Breath Theater in New York's Union Square.

RIVERDANCE has a limited engagement at Centennial Hall through April 30. This is a fast-paced theatrical dance showcase that honors Celtic culture while also including cultures from other locations, such as Brooklyn and Latin America.

The PG Exploration Festival will present an industry reading of COPPÉLIA AT THE ANIMATRONIC PIZZA ARCADE, a new musical inspired by the 19th-century French ballet, set in a 1985 Chuck E. Cheese-style pizza arcade.

The Masterwork Music and Art Foundation will honor New Jersey musician Wayne Walters at its 65th anniversary gala in Morristown, where grant awardees will also be recognized and new award winners announced.

Mosaic Theater Company announced BAD KREYÒL, the latest play by Tony Award-nominated playwright Dominique Morisseau, as the fourth production of its 2026-2027 season, directed by Stori Ayers at the Atlas Performing Arts Center.

For a play ostensibly about wildlife photography, we don’t actually see too many photographs in Firewing. Instead, this is a story about truth: our relationship to it, how we represent it, and what it can cost us.

The National Theatre in Prague has premiered Václav Trojan’s opera Carousel in April. Learn more about the production and find out how to get tickets here!

Confession time—I may be the only person in the world who hasn’t seen Stranger Things, but after watching the production of Stranger Sings! at University of Arkansas Little Rock Theatre, I am about to go binge a whole season!

BROADWAY'S BAD BOYS Will Come to Glazer Hall this month. Performers will include Kevin Massey, Julius Thomas III, and Sam Gravitte. Learn more about the show here!

Indie theater company Dialogue with Three Chords will present three short plays inspired by the history of murder ballads at The Landing at Brooklyn's Industry City, featuring live music by LaMacchia.

This coming June 2026, the Summer Opera Workshop at Accademia Europea di Firenze will perform the Italian premiere of the Tony Award-winning musical The Light in the Piazza. This production will mark the first time this work is performed in Florence.