As You Like It - 1930 - Broadway Articles Page 14

The Raymond F. Kravis Center for the Performing Arts is offering Broadway's biggest hit, plus amazing concerts and memorable special events for every entertainment preference, from classical music to razzle dazzle dancers, from international performing artists to musical favorites from the Great American Songbook, along with several fascinating talks and lectures throughout the month of February.

Valentine's Day is coming up soon and San Diego theatres have some options for everyone to share the theatre love on any day!

Ghostlight Records recently recorded a new cast album of Cole Porter's 1930 musical The New Yorkers, based on the 2017 production from New York City Center Encores! Inspired by legendary cartoonist, Peter Arno's work for The New Yorker, this upbeat and dazzling soundtrack captures the hustling energy of New York, from the second you press play. The listener then has the opportunity to bask in the hilarity, romance, wit, and admiration used to express affection for a city celebrated by its unique cast of characters.

For the past 126 years, Gibson has been synonymous with creating and shaping sound. The new Gibson era celebrates the iconic models of the Gibson Golden Era while leaning into the future with instruments that nurture new players across generations, genders, and genres of music. In 2019, Gibson emerged as the legitimate leader again by offering new, relevant and award-winning guitars.

SOFI TUKKER are kicking off 2020 by sharing a new version of their single “Swing” from their Dancing On the People EP which features Australian rapper Allday. The MC, who has had a string of three top ten albums in his native Australia, brings an escalating flow on the verge of combusting over the song's dramatic strings and ominous chant adapted from Brazilian poet Chacal.

With Latoya McCormick and Tron Montgomery leading the way in this Fats Waller revue, 'it's so nice, it should be illegal.'

Birdland Jazz Club has released its schedule for December 30-January 12. Performers include Marilyn Maye, John Pizzarelli and Jessica Molaskey Duo, The Billy Stritch Trio, and more. 

Today Keen Company Artistic Director Jonathan Silverstein announced the cast for the New York Premiere of Blues for an Alabama Sky by Pearl Cleage. LA Williams will direct a cast that features Prema Cruz, Alfie Fuller, John-Andrew Morrision, Khiry Walker, and Sheldon Woodley. The design team includes You-Shin Chen (scenic), Asa Benally (costumes), Oona Curley (lighting), and Lindsay Jones (original music & sound design). Casting is by Billy Hopkins Casting. Fran Rubenstein will serve as Production Stage Manager and Drew Francis will be the Production Manager.

Ghostlight Records has announced that the new cast album of Cole Porter's The New Yorkers - The New York City Center Encores! 2017 Cast Recording is available on CD, digital and streaming formats today, Friday, December 6. The release is the first major cast album of the 1930 musical with music and lyrics by Cole Porter, book by Herbert Fields, and based on a story by Peter Arno and E. Ray Goetz. The 2017 production from New York City Center (Arlene Shuler, New York City Center President & CEO) Encores! was directed by John Rando, with musical direction by Encores! Music Director Rob Berman and choreography by Chris Bailey.

Aaron Burdett's music tells stories about life as reflected in the mind and felt in the soul of a southern Appalachian. Stories that are authentic, intense, wise - and occasionally, at least a bit humorous.

When German star, comedian Max Ehrlich, and his best friend, composer Willy Rosen were caught in Holland in 1942 and sent to the Westerbork Transit Camp, the commandant recognized Max and made him an offer he couldn't refuse: Every Monday night before the train leaves for Auschwitz the next morning, Max and Willy will do a cabaret. IF they are funny, they do it next week. If not - they are on the train. What followed was 18 months of the funniest cabaret in all of Europe!

For fans of Shakespeare, Sherlock Holmes and period comedic farce, this play will entirely engage, delight, and entertain. Intelligently and creatively directed by Andrew Gordon, it provides everything you love about live theatre: extravagant characters with underlying motives, a mystery thriller with many characters who could 'have done it', superb comic timing, an eerie atmosphere conveyed through creative lighting and sound, authentic costumes, dramatic irony, and a clearly articulated Sherlock Holmes style.

'The question is the sequence of events leading from the jewel-case at one end, to the stomach of a goose at the other.' Sherlock Holmes is speaking to Dr. Watson as they begin an investigation that might save an innocent man from prison.

Pride Films and Plays announces its first FL!P Fest - four nights of staged readings of full-length funny lesbian plays.

Keith Pinto is one of those fortunate stage actors who seems to work almost constantly. If you attend Bay Area theater with any regularity, chances are you've seen him, most likely in a role that showcases his energetic performance style and talent for movement. His latest role is the iconic a?oesweet transvestitea?? Frank-N-Furter in San Jose Stage Company's new production of a?oeThe Rocky Horror Show.a?? Mr. Pinto recently chatted with BroadwayWorld about his process while he was between rehearsals.

Two love stories. Two suicides. Padua Playwrights presents theNYC premiere of Mayakovsky and Stalin, written and directed by legendary poet/playwrightMurray Mednick (Theatre Genesis) opening at theCherry Lane Theatre for a four-week run beginningOct. 17.

Alan Paul directs and demonstrates the power of live theater.

Executive and Artistic Director, Keith Gerth and Associate Artistic Director, Stephen Smith of the Oil Lamp Theater in Glenview announce their next production, the gripping thriller Murder on the Nile by Agatha Christie. This tale of mystery and suspense is directed by Oil Lamp's Executive and Artistic Director Keith Gerth and will be performed from September 26th through November 10th 2019 at 1723 Glenview Road in Glenview. 

'Smoke on the Mountain' is a entertaining and uplifting show about a 1938 traveling family roadshow bringing gospel music, bluegrass and more. South City Theatre brings this touring performance from church to church for just a few weeks. Even if you are not a religious person, you will find this show to be fun and delightful in character work and music.

Currently playing at East Lynne Theater Company is N. Richard Nash's beautiful comedy-drama-Western 'The Rainmaker,' running Wednesdays through Saturdays at 8:00 PM through August 31, at The First Presbyterian Church of Cape May, 500 Hughes Street, where the company has been in residence since 1999. 

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

Although set in 1938, it's still so sadly relevant today.

San Francisco Playhouse is humbled to announce a post-show discussion featuring Holocaust survivors Gloria Lyon, Jean Schulman, and Rivka Spiegel following the matinee performance of Cabaret on Saturday, August 3rd. The panel will be hosted by Louis Parnell.

On August 1, N. Richard Nash's daughter, Amanda, who lives in Massachusetts, came to see East Lynne Theater Company's 'The Rainmaker' and brought four cousins, including Lois, the daughter of Nash's sister Mae, who was the inspiration for 'Lizzie' in this comedy-drama. They all loved the play, which again received a standing ovation. Amanda thanked director Gayle Stahlhuth for 'bringing this family back to life' in such 'a wonderful production.' She grew up with this play and the profits from it paid for her college education.

The director has decided to look at the more giggle-worthy elements of PRIVATE LIVES, and has avoided some of the darker implications of this Noel Coward classic. Audiences should eat this one up like a buttered brioche with coffee the morning after a sordid affair.