After the Ball - 2004 - Off-Broadway Articles Page 8

After a successful run in Central Park, playing to over 4,000 people, performances resume on Wednesday, June 27 in Rockefeller Park/Battery Park City for New York Classical Theatre's critically acclaimed production of Romeo and Juliet, directed by the company's Founding Artistic Director Stephen Burdman. The production will play this week through June 30, before continuing on to The Battery, Carl Schurz Park, and Brooklyn Bridge Park for performances through July 29. There is no ticketing, and all performances are free and open to the public. Performance schedule can be found at newyorkclassical.org.   

Milwaukee Repertory Theater is proud to announce Northwestern Mutual President Gregory C. Oberland as the newly elected Board President for a 2-year term.  Oberland has been a trustee for five years prior to being elected Board President.

From dancing under the baton of Igor Stravinsky, having a passionate love affair with celebrated poet Frank O'Hara, and appearing as lead dancer in the masterpiece Pas de deux by the great filmmaker Norman McLaren, Vincent Warren touched hands with history. His is a tale worth telling, the story of a man and the road he travelled, recounted in a documentary that by extension celebrates important and compelling moments of our recent history.

The Los Angeles Philharmonic Association today announced the following updates to the 2018/19 season at Walt Disney Concert Hall.  

Chrissy Metz, the Emmy Award and Golden Globe nominated star of the NBC drama This Is Us, will make her stage debut in Neil LaBute's critically acclaimed play Fat Pig at the Geffen Playhouse.

The annual Broadway League Awards, honoring excellence and achievement for Touring Broadway, were announced today during the Broadway League's 2018 Spring Road Conference. First presented in 1992, the Broadway League Awards recognize the contributions of those who have displayed exemplary service to the Broadway industry and are considered innovators of their craft.

New York City Center is sure to be a singular sensation this fall!

New York Classical Theatre (Stephen Burdman, Artistic Director), New York City's only all-free professional Off-Broadway theatre company, is pleased to announce a new production of William Shakespeare's Romeo and Juliet to celebrate its 19th Anniversary Season. The production, directed by Mr. Burdman, is the company's first staging of Shakespeare's tale of star-crossed lovers, and will be presented in five New York City parks - Central Park, Rockefeller Park/Battery Park City, The Battery, Carl Schurz Park and Brooklyn Bridge Park - with performances from June 5 through July 29 at 7:00 PM. There is no ticketing, and all performances are free and open to the public. New York Classical Theatre also invites audiences to experience unique behind-the-scenes access to open rehearsals on selected dates for each of the five park stagings. 

Penobscot Theatre Company is proud to present Twirly Whirly Burly-Q, classic burlesque with a modern twirl, for two performances only, May 18-19 at 8:00 pm, at the historic Bangor Opera House. The New York City-based touring troupe includes Üla Überbusen, who played two sold-out shows at the Opera House on New Year's Eve 2016. This new show combines the nostalgia of vintage burlesque and the excitement of avant-garde theater, celebrating sensuality, sexuality, and the female form.

Brush off your tiara and unleash your inner princess with Broadway's original Cinderella, Belle, and Jasmine! Hosted by two-time, Tony-nominated star, Laura Osnes (Rodgers and Hammerstein's Cinderella) and her own Fairy Godfairy, Benjamin Rauhala (musical director extraordinaire), and joined by pals Susan Egan (Tony-nominated for Disney's Beauty and the Beast and voice of 'Meg' in Hercules) and Courtney Reed (original star of Disney's Aladdin on Broadway), you are cordially invited to a Royal Ball filled with stories, sparkle and a bit of sass. Your every dream will come true as three knockout voices sing the petticoats off of every princess song in the book!

Today (16 April 2018), rehearsals begin for the West End production of Nina Raine's Consent which will begin previews at the Harold Pinter Theatre on 18 May with its opening night on 29 May 2018. Directed by Roger Michell and originally co-produced and commissioned by Out of Joint, this strictly limited 12-week run is booking through to 11 August 2018 following the 2017 critically acclaimed sell-out run at the National Theatre. A series of accompanying pre-show talks and discussions exploring ideas of justice, consent, marriage and modern parenthood will be announced at a later date.

Renowned vocalist and comedienne Liza Pulman is joined by National Championship Winners the Brighouse and Rastrick Band with acclaimed musical director Joseph Atkins and The Stardust Ensemble. Expect to hear exciting and heart warming new arrangements of many of Streisand's golden classics including The Way We Were, You Don't Bring Me Flowers, People, Second Hand Rose and many more wonderful songs in a full to bursting ninety minute show.

Get ready, sports fans, for the most competitive season of “Dancing with the Stars” ever as the show fires up the scoreboard and welcomes 10 athletes to sparkle up their uniforms and lace up their dancing shoes as they ready themselves for their first dance on the ballroom floor, on the season premiere of “Dancing with the Stars: Athletes,”MONDAY, APRIL 30 (8:00-10:00 p.m. EDT), on The ABC Television Network, streaming and on demand. This season's lineup of athletes includes three Olympic figure skaters, a former Los Angeles Lakers superstar, an Olympic gold medal-winning softball player, a Notre Dame women's basketball national championship hero, an American luger, a gold medal-winning Olympic snowboarder, a former World Series-winning Major League Baseball player and an NFL cornerback.

National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with Beethoven Symphony #9 on Friday, April 13, 2018 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC. Tickets are $30-$100 and are available at www.nationalchorale.com, or by calling (212) 333-5333.

Imagine Ballet Theatre, an Ogden-based ballet company, is bringing spring to the stage of Peery's Egyptian Theatre, with their whimsical  production of Fairyopolis, Mad Rush, Bartok Dances and a special  performance by PALS on April 27and 28, 2018. Choreography by Artistic Director Raymond Van Mason and the magical score composed by Felix Mendelssohn will have live accompaniment by Chamber Orchestra Ogden under the direction of Gabriel Gordon, The story is loosely based off the books How to find Flower Fairies by Cicely Mary Barker.

MTV's legendary competition show 'The Challenge' returns with the premiere of an epic ten-week special event 'The Challenge: Champs vs. Stars.' Hosted by WWE Superstar and former challenge competitor, Mike 'The Miz' Mizanin, 'Champs vs. Stars' will feature ten celebrities and all-star athletes along with ten highly skilled, fan-favorite champions from past 'Challenge' seasons. For the first time ever, teams will be mixed with both celebrities and 'Champs' where they will face off in weekly eliminations, until one team will prove they are the ultimate 'Challenge MVP.' Winners will compete for a chance to take a share of the $150,000 cash prize to donate to their beloved charities. 'The Challenge: Champs vs. Stars' premieres April 17, 2018 at 10:00 p.m. ET/PT on MTV.

National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with Beethoven Symphony #9 on Friday, April 13, 2018 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.

Often described as an off-Broadway (or off-off Broadway) version of Encores!, Musicals Tonight! presents its 100th and final production, CALAMITY JANE: A MUSICAL WESTERN, at the Lion Theater. Currently in its 20th season, the series received a Village Voice Obie award and grant in 2004. Unlike other revivals which substantially alter old musicals to appeal to modern audiences, Mel Miller's brainchild and labor of love allows a new generation to enjoy the lesser-known works of Cole Porter, Rodgers and Hart, and the Gerswhins, among others, in their original form. Full disclosure: I have no use for Westerns in any genre (including literature) and find Oklahoma impossibly hokey and tedious. (I do like 'O What a Beautiful Morning.') The characters and plot of this by-comparison unknown musical are to me far more interesting than Oklahoma! Don't buy a ticket to CALMITY JANE: A MUSICAL WESTERN because it's the final installment of Musicals Tonight!. Buy a ticket because it's a worthy musical skillfully rendered by a strong cast.  

Rubicon Theatre presents a timely and trenchant production of Shakespeare's tragedy KING LEAR as the centerpiece of the company's 20th Anniversary Season. Directed by Co-Founder James O'Neil, the production features a 20-member cast led by acclaimed actor and company memberGeorge Ball, who has starred in previous Rubicon productions of All My Sons, Man of La Mancha, and Jacques Brel… (New York, L.A., and international companies of the latter).

Access Theater and founding Executive Director, Jacqueline Christy, are proud to announce the appointments of Taylor Norton as Artistic Director and Brandon Burk as Director of Operations. After bidding an incredibly fond farewell to outgoing Artistic Director Sarah Norris and outgoing Producing Director Michael Aguirre, Access has embraced these two new leaders who share a vision for enhancing the critical role Access plays in the lives of emerging artists.

'Dip me in chocolate and throw me to the lesbians,' sings a young lady feeling the bright television lights on her face as cameras capture her every move for a national audience in Richard Thomas and Stewart Lee's outrageous, endearing and perceptive social commentary, JERRY SPRINGER -- THE OPERA.

In addition to seeing some wonderful performance, the great things about wring reviews are that you to get to think, learn, and write. So it was with last Thursday's Firstworks production of AMERICAN RHAPSODY: THE GERSHWIN SONGBOOK with Michael Andrew, Michelle Amato and seventeen piece Gershwin Big Band before a nearly full-house at Veterans Auditorium in Providence. The music was fabulous and I have been thinking about it and the Gershwins ever since.

Artists Rep presents the 2015 Pulitzer Prize for Drama winner Between Riverside and Crazy, by Stephen Adly Guirgis. The play is directed by Adriana Baer and runs from March 4 through April 1 on the theatre's Alder Stage.

NYC trio Consider the Source defy easy description. If intergalactic beings of pure energy, after initiation into an order of whirling dervishes, built some kind of pan-dimensional booty-shaking engine, powered by psychedelics and abstract math, it'd probably just sound like a CTS tribute band. Drawing from progressive rock, fusion and jazz, with alien sounds soaked in Indian and Middle Eastern styles, CTS blends disparate parts into a striking, utterly original whole. Dubbed "Sci-Fi Middle Eastern Fusion", the band's music strikes a rare balance between cerebral and emotional, intellectual and primal. A relentless touring schedule has won the band a fervent following from California to Israel, with fans ranging from jam-band hippies and jazz cats to corpse-painted headbangers and prog geeks.

Pink Martini, a McCallum favorite returns for eight great shows Friday, February 9, through Thursday, February 15. In 1994 in his hometown of Portland, Thomas Lauderdale was working in politics, with the intention of eventually running for office. Like other eager politicians-in-training, he went to every political fundraiser under the sun, but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world, crossing genres of classical, jazz and old-fashioned pop, and hoping to appeal to conservatives and liberals alike, he founded the "little orchestra" Pink Martini in 1994 to provide beautiful and inclusive musical for political fundraisers for progressive causes such as civil rights, the environment and affordable housing.