The stage adaption of the animated classic, ANASTASIA opened on Broadway just last night at the Broadhurst Theatre. BroadwayWorld was on hand for the big night and we're taking you to the red carpet below!
What started as a 1997 animated movie with music by composers Stephen Flaherty and Lynn Ahrens is now a full-blown Broadway musical that's been twenty years in the making. Last night, Anastasia opened at the Broadhurst Theatre, and after the curtain came down, the company celebrated at the Marriott Marquis. BroadwayWorld was on hand for the special night and we're taking you inside the after party below!
The hotly anticipated stage adaption of the animated classic, ANASTASIA opened on Broadway just last night at the Broadhurst Theatre. BroadwayWorld was on hand for the big night and we're taking you inside the curtain call below!
ANASTASIA is among the latest to hit Broadway, starting previews just this week on March 23; however, the show is already drawing in familiar faces. On Friday night, the company was visited by GRACE AND FRANKIE star Lily Tomlin who got the star treatment with a trip backstage to visit with the cast and composers Lynn Aherns and Stephen Flaherty. Check out the photos below!
Andrew Upton's new adaptation ofAnton Chekhov's first play, Platonov,The Present opened just last night at the Barrymore Theatre (243 West 47th Street) for a limited engagement through Sunday, March 19, 2017. THE PRESENT features the Sydney Theatre Company cast of 13, each making their Broadway debut, including Cate Blanchett (Anna) and Richard Roxburgh (Mikhail).
Andrew Upton's new adaptation ofAnton Chekhov's first play, Platonov,The Present opened just last night at the Barrymore Theatre (243 West 47th Street) for a limited engagement through Sunday, March 19, 2017. THE PRESENT features the Sydney Theatre Company cast of 13, each making their Broadway debut, including Cate Blanchett (Anna) and Richard Roxburgh (Mikhail).
Andrew Upton's new adaptation ofAnton Chekhov's first play, Platonov,The Present opened just last night at the Barrymore Theatre (243 West 47th Street) for a limited engagement through Sunday, March 19, 2017. THE PRESENT features the Sydney Theatre Company cast of 13, each making their Broadway debut, including Cate Blanchett (Anna) and Richard Roxburgh (Mikhail).
The Museum of Modern Art delivers a stunning one-artist showcase, and puts forward powerful evidence of Francis Picabia's sly, sensitive genius.
f GEIST! based on plays by August Stramm, Franz Kafka, Ernst Toller, Gottfried Benn, and Lothar Schreyer. Conceived and directed by Rafael De Mussa, previews begin September 15 at 4th Street Theater with opening night slated for September 18.
Philadelphia chanteuse Julie Charnet brings her blend of jazz and swing to the Ethical Society of Philadelphia and other venues.
As the opening night of The Belmont Theater's 'Side Show' quickly approaches, the activity in the black box studio has increased ten-fold. The set is becoming more elaborate, the swell of music from the orchestra now fills the air, and the costumes are coming together piece by piece. Tech week has begun, and it can both an exciting and somewhat stressful time for any production. As an actor, it can sometimes be difficult to lose sight of your character and even the meaning behind the show itself among the bustle and flurry of tech week. That is why I felt that the time had come to interview some of the actors in our show, in order to provide a bit of insight into their characters and to explain from their perspective the importance of a musical such as 'Side Show.' And for Nik Olson, this was no small task.
One of the most eagerly awaited new shows of this year's New York Musical Festival (NYMF) is the special event 'Midnight at the Never Get' which will be presented at 42WEST (514 West 42nd Street) for three (3) performances: Thursday, July 28 @ 9pm; Sunday, July 31 @ 9pm; Monday, August 1 @ 8pm. Produced by Michael Chase Gosselin, the musical is conceived by and starring Sam Bolen and Mark Sonnenblick, with musical direction and arrangements by Adam Podd, choreography by Andrew Palermo and directed by Max Friedman. Audiences will be transformed back to 1965 when they enter the venue to the back room of The Never Get. Featuring a sultry score fashioned after the American Songbook, 'Midnight at The Never Get' imagines two men who never existed at a time that very much did.
SINGIN' IN THE RAIN is a marvellous blend of singing, dancing, celluloid snippets and 12,000 litres of recycled water.
The Mac-Haydn Theatre roars back to the 1920's with Kander and Ebb's jazzy music and a deliciously scandalous story in CHICAGO.
