Two-time Academy Award winner Glenda Jackson makes her long-awaited return to Broadway, on the heels of her triumphant reappearance last season on London's West End after a 25-year absence, alongside three-time Emmy and Tony Award winner Laurie Metcalf and Tony nominee Alison Pill in the Broadway premiere of Edward Albee's Pulitzer Prize-winning masterpiece, Three Tall Women.
In addition to the Pulitzer, the play also won the New York Drama Critics' Circle Award for Best Play, and the Outer Critics Circle Award for Best Play. Two-time Tony winner Joe Mantello directs.
"The best show I've seen all year? This one. Far and away. One of the best things I have ever seen." - Chris Jones, Chicago Tribune
"I trust you'll need no urging to buy a ticket, assuming you can snag one." - Terry Teachout, The Wall Street Journal
"Thank God for Three Tall Women, is all I'm saying." - Elisabeth Vincentelli, The New Yorker
Although they move around while they do it, there's almost no action, barely a plot, and (apart from some unusual dynamics involving Miriam Buether's tricky, clever set design) little that could be called a special effect. They just stand and deliver, or sometimes sit and deliver, and nearly two hours later you realize that you may not have blinked for minutes at a time while they did it.
In 'Three Tall Women,' the 1991 Edward Albee play finally making its Broadway debut at the Golden Theatre this week, the women are identified very simply: A, B and C. But, oh, such women director Joe Mantello has brought together. Glenda Jackson, making a welcome return to the New York stage after serving in Parliament for 23 years, is A, the 92-year-old (admitting only to 91) grande dame hovering on senility, lashing out at the other two at every opportunity. Laurie Metcalf, hard to miss these days with her recent Oscar nomination for 'Lady Bird' and her return to TV in 'Roseanne,' is B, the put-upon caretaker, and Tony nominee Alison Pill ('The Lieutenant of Inishmore') is C, the lawyer.
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