The Little Man 1917 - Articles Page 3

The Writers Guild of America Awards were handed out yesterday! Big winners for the night included Parasite and Jojo Rabbit in the film categories, and Succession and Barry for television.

The Producers Guild of America (PGA) hosted the 31st Annual Producers Guild Awards on the evening of Saturday, January 18 at the Hollywood Palladium. A full list of winners is below.

'Ybor City,' an original musical with book by Anita Gonzalez and music and lyrics by Dan Furman, is a story of romance and labor organizing in 1918 Tampa, where the Afro-Cuban workforce joined with Italian and Spanish immigrants to unionize the new American cigar industry. The tuner will be presented as a work-in-progress February 5 to 26 by Brooklyn Tavern Theater, which is is pioneering a new theatrical genre: no-frills, immersive musicals presented as Equity showcases in hospitable taprooms. Performances will be Feb. 5, 12, 18, 19 and 26 at Rustik Tavern, 471 Dekalb Ave., Bed-Stuy and February 10 and 25 at The Players, 16 Gramercy Park South, Manhattan. Vernice Miller directs a cast of eleven. Co-producer is Art Boundaries Unlimited, Inc.

Casting Society of America (CSA) today announces the film nominees for the 35th Artios Awards, which honor the contribution of Casting Directors to film, television and theatre. The winners will be revealed on Thursday, January 30, 2020 in ceremonies in Los Angeles, New York City and London. Ron Funches will serve as host for the Los Angeles event, with Michelle Buteau hosting the New York ceremony.

CAUTIONARY TALES is a new podcast a?" produced by Malcolm Gladwell and Jacob Weisberg's audio venture Pushkin Industries - that tells stories of history's mishaps and disasters and illuminates what we can learn from each of these remarkable and in some cases, unbelievable true tales. Written and hosted by bestselling author of The Undercover Economist Tim Harford, the podcast will launch with eight episodes on November 15, 2019.

Critically acclaimed actor and playwright Richard Dormer (Game of Thrones) is set to lead the cast of BBC AMERICA's new original scripted series, The Watch, co-produced by Narrativia and BBC Studios.

The persistent legend, mystique and fascination of what may have happened to Anastasia during Russia's revolution finds a new home in the musical ANASTASIA

This fall, the Zimmerli Art Museum at Rutgers hosts the nationally touring exhibition that explores Dimensionism, an artistic movement, tracing the influence of early 20th-century scientific discoveries on some of the era's most celebrated artists.

It is reasonable, with the Cleveland Orchestra playing its annual 'Salute to America' at Blossom, just yards away, and POTUS going through what appears to be his childhood dream of having tanks, planes and fireworks light up the nation's capital for its birthday, that Porthouse Theatre get into the mood by staging 'Tintypes,' a musical revue with almost fifty patriot songs.

Craft Recordings is proud to reissue The Country Blues of John Lee Hooker, a showcase of traditional (folk/country) sound and one-chord blues all withJohn Lee Hooker's smooth baritone vocals. Unaccompanied and playing acoustic instead of his usual amplified guitar, Hooker recorded a wonderfully varied set of deep Delta blues, moans, boogies, one field holler, and even a bit of hokum. Due out August 2nd, The Country Blues of John Lee Hooker was cut from the original master tapes by Kevin Gray at Cohearent Audio. Pressed on 180-gram vinyl and housed in a tip-on jacket, these recordings are stripped down so the listener can hear the details and nuances from the original recording.

I've never been disappointed by a show at Signature Theatre. Even their ongoing Grand Hotel, which is working with some less-than-stellar source material, is elevated by the wonderful craftsmanship and talented artists this theater welcomes. The same can unfortunately not be said of the disappointing Spunk, which opened in Signature's more intimate ARK theater on Friday. Zora Neale Hurston's masterful prose falls flat in a production that feels like it opened too soon, resulting in an evening lacking in the gumption this show tries to champion.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Signature Theatre presents Spunk based on three short stories by Zora Neale Hurston (Their Eyes Were Watching God) and adapted by acclaimed writer and director George C. Wolfe (Jelly's Last Jam, Shuffle Along).

Unleash your inner-child as Pacific Symphony offers another unique concert experience, with a double-bill of both Prokofiev's symphonic fairy tale "Peter & The Wolf" and Ravel's one-act opera "L'enfant et les sortileges." No stranger to producing elaborate and magical stagings, Robert Neu is once again the stage director, returning after his fantastic work on "The Magic Flute." (He will return next season to direct Verdi's "Otello"!) Longtime artistic partner Pacific Chorale, led by Artistic Director Robert Istad, will join the Symphony on stage again, as well as the CSUF Singers and Southern California Children's Chorus. Returning mezzo-soprano Tess Altiveros plays the lead role, "The Child," in Ravel's "L'enfant."

In 2017, the Broadway musical version of Anastasia (which opened at Hartford Stage nice months earlier), based on the 1997 film, featuring music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally debuted to much fanfare, and now Nashville audiences are in the thrall of the cast and crew of the national touring company, onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, March 24.

An upright piano, a bottle of something strong, a door leading somewhere else. Billy Bishop Goes to War, on now at the Southwark Playhouse, after transferring from the Jermyn Street Theatre, is evocative and wistful, like a tune you remember from your youth, but no one else does.

Opening night Kansas City audiences for 'Anastasia the New Broadway Musical' were treated to a tremendously well performed, visually dazzling, homage to the classic musical theater form. 

Twitter users, check out your next list of must-follow accounts for 2019!

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

On Monday, July 23, 2018, The New York Innovative Theatre Foundation, the organization who for the past 14 years has been dedicated to celebrating Off-Off-Broadway, announced the 2018 nominees at its annual event, The IT Party. Celebrating fourteen years and thousands of nominees at le Poisson Rouge, 158 Bleeker Street.

The most honorable of the honorable mentions in 2018's Tony race will likely turn out to be Travesties, Tom Stoppard's 1974 tragifarce which took top Tony honors for Best Play and Best Actor (John Wood) in 1976 and is now putting up a game bid for Best Revival, Best Actor (Tom Hollander) and Best Director (Patrick Marber).

On April 21, 2018, Patrick Marber spoke about Travesties with Education Dramaturg Ted Sod as part of Roundabout Theatre Company's lecture series.

Czech-born British dramatist Tom Stoppard, whose densely intellectual plays may be the most potent argument known for America's need to step up its public education funding, was first noticed on these Atlantic shores in the 1960s for shining a spotlight on two minor Shakespearean characters in ROSENCRANTZ AND GUILDENSTERN ARE DEAD.

Monday, April 9th marked the first edition of the SWAP (Songs With Another Perspective) Cabaret, produced and directed by Alex Beck. Twenty-two artists sang gender-swapped songs from 100 years of the musical theatre cannon.