Me and My Girl 00/00/0000 - Articles Page 2

BroadwayHD, the premiere streaming service theater lovers, is giving subscribers the best reason to celebrate Valentine's Day all month long! In honor of the special holiday, the platform has pulled together a romantic playlist featuring adored shows from An American in Paris and Phantom of the Opera, to Romeo and Juliet and Kiss Me, Kate, which will debut on February 1.

The line between Broadway-type musical theatre and opera becomes finer by the year--though I dare say that TOOTSIE is unlikely to be showing up at the Met any time soon. But the Kurt Weill-Ira Gershwin-Moss Hart LADY IN THE DARK might have morphed in a slightly different, better piece of music theatre if it arrived in the 21st century rather than World War II.

Growing up in a small Southern town with fewer than 1,000 people, the prevalent thoughts tend to be centered on how to get out of that stifling, archly conservative community, in order to search for the proverbial greener pastures and to find like-minded people who will make you feel more "at home" with yourself and in your own skin. While that may well be the honest-to-God true story of my youth, nonetheless it always startles me when my emotions are stirred up by a stage musical set in the years long before my birth, with a show that fairly reverberates with the heart and soul, memories and nostalgia usually associated with a trip back home.

Voting continues for three more weeks for the BWW Cabaret Awards!

BroadwayWorld Cabaret is pleased to announce the nominees in 17 categories for the 2018 BWW New York Cabaret Awards, brought to you by BroadwayHD!

As a kid, I remember watching White Christmas (1954) every year with my family. When I got a little older I came across Holiday Inn, the 1941 precursor that also starred Bing Crosby, but paired with Fred Astaire, and introducing the song 'White Christmas'. There was a widely held opinion among some of my friends that it was the superior movie, an attitude that remained as long as we were only watching the edited version on commercial television. Because you see, they always cut the Blackface number. Once you see it, all innocence about this movie is lost. It forever tarnishes a film that contains two of Fred Astaire's most innovative numbers: the firecracker dance, and the drunken New Year's Eve tango that is a masterpiece of comic movement. Even for the time this number, egregiously inserted for the Lincoln's Birthday sequence (yes, it was once a holiday), seems shocking and offensive.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

Looking ahead, you'll find a number of new productions on tap, including a whole slew of holiday favorites, for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 12, 2018, to help you plot your course through next February...

Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 5, 2018, to help you plot your course through the end of the year...

Following the critically acclaimed release of 'Lost West End Vintage' (highlighted in The Sunday Times as an 'Essential New Release') and 'Lost West End Vintage 2', Stage Door Records are pleased to continue the album series with 'Lost West End Revues' to be released on November 30th 2018.

The Mabel Mercer Foundation put itself in a tricky spot to start this year's New York Cabaret Convention: how do you define what cabaret today looks like?

The classic comic face, Arsenic and Old Lace, by Joseph Kesserlring is kicking off Meadow Brook Theatre's 53rd season is opening this week and running through October 28th in Rochester. Two sweet, older ladies who look like they wouldn't hurt a fly have been adding a dash of something special to their elderberry wine - poison. But what happens when their nephew, his fiancee, his uncle (who thinks he's Teddy Roosevelt), and a bunch of other colorful characters come to visit? Hysterical chaos, that's what! BroadwayWorld Detroit had chance to talk with director, Travis W. Walter, and Mary Robin Roth, who plays the role of Abby, about the hilarious Arsenic and Old Lace before it opens this week.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 77th season, celebrating the power of the human voice to unite, inspire and connect since 1941. The upcoming season will be framed by two major musical events, the New York premiere of a multi-media version of Handel's oratorioIsrael in Egypt performed at Carnegie Hall, and a new adaptation of the Kurt Weill-Ira Gershwin-Moss Hart avant-garde musical, Lady in the Dark, starring Victoria Clark at New York City Center. Lady in the Dark has not been seen in New York since it was presented at New York City Center in 1994 as part of the inaugural Encores! season.

National Yiddish Theatre Folksbiene (NYTF) today announced that the highly anticipated American premiere of the Yiddish language Fiddler on the Roof, which began preview PERFORMANCES Off Broadway at the Museum of Jewish Heritage last week, will extend its run for an additional week through September 2 due to demand for tickets. The Press Opening takes place Sunday, July 15 and a VIP gala performance on Monday, July 16. Helmed by Academy Award and Tony Award winner Joel Grey, the acclaimed musical is being presented now for an 9-week limited engagement through September 2.

The highly anticipated American premiere of the Yiddish language Fiddler on the Roof, presented by the National Yiddish Theatre Folksbiene (NYTF) begins preview PERFORMANCE Off Broadway at the Museum of Jewish Heritage today, July 4th, with Press Opening slated for Sunday, July 15 and a VIP gala performance on Monday, July 16. Helmed by Academy Award and Tony Award winner Joel Grey, the acclaimed musical is being presented for an 8-week limited engagement through August 26.

The highly anticipated American premiere of the Yiddish language Fiddler on the Roof, presented by the National Yiddish Theatre Folksbiene (NYTF) begins preview PERFORMANCE Off Broadway at the Museum of Jewish Heritage on Wednesday, July 4th, with Press Opening slated for Sunday, July 15 and a VIP gala performance on Monday, July 16. Helmed by Academy Award and Tony Award winner Joel Grey, the acclaimed musical is being presented for an 8-week limited engagement through August 26.

Turner Classic Movies (TCM) will pay homage to the glittering world of Hollywood musicals with Mad About Musicals!, a special month of programming celebrating timeless movie musicals such as The Wizard of Oz, Singin' in the Rain and Cabaret. TCM is once again partnering with Ball State University and Canvas to offer a free online multimedia course tied to this programming special about the history of the musical genre and its evolution with cultural and technological shifts. Enrollment is open until June 17 and fans can sign up for the course at musicals.tcm.com.

The National Yiddish Theatre Folksbiene (NYTF), recently nominated for a 2018 Drama Desk Award for Outstanding Musical Revivial (Amerike-The Golden Land), has completed its casting for the American premiere of the Yiddish language Fiddler on the Roof. Helmed by Academy Award and Tony Award winner Joel Grey, and accompanied by English and Russian translation supertitles, this highly-anticipated 8-week limited engagement, July 4th through August 26th, is set to play Off Broadway at the Museum of Jewish Heritage.

The Manhattan Association of Cabarets (MAC) is pleased to announce the 2018 MAC Award nominees. The nominees, in a majority of the categories, were determined by votes cast by the active MAC membership. The MAC Board of Directors selected the nominees for Show of the Year. Special committees selected the nominees in the Ensemble Instrumentalist, Piano Bar Instrumentalist, Piano Bar Singing Entertainer (Female; Male), Recording (LaMott Friedman), Major Recording, Song and Comedy/Novelty Song categories. The names of the songwriters in the Song and Comedy/Novelty Song categories are being withheld during the voting period, but will be announced publicly as soon as the voting period concludes.

Daniel Evans and Rachel Tackley said: 'We're enormously grateful for the warm welcome extended to us by our local community and those visiting from further afield during our first season, which welcomed Chichester's largest-ever Festival audience.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) has added a performance (February 8 at 9pm) to its critically lauded world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box, directed by Evan Yionoulis. The run will conclude, as a scheduled, on February 11.

Theatre for a New Audience will present He Brought Her Heart Back in a Box, the first new work in nine years from Adrienne Kennedy.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces the cast and creative team for He Brought Her Heart Back in a Box, the first new work in a decade from Adrienne Kennedy, whom The New York Times called one of the finest living American playwrights. Set in Georgia and New York City in 1941, He Brought Her Heart Back in a Box is a heartbreaking, nail-biting memory tale of segregation, theatrical yearning, and doomed love.

Theatre for a New Audience will present He Brought Her Heart Back in a Box, the first new work in nine years from Adrienne Kennedy.

In a remarkable find, a previously unknown composition by Kurt Weill was recently discovered in a Berlin archive. The three-page manuscript in the composer's hand bears the peculiar title 'Lied vom wei en K se' ('Song of the White Cheese,' lyric by G nther Weisenborn).