The Show Off Revival 1968 - Articles Page 9

n the realm of jukebox bio-musicals, BEAUTIFUL: THE CAROLE KING MUSICAL is probably better than most. And a lot of that has to do with King's rich repertoire of music, not to mention the fact that her story runs parallel to the story of the songwriting team of Barry Mann and Cynthia Weil. Their collective mark on pop music is undeniable. King began her songwriting career at the age of 16 in the hallowed halls of an office building located at 1650 Broadway, a music warehouse of sorts located just blocks away from the infamous Brill Building. In 2013, Weil told The New Yorker that the rents were cheaper at 1650 Broadway than in the Brill Building and newer publishers, like Aldon Music, had their offices there. Weil describes the Aldon Music office as having four cubicles wherein she and her writing/life partner Mann, along with King and her writing partner and husband at the time Jerry Goffin, all worked. The foursome became friends and even vacationed together. But in 1968, King moved from New York to Los Angeles, divorced Goffin, and began her solo career. Her solo album Tapestry sold over 25-million copies worldwide, won four Grammy Awards, and has been hailed as one of top albums of all time. Shortly after Tapestry was released in 1971, King played Carnegie Hall, which is where the musical BEAUTIFUL begins and ends.

A new experiential musical by award-winning musician and playwright, Mwalim brings a taste of soul music and comic theater to Cape Cod. Marking the rebirth of Oversoul Theatre Collective, Cape Cod's first multi-ethnic theater company.

The Off Broadway Alliance, an organization of Off-Broadway producers, theaters, general managers, press agents, and marketing professionals, has announced the nominees for the 9th Annual Off-Broadway Alliance Awards, honoring commercial and not-for-profit productions that opened Off Broadway during the 2018-2019 season.

The Center for the Arts at George Mason University announced today the 2019/2020 season of Great Performances at Mason, its annual series featuring leading national and international artists in the disciplines of classical music, opera, jazz, ballet, modern dance, theater, and global music and dance. The Center also announced the return of the Family Series, offering its second season of affordable programming for young audiences.

The first words sung in A Bronx Tale, the tonally uneven and musically disappointing touring show that opened at D.C.'s National Theatre on Tuesday, are literally "this is a Bronx tale." The artistic subtleties don't get much better from there, as the musical (based on a movie based on a one-man show) proceeds to tackle issues from morality to racism with all the delicateness of a mobster smashing someone's head in with a baseball bat. Everything about this production is underwhelming from the performances to the design to the direction and choreography. Ultimately, A Bronx Tale is the perfect example of why we should stop adapting movies into musicals.

Life in Trump's America often feels like a deathlike daily march out of a hole eight stories below ground. Jordan Wolfe capitalizes on our collective weariness with his exuberant, campy rock musical version of George Romero's iconic 1968 horror film, Night of the Living Dead. As with all remakes, it helps to know the source material, if only to compare or appreciate the handling of familiar characters and plot-lines. But NIGHT OF THE LIVING DEAD! THE MUSICAL! stands on its own and makes you laugh even if zombie-eating creatures in 'middle of nowhere, Pennsylvania' don't generally interest you. Mitchell Walker's direction keeps NIGHT OF THE LIVING DEAD: THE MUSICAL! moving at a clip. The choreography is far more more elaborate than in most shows of this scale, as are the sets. Often in off-Broadway musicals, there are three or so strong songs and a lot of filler. And even if more than a handful of songs are solid, they tend to sound the same. Jordan Wolfe's songs range from rock to jazzy-pop to more traditional musical theater fare and his dialogue is crisp and clever. Add first-rate singers and strong musical direction by David Rosenberg and you get a well-executed musical farce (marred only by muddy sound and occasionally drowned out lyrics).

With Belvo and Meyer leading the way, this is as funny an ODD COUPLE as you will likely see.

The Broward Stage Door Theatre is slowly but steadily growing into its new Lauderhill home. The Producers is a show that can challenge any major regional theatre with its performance and technical demands. The Stage Door has taken on said challenge with grace. Throughout the show's month-long run, audiences have laughed at the show's timeless Mel Brooks humor and were moved by some high-quality performances.

A BRONX TALE is a musical adapted from a film that was once a one man show written by Chazz Palminteri. The Broadway Smash premiered with previews on November 3, 2016, and officially opened December 1, 2016 at the Longacre Theatre. Launching its North American Tour in the Fall of 2018 the musical features music written by Alan Menken, with lyrics by Glenn Slater and book written by the original one man show stopper Chazz Palminteri. While on its tour stop in Tampa at the David A. Straz, Jr. Center for the Performing Arts, we as the opening-night audience were truly thrust into Old City New York full of Mobsters and Italian lessons to boot. 

Berkeley Repertory Theatre today announced the full cast and creative team for Metamorphoses. This co-production with the Guthrie Theater is led by nationally and internationally renowned writer and director Mary Zimmerman.

The world premiere of Little Girl Blue - The Nina Simone Musical-a powerful new show exploring the life of American icon Nina Simone, as told through her own words and groundbreaking music-will kick off 2019 at George Street Playhouse in New Brunswick, NJ.

Opening on January 18, Hart House Theatre presents the rock musical Hair, an iconic work that celebrates its 50th anniversary at a time of new-found social justice movements and civil unrest. Directed and choreographed by a multi-faceted talent, Julie Tomaino, featuring showcase performances by trained, emergent talent, and supported by a professional production team, Hair is sure to knock your proverbial socks off.

This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.

The Dick Cavett Show Coming To DVD from SMORE Entertainment

To celebrate the arrival of the national tour of Hamilton at the Bushnell Center for the Performing Arts (December 11 - 30), the Broadway music radio program, "On Broadway," will feature an all-Presidential themed show on Sunday, December 9 from 5:30-6:30pm on WRTC-FM, 89.3. The program can also be heard online at www.wrtcfm.com.

Following their successful inaugural tour across Australia and New Zealand in 2017 and their current US Tour, the pedigree of hallowed '60s trio Cream – Ginger Baker's son Kofi Baker, Jack Bruce's son Malcolm Bruce and Eric Clapton's nephew *Will Johns – are coming to the UK for the first time to pay homage to the band's extraordinary legacy with The Music Of Cream – 50th Anniversary World Tour. The tour kicks off in Glasgow on Today 23rd November – the show has been moved from the Glasgow O2 Academy to St Luke's. Tickets are available via www.themjrgroup.com/moc50th/.

Following their successful inaugural tour across Australia and New Zealand in 2017 and their current US Tour, the pedigree of hallowed '60s trio Cream – Ginger Baker's son Kofi Baker, Jack Bruce's son Malcolm Bruce and Eric Clapton's nephew *Will Johns – are coming to the UK for the first time to pay homage to the band's extraordinary legacy with The Music Of Cream – 50th Anniversary World Tour. The tour kicks off in Glasgow on Friday 23rd November – the show has been moved from the Glasgow O2 Academy to St Luke's. Tickets are available via www.themjrgroup.com/moc50th/.

The Academy for the Performing Arts' Music Media Entertainment Technology (MMET) department presents its annual benefit concert with 'The Beatles Story: 1968.' The tribute to the Beatles doubles as a fundraiser for the department, complete with opportunity baskets and silent auctions and takes place at First Christian Church in Huntington Beach (corner of Adams & Main) today and Friday, November 1-2, at 6:00 p.m. Tickets are $20 for general admission and $40 for VIP (reserved and comes with swag) and can be bought online at www.hbapa.org/see.

Birdland will kick-off their great week of programming with week two of the "Second Annual Celebration of Ron Carter" with the Ron Carter Quartet, Capathia Jenkins & Louis Rosen 'PHENOMENAL WOMAN: The Maya Angelou Songs,' Alex Frondelli Quartet, and more!

The Academy for the Performing Arts' Music Media Entertainment Technology (MMET) department presents its annual benefit concert with 'The Beatles Story: 1968.' The tribute to the Beatles doubles as a fundraiser for the department, complete with opportunity baskets and silent auctions and takes place at First Christian Church in Huntington Beach (corner of Adams & Main) on Thursday and Friday, November 1-2, at 6:00 p.m. Tickets are $20 for general admission and $40 for VIP (reserved and comes with swag) and can be bought online at www.hbapa.org/see.

Amas Musical Theatre (Donna Trinkoff, Artistic Producer) in celebration of its 50thseason, will present The Algonquin Kid, a musical revue about growing up in the Algonquin Hotel, written by Michael Colby.

Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for October 1, 2018, to help you plot your course through the end of the year...

It's the day of the show, y'all: The Nashville premiere of Mart Crowley's The Boys in the Band is tonight - at The Barbershop Theatre, 4003 Indiana Avenue in The Nations - and six of the actors portraying Crowley's now-iconic characters took time from tech week to answer questions about their processes and to offer their reasons for why you should come see the show.

Nine Nashville area actors have been cast in the upcoming production of Mart Crowley's The Boys in the Band, which will play six performances at The Barbershop Theatre, 4003 Indiana Avenue, in a production helmed by veteran director Jeffrey Ellis, who is known throughout Tennessee as a leading theater journalist and critic.

What if God turned out to be a Puerto Rican steam bath attendant, assisted by a butler named Gottlieb? Renowned stand up comedian and actor Paul Rodriguez stars in a revival of Steambath, the 1970 off Broadway hit comedy by Bruce Jay Friedman that also became a PBS television special. Odyssey Theatre Ensemble artistic director Ron Sossi directs for an Oct. 20 opening at West L.A.'s Odyssey Theatre, where performances will continue through Dec. 16.