BWW Review: CAUGHT at Intiman Theatre Will Catch You Off Guard
CAUGHT presented by Intiman Theatre will catch you off guard and make swiss cheese of all your theories of what is art and what is theater.
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CAUGHT presented by Intiman Theatre will catch you off guard and make swiss cheese of all your theories of what is art and what is theater.
Over the years, Dear Readers, I've seen many productions of Shakespeare's oft-produced tragedy 'Romeo + Juliet'.
Are you in the mood for a good scare? A creepy tale that will stay with you all the way home and make you turn on every light once you get there.
Seattle Children's Theatre brings another classic book to life in their production of The Miraculous Journey of Edward Tulane.
With any luck most of us will bypass any connection to opioid or heroin addiction.
Before any theater company even considers attempting Elton John and Tim Rice's rock musical "Aida", they need to have, at the very least, four things in place.
Yes, Dear Readers, it's "Uncle Vanya" … again.
The idea of stunt casting, the practice of taking a big name and putting them in a role just to get butts in seats, has always terrified me.
OK, so putting up a dark and moody production of Anton Chekhov's 'Uncle Vanya' may sound redundant but remember, this is The Seagull Project.
If you're going to put up a new musical, such as Annex Theatre's current world premiere 'The Devil and Sarah Blackwater' you need a few things on board.
Seattle Public Theater is currently offering a play you've probably never heard of, "Fire Season".
ARSENIC AND OLD LACE at Taproot Theater is what Aunt Abby would call a 'fine howdy doo.
In David Henry Hwang's play "M Butterfly" there's a few things you can take away.
After a shaky start (sorry to all you folks who got bumped from the Wednesday performance) the 2017 Tony Award winner, "Dear Evan Hansen" is here at the Paramount.
Steven Dietz is touted as being 'one of America's most successful, prolific living dramatists' (The Seattle Times, 2018) and it's no surprise given his rich, engaging characters, raw, honest dialog, and stories that feel effortless as they slip in the emotional knife before you know it.
Dear Readers, if you deem to venture into the sultry world of Can Can's newest show, "Bonbon", you may walk away with several feelings.
Branden Jacobs-Jenkins' play "Everybody", currently at 12th Ave Arts from Strawberry Theatre Workshop, tells us from the beginning that we're in for a show about death.
As a self-proclaimed musical theater geek, I'll admit to some gaps in my geekdom and Tom Jones and Harvey Schmidt's 1966 musical "I Do! I Do!" falls squarely into that gap.
With all the focus dedicated to the language and story, Seattle Shakespeare breaths new life into this old classic while maintaining all its traditions.
Any good play wants to contain a solid beginning, middle, and end.
Dear Readers, I'm going to start out by coming clean to a fact that may cause a few gasps.
Book-It Repertory Theatre has a winner on its hands.
Dear Readers, I need you to stop what you're doing right now (including reading this review) and go to www.
Seattle Musical Theatre has taken on Andrew Lloyd Webber and Tim Rice's "Joseph and the Amazing Technicolor Dreamcoat" for the holidays, that bright and frothy, crowd-pleaser of a tuner.
You may say, Dear Readers, that it's impossible to have a bad production of the Thomas Meehan, Charles Strouse, and Martin Charnin classic "Annie".
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Million Dollar Quartet Harlequin Productions (6/19-7/19) |
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The Play That Goes Wrong Seattle Rep Theater (6/11-6/28) |
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Zoology Kalamunda Performing Arts Centre (7/24-7/24) |
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Rock The Village The Village at Totem Lake (7/08-7/08) |
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Winthrop Rhythm and Blues Festival Winthrop R and B Festival (7/17-7/19) |
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Hadestown (Non-Equity) Paramount Theatre (1/19-1/24) |
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Conscience Taproot Theatre (9/16-10/24) |
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Come From Away Village Theatre (1/02-1/24) |
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Cabaret Ballyhoo Theatre (9/11-9/27) |
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Joseph and the Amazing Technicolor Dreamcoat Taproot Theatre (7/08-8/15) |