Amelia Divine
Review: AS YOU LIKE IT by Dacha Theater
William Shakespeare’s work, undoubtedly, is an acquired taste.
Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at Taproot Theatre
When I think of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat, I don't think of camp.
Review: FRIDA...A SELF-PORTRAIT at Union Arts Center
One-person productions are typically autobiographical: the performer teaches the audience about themself, as themself.
Review: ANYTHING GOES at Reboot Theater
Cole Porter’s gold standard musical Anything Goes is a blast from the past, but Reboot Theatre’s Anything Goes blasts audiences directly into the future by putting the entire musical in space.
Review: THE HUMANS at Sound Theatre Company
The Humans might be the perfect show to see in that strange, autumnal window between Halloween and Thanksgiving happening now, walking the line between a haunted house story and a family drama.
Review: EULOGY, or HOW TO PLAN YOUR OWN FUNERAL (AND HAVE FUN DOING IT) at 12th Ave Arts
At the theater’s entrance, audience members are handed a packet of tissues sealed with a photo of a frowning man in a birthday hat—Brendan Healy.
Review: THE LITTLE FOXES at Intiman Theatre
It’s spooky season, and what’s spookier than a wealthy, greedy family willing to do anything to fulfill their selfish desires? Moral decay lies at the heart of Lillian Hellman’s The Little Foxes, now performing at Intiman Theatre in a production by The Feast.
Review: BRIGADOON at Village Theatre
Musical theater productions serve different purposes: some embrace or challenge the cultural milieu, keeping audiences keenly aware of the context with which the musical exists, and others invite a full escape, an invitation into a completely different world.
Review: HELLS CANYON at 12th Ave Arts
What do we mean when we say someone is “like family”? In Washington Ensemble Theatre’s Hells Canyon, playwright Keiko Green takes that question and reveals the complicated debts, histories, and power dynamics hiding underneath.
Review: HERE AND THEIR at 12th Ave Arts
Every once in a while, a show comes along that feels like you are catching something before the rest of the world does.
Review: MAMMA MIA! at The Paramount Theater
There is something about Mamma Mia! that just feels like summer.
Review: HOUSE OF JOY at Seattle Public Theater
In House of Joy, co-produced by Pratidhwani and Seattle Public Theater, the house is more than just a setting.
Review: Sound Theater Company's HUNGRY at Center Theater
There’s no escaping the kitchen in Hungry, now playing at Sound Theatre Company.
Review: GOLDEN at ACT Theatre
Golden, written by Andrew Lee Creech and now playing at ACT Theater,, is a rich, character-driven drama that delivers clean, linear storytelling about what it means to live with dignity when the world feels like it’s falling apart.
Review: DADS at 12th Ave Arts
DADS doesn’t so much invite you in as dare you to stick around long enough to figure it out.
Review: THE THINGS AROUND US at Intiman Theater
At its best, a one-person show invites you into the mind and heart of its creator, allowing you to walk a little in their shoes—whether through literal storytelling, experimental performance, or (ideally) a bit of both.
Review: OLIVER! at Theatre Off Jackson
Oliver! has always been a tale of survival, of the brutal systems that devour the vulnerable, and of the strange and tender communities that spring up in their margins.
Review: TIME STANDS STILL at 12th Ave Arts
Time Stands Still (by Thalia’s Umbrella), draws you into a carefully crafted, intimate world where the line between audience and observer feels blurred.
Review: CRAVE at Intiman Theater
CRAVE, Sarah Kane’s stylistic one-act play, is an uncompromising plunge into the raw, chaotic landscape of human emotion.
Review: HAMILTON at The Paramount Theater
The legacy of Hamilton needs no rehashing – record sales, Tony wins and nominations, career launches, and undeniable songs.
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