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Results for “Yellow Face”

BroadwayWorld Articles (2,000)

ROMEO & JULIET to Air on PBS via Great Performances

by Stephi Wild — Oct 20, 2026

Great Performances will present The Public Theater's new staging of ROMEO & JULIET, filmed at Central Park's Delacorte Theater, featuring Tony winners Francis Jue, LaChanze, and Deirdre O'Connell.

Bruce Cockburn Releases THE BLOOD OF OTHERS, Album of Cover Songs

by Rachel Stone — Oct 16, 2026

Canadian musician Bruce Cockburn released THE BLOOD OF OTHERS, an album featuring songs written by others that influenced his five-decade career. The collection traces his musical lineage from gospel and blues records to folk traditions.

Photos: Primary Stages Gala Honors Ann Harada, Cathy Bendall and Cherry Lane Alternative

by Jennifer Broski — Oct 6, 2026

Just last night, Primary Stages hosted their 2026 Fall Gala, honoring Ann Harada with the Einhorn Mentorship Award, Cherry Lane Alternative with the Andrew Leynse Commitment to New Plays Award, and Cathy Bendall with the inaugural Theater Service Award. The special night was directed by Michael Heitzman, with music direction by Will Van Dyke.  Check out photos from inside the big night here!

Review: South Coast Repertory Presents A Revamped INTO THE WOODS

by Michael Quintos — Oct 1, 2026

To celebrate the musical's 40th anniversary, South Coast Reportory recreates INTO THE WOODS with a decisively different approach, one that both entices and, at times, triggers an uneasy vibe (at first) that seems to have permeated out from the show's darker second half. Admittedly, something felt off while watching the show unfold in its new staging—which, in the end, proved to be the desired jolt it wanted from us all along. Selected as its first show for its new 2026-2027 season, this aesthetically-reinvisioned production continues extended performances through October 18, 2026.

THE MOONS OF LA Audio Series to Premiere on Audible

by Rachel Stone — Sep 29, 2026

Audible announced a coming-of-age comedy audio series from Daniel Dae Kim's 3AD production company, starring Ken Jeong, Randall Park, Jimmy O. Yang, John Cho, and others in a predominantly Asian American cast.

Shall We Dance? A Look at Ballroom Dancing on Broadway

by Sidney Paterra — Sep 25, 2026

Broadway has always known that sometimes the best way to tell a story is to put on your dancing shoes. From elegant waltzes and fiery tangos to quicksteps, foxtrots, rumbas and cha-chas, ballroom dancing has found its way into Broadway musicals for generations. Sometimes it's simply part of the spectacle, while other times the act of two characters taking the floor can say more about their relationship than pages of dialogue. With ballroom dancing continuing to captivate audiences on television and beyond, we're taking a spin through Broadway history to revisit some of the shows that have brought the ballroom to the stage.

Boy Golden to Launch U.S. Tour; Releases 'Pity' Single

by Rachel Stone — Sep 10, 2026

Boy Golden released new single 'Pity' and announced a deluxe edition of BEST OF OUR POSSIBLE LIVES arriving October 16. The Americana Honors & Awards nominee will tour cities including New York, Nashville, Boston, Philadelphia and Washington, D.C., with tickets on sale tomorrow.

Interview: Del Shores, Emerson Collins, Clinton Williams of RECIPE BOX at Austin Rainbow Theatre

by Joni Lorraine — Sep 9, 2026

There is a distinct, defiant magic that happens when queer storytelling plants its roots exactly where it is needed most. Austin Rainbow Theatre is presenting the regional premiere of THE RECIPE BOX, the latest work from legendary Southern storyteller Del Shores (SORDID LIVES, SOUTHERN BAPTIST SISSIES). Produced alongside his longtime collaborator Emerson Collins and Austin Rainbow Theatre’s Artistic Director Clinton Williams, the play brings Shores’ trademark blend of hysterical Southern grit and devastating emotional honesty to Austin.

Review: LES MISÉRABLES at Folketeateret

by Christian Ranke — Sep 4, 2026

Scenekvelder’s new Les Misérables trusts the score without treating it as a museum piece. Dark, modern and deeply felt, it finds new images for the story while remaining faithful to the form that gives it power. Les Misérables is so familiar that a new production can easily become either a careful reproduction or an argument with its own material. Guy Unsworth’s staging for Scenekvelder finds the more rewarding path between them. It honours the images and emotions audiences bring to the theatre, yet places them in a visual world with a force and logic of its own. The result feels timeless because it understands the past rather than trying to escape it.

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