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Harlequin Productions

502 Washington Street SE
Aberdeen, Scotland

Website

About the Theatre

A group of five people—James L. This, Scot Whitney, Linda Whitney, Phil Annis and Ronna Smith—got together in 1991 and decided that they wanted to produce a more challenging style of theater than was available locally. We wrote our mission statement, pooled our start-up capital—a whopping $400 cash—and began producing individual shows at the Washington Center Stage II, a “black box” venue that seated about 100. Seventeen months after beginning our capital campaign, we opened the doors on the beautifully remodeled State Theater. Suddenly we had a theater, a mortgage and a staff. Our budget jumped from $150,000 annually to $750,000. Our full-time staff increased from one to eight. To keep up with the bills and the building, we knew we had to increase income, so we planned to expand from a four-show season to a six-show, year-round season, but the first year we panicked and added two additional shows for a total of eight. And these were not small shows. It was as close as we ever came to failing as a result of driving all human beings involved to near collapse. Then… a bunch of years passed, during which no one has had the time to keep this up to date. But that’s how it started.
Review: TRANSPARENT, Oran Mor

Review: TRANSPARENT, Oran Mor

by Natalie O'Donoghue · September 12, 2026

Barry feels like he’s slowly fading into the background of his own life. Clare, after a recent loss, feels like she’s unravelling in hers. A chance encounter in a crowded bar means they both end up on a night out together, where sparks fly. Will they both see what’s right in front of them? …

Review: EMERGENCE, Theatre Royal

Review: EMERGENCE, Theatre Royal

by Natalie O'Donoghue · September 11, 2026

Enter a mesmerising underworld where human-kind dissolves into something altogether more elemental.…

Review: BURLESQUE, King's Theatre

Review: BURLESQUE, King's Theatre

by Natalie O'Donoghue · September 9, 2026

From executive producer Christina Aguilera and written by Steven Antin, based on the hit movie, Burlesque invites you to a club like no other: a hidden world beneath the city lights where sequins sparkle, seduction shimmers and lives can change in the flick of a feather boa.…

Review: READY TAE DRAP, Oran Mor

Review: READY TAE DRAP, Oran Mor

by Natalie O'Donoghue · September 5, 2026

A rabbit, a refugee and a racist get stuck in a lift... That sounds like the start of a bad joke but for high rise residents Lauren, Aaliyah and Pat, it’s a night they’ll never forget.…

Review: ONE HUNDRED VOICES, Citizens Theatre

Review: ONE HUNDRED VOICES, Citizens Theatre

by Natalie O'Donoghue · September 5, 2026

One Hundred Voices is an interactive, audio-guided installation, bringing creative insight into living in the care system. It serves as an artistic act of recognition and celebration of the one hundred testimonies recorded through the Caring Scotland project.…

Review: 1984, Citizens Theatre

Review: 1984, Citizens Theatre

by Natalie O'Donoghue · September 4, 2026

The Thought Police monitor every word you say. Children spy on their parents and the Party has abolished the truth. In this totally controlled world, Winston and Julia begin a love affair which catapults them into rebellion against the Party.…

Book Review: SEETHING LANE, by Jack Jewers, Moonflower Books

Book Review: SEETHING LANE, by Jack Jewers, Moonflower Books

by Louise Penn · September 2, 2026

Jewers returns to Samuel Pepys as a subject of fiction following his debut novel, The Lost Diary of Samuel Pepys (2022). At the start of Seething Lane, Pepys is again looking for signs of corruption in and outside of the Court, but when violent death raises its head, he realises it is folly to t…

Review: HIGH SOCIETY, King's Theatre

Review: HIGH SOCIETY, King's Theatre

by Natalie O'Donoghue · September 2, 2026

Helen George (Call the Midwife, The King and I) leads a 28-strong cast as glamorous socialite Tracy Lord, joined by stage and screen favourites Freddie Fox (Slow Horses), Nigel Lindsay (Kiss Me, Kate), Julian Ovenden (South Pacific), and Malcolm Sinclair (Pie in the Sky). As plans for the society we…

EDINBURGH 2026: Review: OIL AND WHISKEY, The Street

EDINBURGH 2026: Review: OIL AND WHISKEY, The Street

by Natalie O'Donoghue · August 31, 2026

Come see Oil and Whiskey, the award-winning, off-Broadway, country rock musical from New York City. Two ex lovers meet for a drink and relive their entire relationship over a couple rounds of whiskey. You'll laugh, cry and remember why: you don't text your ex. The best part is the show is free as a …

EDINBURGH 2026: Review: WOODY SEZ, Underbelly

EDINBURGH 2026: Review: WOODY SEZ, Underbelly

by Natalie O'Donoghue · August 31, 2026

This award-winning show celebrating the life and career of Woody Guthrie makes its triumphant return to Fringe! Join us on an authentically American musical journey, using Guthrie's own words and over two dozen of his timeless songs in one joyous, toe-tapping musical. Performed by a multi-talented g…

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