EDINBURGH 2023: Review: HIGH STEAKS, Summerhall
It’s a visceral, truthful, moving performance. Haines is genuinely funny, balancing the horror of the stats that surround labiaplasty. It’s an exceptionally well-researched production, medically and humanly. Directed by Louise Orwin and starring Haines’s mother too, it’s an important show th...
EDINBURGH 2023: Review: HEAVEN, Traverse
Jim Culleton directs Andrew Bennett and Janet Moran as they take turns to open up in conversational confessional style. They do so in a liminal space designed by Zia Bergin-Holly. The set is suspended between interior and exterior: the outside wall of a building, with its stripped posters and lonely...
EDINBURGH 2023: Review: WAITING FOR A TRAIN AT THE BUS STOP, Summerhall
The poet and director crafts a poignant exploration of manipulation, coercive control, and domestic violence, infusing it with poetic interludes that are the definite highlight of the project....
Review: THROWN, Traverse Theatre
Five wildly different women gather in the muddy fields of the Highland Games circuit to compete in the obscure art of Backhold Wrestling. The pearls are off, influencer videos posted, “Gucci bag” from the Barras set aside as the bold beginners attempt to become a team and win the championship....
EDINBURGH 2023: Review: KEVIN QUANTUM: MOMENTUM, Assembly
Epic scale stunts and mind-blowing magic in a spectacle that swings from edge-of-your-seat astonishment to belly laughs. Illusionist and inventor Kevin was trained by Penn & Teller, has had sell-outs at Edinburgh Fringe and reached the final stages of Britain's Got Talent with his death defying, stu...
EDINBURGH 2023: Review: THE BLACK BLUES BROTHERS, Assembly
After thrilling the world, with more than 500,000 spectators and astonishing appearances at the Royal Variety Performance and Montecarlo Circus Festival, 'best circus show 2022' (TheatreWeekly.com) returns to Edinburgh... on a mission to entertain! Joining the energy of Africa with a rhythm 'n' blue...
Review: MADELEINE HAMILTON: PIPING HOT, Just The Tonic At The Caves - Just The Wee One
Madeleine Hamilton blows. Her pipes. She blows her pipes and she blows them well. But this is not your average bagpipe show. Through the medium of Scotland's most famous instrument, Hamilton demonstrates with deft and witty imagination that these noise tubes are actually just like men, and falling i...
EDINBURGH 2023: Review: BREAKING OPEN, The Space
Why would a woman leave her career as the lead singer of a multi-platinum band? Was it fate, family, or something else? When she hears a compelling voice within her closet, urging her to leave her marriage, Oskar must make a choice, stay and continue as is or take a bold step to find her voice and m...
EDINBURGH 2023: Review: KIERAN HODGSON: BIG IN SCOTLAND, Pleasance Courtyard
With Big in Scotland Kieran Hodgson proves that he is not just one of the greatest comedians of his generation but one of the best to have ever performed at the Edinburgh Festival Fringe....
EDINBURGH 2023: Review: POTTY THE PLANT, Gilded Balloon Patter Hoose - Doonstairs
Potty the Plant welcomes you to Little Boo Boo’s General Hospital, home to three haphazard nurses, a day-dreaming cleaner, a suspicious doctor - and a singing, dancing plant. An hour of escapist fun filled with catchy tunes. The show for people who want an hour of ridiculous, musical fun - led by ...
EDINBURGH 2023: Review: OLGA KOCH: PRAWN COCKTAIL, Monkey Barrel Comedy (Monkey Barrel 1)
Olga Koch's latest show doesn't provide one of the smoothest hours at this years Fringe but does solidify Koch's place as one of the best on the comedy scene...
Review: BONNIE & CLYDE, Original West End Cast Recording
The Original West End Cast Recording of Bonnie & Clyde is a tense, cinematic treat....
Review: HENRY VI, Bard in the Botanics
Henry IV has won the crown from Richard II but his country faces rebellion and his own health is failing. As the king prepares for war, his son Hal is living a life of infamy in the company of the notorious Sir John Falstaff....
Review: HEATHERS THE MUSICAL, King's Theatre, Glasgow
Westerberg High’s Veronica Sawyer is just another nobody dreaming of a better day. But when she joins the beautiful and impossibly cruel Heathers, her dreams of popularity may finally come true. Meanwhile, mysterious teen rebel JD teaches her that it might kill to be a nobody, but it is murder bei...
Review: THE GREAT REPLACEMENT, Oran Mor
Fi and and her daughter Lu have never seen eye to eye but Lu’s ovaries are Fi’s last remaining hope of a grandchild.
When avowedly single Lu presents some ‘interesting’ choices of sperm donor, Fi knows she should probably keep her mouth shut. She has always been open- minded and definitely ...
Review: BLOODBANK, Oran Mor
Priya and Caris have an arrangement, a somewhat risqué arrangement for a Tory MP and an NHS nurse to have.
When picture-perfect, bottom-of-the-barrel Bonnie interrupts this unusual pair, Priya sinks her fangs into a tasty, new opportunity....
Book Review: DRAMA GAMES FOR EXPLORING SHAKESPEARE, by Alanna Beeken
Must-have, dip-in, flick-through book to help make Shakespeare's plays fun for actors, students, directors and teachers...
Review: THE STAMPING GROUND, King's Theatre, Glasgow
When together-forever couple Euan and Annie return home, they’re seeking a fresh start for their teenage daughter. But there’s a heatwave in the Highlands and they soon find themselves lost in this once familiar place, now teeming with more tourists than residents......
Review: MEET ME AT THE KNOB, Oran Mor, Glasgow
1920s Broomielaw in Glasgow was ruled by a little-remembered and little spoke about gang called the White Hats. This wasn’t your usual bunch of butch macho razor-boys, no, the White Hat Boys did it differently. They stole, sold their bodies, bribed government officials and wealthy clients with the...
Review: STRICTLY BALLROOM, Theatre Royal, Glasgow
Directed by Britain’s best loved TV Judge, Craig Revel Horwood, Strictly Ballroom: The Musical follows arrogant, rebellious young ballroom dancer, Scott Hastings (Kevin Clifton). When his radical and daring dance style sees him fall out of favour with Australian Federation, he must dance with begi...
Review: ANNIE, King's Theatre, Glasgow
It’s a hard knock life, but Nikolai Foster’s Annie makes it better. The ultimate comfort musical has returned once again to Glasgow Kings and does not disappoint....
Review: MISCHIEF MAKERS: PETER PAN GOES WRONG - BROADWAY PART 1, Podcast
Who broke their foot the last time they were in Peter Pan Goes Wrong? What was it like to work with Neil Patrick Harris? What are American audiences like versus those in the UK? Mischief Makers: Peter Pan Goes Wrong - Broadway Part 1 answers all of these questions and more!...
Review: CHILDREN OF EDEN, Royal Conservatoire of Scotland
Children of Eden takes its inspiration from The Book of Genesis and tries to humanise a well-known story that at times can feel distant in a modern world....
Review: HEY DUGGEE, King's Theatre, Glasgow
Be part of the hit CBeebies show and join Duggee and the squirrels in this new vibrant interactive production bursting with music, puppets and barrels of laughs along the way....
Review: THE KING AND I, King's Theatre, Glasgow
Starring the West End’s Annalene Beechey and Broadway's Darren Lee, The King and I is the greatest musical from the golden age of musicals – with one of the finest scores ever written including Whistle a Happy Tune and Shall We Dance...
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